In this musical comedy, Valerie is dealing with her philandering fiancé, Ted, when she finds that a trio of aliens have crashed their spaceship into her swimming pool. Once the furry beings are shaved at her girlfriend's salon, the women discover three handsome men underneath. After absorbing the native culture via television, the spacemen are ready to hit the dating scene in 1980s Los Angeles.
An exploration of the heavy metal scene in Los Angeles, with particular emphasis on glam metal. It features concert footage and interviews of legendary heavy metal and hard rock bands and artists such as Aerosmith, Alice Cooper, Kiss, Megadeth, Motörhead, Ozzy Osbourne and W.A.S.P..
A young rock singer is not appreciated by her band, and gets a postcard from Japan saying "wish you were here". She takes what little money she has including ex-boyfriend's rent money and goes to Tokyo. She has numerous cross-cultural adventures and ends up singing with a Japanese rock group looking for a gaijin gimmick.
Giacomo Puccini's bittersweet opera of high-spirited bohemians and the doomed love between Rodolfo, the idealistic poet and Mimi, the consumptive flower-maker, is a beautifully balanced series of tableaux depicting the infectious joie de vivre of youth and the tragic waste of disease and separation. The legendary and incomparable partnership of Mirella Freni and Luciano Pavarotti as the two lovers has been captured in this special live recording from stage of the San Francisco Opera. Brian Large has adapted Francesca Zambello's production for video, further illuminating the fascinating interaction of Puccini's characters. Gino Quilico sings Marcello, the colorful and moody painter, whose tempestuous relationship with the flirtatious Musetta (sung by Sandra Pacetti), comically mirrors the more profound love of Rodolfo and Mimi. Nicolai Ghiaurov sings Colline.
Huey Lewis And The News: BEFORE! follows one of the world’s top rock-and-roll bands of the 80’s and a crew of fifty technicians to the Bahamas for the making of a music video for their number one hit single, “Stuck With You” for their album, “FORE!” Blank takes us behind the scenes for an off-beat look at what happens when a song is transformed into visuals and musicians are transformed into actors. Hidden in the straightforward reportage are sly comments on the MTV machine, sexism in the media, and the business of rock-and-roll. Best of all, Huey Lewis and the News maintain their sense of humor even when absurdity threatens to overwhelm them.
In a world where ninjas dream of being rock stars and rock stars dream of being ninjas, a martial arts rock band goes up against a band of motorcycle ninjas who have tightened their grip on Florida's narcotics trade.
A tenor, in suit and tie, with a receding hairline, sings a ballad to his love, “Your Face Is Like a Song,” to simple piano accompaniment. Preserved by the Academy Film Archive in 2015.
A Jumpin' Night in the Garden of Eden was the first film to document the klezmer revival, tracing the efforts of two founding groups, Kapelye and Boston's Klezmer Conservatory Band, to recover the lost history of klezmer music. For nearly a millennium, this vigorous and soulful music was part of the celebration of Jewish life in Eastern Europe. In the early decades of this century, the music took root in America. Klezmer musicians learned hundreds of tunes by ear and their ears were open to Gypsy, Ukrainian and Greek melodies of the old world, as well as to the new sounds of American jazz. Music born in Eastern Europe lived on in the imaginations of composers for New York's Yiddish theater, men whose tunes entered the mainstream through such unlikely adapters as the Andrew Sisters. Eventually Klezmer went underground as its audience assimilated into mainstream American culture.
It's Christmas Eve and the playroom is alive with excitement for the new toys that will arrive the next day. Balthazar, the old and wise bear, explains to the other toys that they must welcome the newcomers even though each of them may be replaced as one of the children's new favorite toys.
A small but growing Texas town, filled with strange and musical characters, celebrates its sesquicentennial and converge on a local parade and talent show.
From the Piney Woods School in the Mississippi Delta to the Apollo Theater in Harlem, New York City, this toe-tapping music film tells the story of the swinging, multi-racial all-women jazz band of the 1940s.
Robert Mugge's 1986 film provides a full-blooded portrait of the Latino singer, actor, bandleader, and composer. Blades' Panama homeland, his Harvard Master's degree, and a New York performance with his band Seis de Solar all serve as stops on this biographical journey.
This is one of three short films in the Living Texas Blues series. Battle of the Guitars shows the ranging influence of Aaron "T-Bone" Walker throught the performance of Pete Mayes and Joe Hughes at the Doll House Club in Houston.
Deep Ellum is a place -- a part of Dallas, Texas. Deep Ellum, along with its legendary music scene built by the likes of Blind Lemon Jefferson, Blind Willie Johnson, Lead Belly, and Bill Neely, all but disappeared with the construction of Central Expressway in the 1950s. This film is one of three short films in the Living Texas Blues series which explores the 1920's and 1930's night life in Dallas through the music of Bill Neely.
Texas Style centers on three generations of Westmoreland family fiddlers, bringing you to the Homecoming, Rodeo, Reunion and Fiddling Contest in Gustine, Texas, where there are armadillo races, tobacco-spitting and frog hopping contests, cow chip throwing and young and old comparing their hog calling skills. Inside a canvas tent, some of Texas' most remarkable fiddlers compete to the foot-stomping delight of their audience.
Amir, shot during the height of the Afghan civil war in the 1980s, investigates and portrays the life of Afghan refugees living in and around the city of Peshawar in northern Pakistan through the experiences of the musician Amir. The aspirations of Afghan refugees are expressed through their political songs dealing with the civil war in Afghanistan, with exile, with Afghan nationalism and with the Islamic revolution. In highly charged and tragic circumstances, music can be used in very direct ways, both to promote solidarity and as an agent of catharsis.