After the 1860s Wild West, a group of misfit settlers - including ex-doctor Phil Taylor, prostitute Belle, and homosexual bookseller Julian - decide they cannot live in their current situation in the west. They hire a grizzled alcoholic wagon master by the name of James Harlow to take them on a journey back to their hometowns in the East.
A white lawyer finds his values shaken when he is paired with an angry Indigenous activist who insists on kidnapping the head of a logging company to teach him the price of his destruction.
In 1880s China, young Lalu is sold into marriage by her impoverished father. Rather than becoming a bride, Lalu ends up in an Idaho gold-mining town, the property of a saloon owner who renames her, China Polly, and plans to sell her as entertainment for the locals. Refusing to become a whore, Lalu ultimately finds her own way in this strange country filled with white demons.
Fourth adaptation and first made for television of the classic Australian bushranger novel "Robbery Under Arms" by Rolf Boldrewood. Made by the South Australian Film Corporation during the mini-series boom of the 1980s and lensed in the Flinders Ranges, it stars Sam Neill as the infamous Captain Starlight.
Forced to run from Texas Rangers after a heated misunderstanding leads to the death of a lawman, Mexican American farmer Gregorio Cortez sets off in desperate flight, evading a massive manhunt on horseback for days.
Widowed Elinor Randall and her young daughter Jerrine arrive in a barren stretch of Wyoming in 1910 after Elinor's application for work as a housekeeper is accepted by Clyde Stewart, a rancher. The work is back-breaking and the isolation is brutal, particularly as winter arrives. Elinor begins to think about homesteading her own property near Stewart's ranch, but Stewart tries to dissuade her with explanations about the killing conditions and poor rewards, especially for a woman with no man to help her ranch. Although their temperaments are different and little affection exists, Elinor and Stewart agree to marry and combine homesteads. What lies ahead is the severest test of all.
Nebraska in the 1880's: bleak, lonely, and far from what you'd expect The Wild West to be. But for a naive Swedish immigrant, the frontier parlor of THE BLUE HOTEL represents the quintessential western fantasy. No one can convince The Swede that his dime-store notions about The West are foolish. He sees murderous intentions all around him and in his terror he turns everybody against him. Inevitably, the Swede attracts tragedy. However, who is responsible? The negative Swede? Or the cliquish hotel guests? Jan Kadar directs this timely story of how society punishes outsiders for being different.
In 1864, American soldiers massacre a Cheyenne village at Sand Creek. Disgusted by the massacre, Harmonika, one of the soldiers, deserts the army and is captured by the Indians. At first, the Cheyenne hold him responsible for the murder of the wife and the son of their chief Grauer Esel, but soon Harmonika obtains the tribe′s confidence.
The Westward movement — and a woman's perspective of that movement — emerges in the dramatic story of Delilah Fowler's first year on the Kansas frontier in 1869. Based on diaries of the period, the program reveals the cruel violence, and even crueler loneliness, which early settlers encountered — but above all, it shows the quiet courage of those who lived it.
The story of Ulzana, an Apache chief who has reached a rapprochement with the local Mexican population and generously extends it to whites who travel through the territory. His people have become inured to the treacherous ways of the white man, however, and are now reliant on them for booze, 'relief flour' and beef steak.
A group of Mexican revolutionaries murders a town priest and a number of his christian followers. Ten years later, a widow arrives in town intent to take revenge from her husband's killers.
Florida, 1830 - Of all eastern Native American tribes, only the Seminoles have resisted being moved to reservations. Having retreated to Florida, they live a simple horticultural life. But white plantation owners, angry at the increasing numbers of black slaves fleeing to Seminole protection, want to take their land. Plantation owner Raynes, in particular, has convinced the military to wipe out the Seminoles. His rival Moore, a sawmill owner from the North who has a Seminole wife, is against slavery and considers it unprofitable. Chief Osceola sees the coming danger; he tries to avoid provoking the whites, but cannot prevent the war that breaks out in 1835.