A frustrated big-band promoter runs in to rock-and-rollers Bill Haley and the Comets at a small-town dance. He quickly becomes their manager and, with the help of Alan Freed, hopes to bring the new sound to the entire country. But will a conniving booking agent, with a personal ax to grind with the manager, conspire to keep the band from making the big time?
In the Oklahoma territory at the turn of the twentieth century, two young cowboys vie with a violent ranch hand and a traveling peddler for the hearts of the women they love.
fantasy tale about a young Zulu who leaves his village to go to the city, falls in love with the new music he hears there, and returns home to form a Zulu jazz band. The South African production and distribution company African Films followed up the success of Zonk! with Song of Africa. This is a fantasy tale about a young Zulu who leaves his village to go to the city, falls in love with the new music he hears there, and returns home to form a Zulu jazz band – which then goes to the city to compete with other bands, and comes out on top. As in the earlier films, the impact of American jazz and popular music is enormous. Like African Jim and Zonk!, Song of Africa draws on the best talent from the townships. Director Emil Nofal and director of photography Dave Millin ensure high production values, making it an above-average B-movie.
An American actor, impersonating an English butler, is hired by a rich woman from New Mexico to refine her husband and headstrong daughter. The complications increase when the town believes the actor/butler to be an earl and President Roosevelt decides to pay a visit.
Jim decides to leave his tribal area to seek his fortune in Johannesburg. As soon as he arrives, three gangsters mug him. When he regains consciousness, a friendly night watchman takes care of him. With the watchman's help, Jim gets a job in a nightclub as a waiter.
The story of seven scholars in search of an expert to teach them about swing music. They seem to have found the perfect candidate in winsome nightclub singer Honey Swanson. But Honey's gangster boyfriend doesn't want to give her up.
Light bio-pic of American Broadway pioneer Jerome Kern, featuring renditions of the famous songs from his musical plays by contemporary stage artists, including a condensed production of his most famous: 'Showboat'.
Maya Deren’s shortest, two-minute A Study in Choreography for Camera seems like an exercise piece to capture a dancer’s movement on celluloid, which later on developed into her masterpieces such as Ritual in Transfigured Time and Meditation on Violence.
Boisterous nightclub entertainer Buzzy Bellew was the witness to a murder committed by gangster Ten Grand Jackson. One night, two of Jackson's thugs kill Buzzy and dump his body in the lake at Prospect Park in Brooklyn. Buzzy comes back as a ghost and summons his bookworm twin, Edwin Dingle, to Prospect Park so that he can help the police nail Jackson.
Razz accidentally shoots his wife Martha when his hunting rifle drops on the floor and discharges. The church congregation gathers at Martha’s bedside to pray for her recovery, and during this period an angel arrives to take Martha’s spirit from her body, but she is tempted by the slick Judas Green, who is an agent for Satan.
A young woman tries to repay her adoptive parents' kindness by shielding their biological child, who has gotten involved with an embezzler, from the police.
It's midnight in a graveyard. The principal characters are spooks, ghosts, bats, bells, and, at the end, the sun. As midnight strikes, 12 spooks appear, then two ghosts. They move to the music's rhythm. Against the black night, they are blue and yellow. Bats appear as does a xylophone of bones. Mist rises, spooks swirl. A bell tolls. The sky turns light blue, the ghosts' dance slows. Then black night returns bringing intimations of frenzy. Bones play snare drums; spooks peek out of square graves. Scary faces appear. Frenetic movement takes over. A rooster crows and all return to earth as the sun's light appears.
The future is bleak for a troubled boy from a broken home in the slums. He runs away when his step father breaks his violin, ending up sleeping in the basement of a music school for poor children.
In this Eric Porter animation of ‘the grasshopper and the ant’ fable, Willie Wombat lazes and plays all summer. He laughs at his animal mates devoting time to collecting and depositing food in their local bank. Winter arrives and Willie, starving and cold, tries to withdraw food from the bank. The teller can find no record of any deposits for Willie. Dejected, Willie looks on as the other animals eat heartily and stay warm in their cosy homes. Willie collapses from hunger in the snow, but his friends come to the rescue just in time. The following summer Willie, having learned his lesson, deposits food in the bank with dedication and enthusiasm.