This film is set during the Japanese occupation of China circa WWII. In it, the Japanese occupiers (and the Chinese Quislings who work for them) are portrayed as total monsters who kill children and rape all women. The heroes are resistance fighters who oppose the occupation.
THE PRODIGAL BOXER features Chinese folk hero Fong Sai Yuk (aka Fong Si Yu), the subject of dozens of HK kung fu films. The role is played by Meng Fei as a callow, unschooled youth and wrongfully accused murderer. Two vicious masters of the local kung fu school, seeking revenge against Fong Sai Yuk, attack his home and kill his father while Fong is away. Fong’s attempts to avenge the death of his father result in his being badly beaten. Fong trains at the hands of his martial artist mother as she puts him through rigorous training and an herbal bath that makes him invulnerable. A trail of revenge is set in motion with Fong against the two masters, played by formidable kung fu villains Yasuaki Kurata and Wang Ching. Can a year's worth of training prepare Fong Sai Yuk for his deadly confrontation with the vicious masters?
A girl is forced to leave home when she learns she's pregnant. On the road, she hooks up with a group of other girls who make a living by hitchhiking in sexy clothes and then robbing the men who pick them up.
Set during the declining years of the Tokugawa shogunate, Shadow Hunters details the questionably noble exploits of three ronin who act as "Shadow Hunters". These three ronin are not your normal ornery ruffians who are looking for a drink, a broad and someone to jab a sword into, but are in fact former samurai who, rather than follow their destroyed fiefs and murdered masters into death via seppuku, have dedicated their combined sword prowess to stopping the government from raping its daimyos for valuable resources.
Yuen Woo Ping, who would in time become one of the world's leading martial arts choreographers, blocked the fight scenes for this Kung Fu action extravaganza. A small Chinese town is being torn apart by a conflict between local farmers and Japanese soldiers of fortune, who have been brought to town to liberate supplies of a rare Chinese herb. A martial arts expert gifted in both Chinese and Japanese fighting disciplines passes through town, and takes it upon himself to settle the feud.
Womanizing thug Klett is sprung from the courthouse by two accomplices, then sets about planning the big heist of a local bank, equipped with a cache of high-powered weapons he's acquired from an American army outpost. Together with his faithful protégé, who reluctantly on-boards his young girlfriend and her AWOL brother, the quartet bumble their way through the supposedly full-proof plan that aims to deliver them a cool million in cash and a new life in Australia. Predictably, things deteriorate quickly at every turn.
A young boxer joins a martial arts school to increase his skill so he can enter a martial arts competition. He leaves the school when he hears that a local gangster is terrorizing the town. He comes to the aid of a young singer and brings on the wrath of the local gang. He eventually enters the martial arts competition after learning iron palm technique and takes out all competition.
After a career spanning more than forty years and dozens of films as director or writer, Yueh Feng used everything he learned on a final few martial arts epics, of which this is one of the most memorable. It's not easy to forget a hunchbacked, one-armed protagonist, nor the "Poisonous Dragon Sword" style, nor the luminous and lethal Shih Szu as the title swordswoman, who is out to avenge her father's death at the mid-autumn festival.
Since 1895, the imperial forces of Japan have tightened their grip on Northern China, destroying all who dare oppose them. When the local kung fu masters get holes punched in them by the Japanese overseer (just like in that anime with the blood and the heads exploding... you know the one we mean), the young fighters must look outside their own tradition for a way to win.
Chen Chen returns to his former school in Shanghai when he learns that his beloved instructor has been murdered. While investigating the man's death, Chen discovers that a rival Japanese school is operating a drug smuggling ring. To avenge his master’s death, Chen takes on both Chinese and Japanese assassins… and even a towering Russian.
Just out of prison, ex-con Ugo Piazza meets his former employer, a psychopathic gangster Rocco who enjoys sick violence and torture. Both the gangsters and the police believe Ugo has hidden $300,000 that should have gone to an American drug syndicate boss. Caliber 9 is the first part in Di Leo's "Milieu" Trilogy of poliziotteschi films. It was followed by "The Italian Connection" (1972) and "The Boss" (1973).