For 25 centuries the Parthenon has been shot at, set on fire, rocked by earthquakes, looted for its sculptures, and disfigured by catastrophic renovations. To save it from collapse, the modern restoration team must uncover the secrets of how the ancient Greeks built this icon of western civilization in less than nine years without anything resembling an architectural plan.
Lucy Honeychurch and her nervous chaperone embark on a grand tour of Italy. Alongside sweeping landscapes, Lucy encounters a suspect group of characters — socialist Mr. Emerson and his working-class son George, in particular — who both surprise and intrigue her. When piqued interest turns to potential romance, Lucy is whisked home to England, where her attention turns to Cecil Vyse. But now, with a well-developed appetite for adventure, will Lucy make the daring choice when it comes to love?
Qallunaat! Why White People Are Funny is an irreverent look at Western Civilization through Inuit eyes. Inspired by the satirical essays of Zebedee Nungak, the film turns the tables on generations of anthropologists, teachers, adventurers and administrators who went North to pursue their Arctic Dreams. Now it’s their turn to be poked, prodded, examined and explained. A new generation of Inuit is ready to take on the Qallunaat at their own game. Grounded in their own traditions but educated in the South, they have a unique perspective on the culture that has come to dominate the planet. And they are not afraid to speak their minds.
All the action takes place in a swish London restaurant where two coarse-grained strategy consultants are dining with their respective wives. At an adjacent table a banker and his wife banter over his recently discovered affair. But while Pinter gets a lot of laughs out of these gold-plated philistines, he also suggests they are displaced people. Shorn of any inherited values, they live in an eternal present of sex, food and conspicuous consumption. - Michael Billington, Guardian
Matt Lucas as a marvellous Toad, Mark Gatiss as a spiky rat, Lee Ingleby as a nervous Mole, and Bob Hoskins as a grumpy old Badger make a classy cast within yet another version of Kenneth Grahame's classic book.
Kate is on a plane taking Warren, her 18 year old Torres Strait Islander foster son, to meet Flo, his birth mother, who is gravely ill in hospital in Brisbane. Flo hasn't seen Warren since she took him to the hospital on Thursday Island when he was a toddler and the white authorities took him away. But as Warren, Flo and Kate all prepare themselves for the reunion, unbeknown to them, Kate's Brisbane based parents, Keith and Dellmay, are planning a different kind of reunion.
In 1988, German filmmaker Volker Schlöndorff sat down with legendary director Billy Wilder (1906-2002) at his office in Beverly Hills, California, and turned on his camera for a series of filmed interviews. (A recut of the 1992 TV miniseries Billy, How Did You Do It?)
Kirk Douglas achieved the kind of cinematic stardom that dreams are made of. As the torch was passed to his talented son Michael, it became obvious to everyone that the Douglas dynasty would continue to thrive…
Robson Green and Mark Benton co-star in Christmas Lights, a one-off comedy drama for ITV1 centred on two lifelong friends who have always competed with each other. The festive season brings on new challenges and takes their rivalry to extremes resulting in the two friends forgetting what Christmas is really about. Can anything bring them to their senses?
Based on the true story of a Canadian soldier, enroute to World War I from Winnipeg, who adopts an orphaned bear cub at White River Ontario. It is namned Winnie (for Winnipeg) and eventually ends up at the London Zoo where it became the inspiration for A.A.Milne's Winnie The Pooh stories.
Calvin Carter, a successful business executive, has it all, but neglects those closest to him. On Christmas Eve, all that changes when the sign on his office building falls on him. He awakes in a hospital bed, attended to by Angie, a nurse who soon lets him know he has 12 days (12 chances) to get his act together and achieve the "perfect" Christmas Eve. If he doesn't, there will be dire consequences.
For his five Cremaster films Matthew Barney's created a multitude of sculptural forms and structures. Recently both the sculptures and the films traveled to museums in Cologne, Paris and New York's Guggenheim. In THE CREMASTER CYCLE: A Conversation with Matthew Barney, the artist guides the camera through this remarkable creation at the Guggenheim Museum while being questioned by Michael Kimmelman, chief art critic of the New York Times.
Our Town is a three-act play by American playwright Thornton Wilder. It is a character story about an average town's citizens in the early twentieth century as depicted through their everyday lives. Using metatheatrical devices, Wilder sets the play in a 1930s theater. He uses the actions of the Stage Manager to create the town of Grover's Corners for the audience. Scenes from its history between the years of 1901 and 1913 play out. Originally broadcast on the Showtime Network, then as part of the PBS series "Masterpiece Theatre" (season 33, episode 1).
This true, astonishing story describes how King Leopold II of Belgium turned Congo into its private colony between 1885 and 1908. Under his control, Congo became a gulag labor camp of shocking brutality. Leopold posed as the protector of Africans fleeing Arab slave-traders but, in reality, he carved out an empire based on terror to harvest rubber.