Four friends go into a haunted mansion on a whim but they do not realize that they have returned home with an evil spirit, from which escape might be impossible.
Radha Krishna(Srikanth) is a daring police officer who wants to settle down in life. Whenever he finalizes a girl, he lands up in trouble and spoils his marriage. On the other hand, Lakshmi Prasanna(Sonia Mann) is a qualified teacher who runs a highly successful school. Radha Krishna spots Lakshmi during an event and falls in love with her.
Chethimattathil Philip (CP) - brought up by two unmarried sisters - runs a well-known educational institution. The family's arch-enemy Kariachan has been blackmailing the sisters for years by threatening to reveal an old secret. He has also grabbed a lot of their properties and his final target is CP's college. Will CP lose his property and learn the truth about his parentage?
Prajwal, a happy-go-lucky college-goer, accidentally lands into a forbidden land, along with two unexpected partners, a drunkard and an insurance agent. The story then turns into a quasi-fantasy tale, mixing action, romance, comedy and all other possible genres.
Oru Second Class Yathra is a comedy thriller where Vineeth Sreenivasan and Chemban Vinod play thieves, while Sreejith Ravi and Joju George play the roles of police officers. The film is set on the journey of these four in the train from Kannur Central Jail to Thiruvananthapuram.
Devayani wishes to become a doctor, but ends up becoming a taxi driver when the responsibilities fell on her shoulders after the death of her father. When a woman starts driving a car the people around called she taxi. Joe Joseph is an affluent person who leads a luxurious life. Joe with his two friends joins Devayani and three other ladies - Meera Mamen, Sradha, and Roopa Pillai who are also on a trip of ten days. This trip changed Devayani’s life forever.
Sumathi, a village girl, falls in love with a tailor. But problems start brewing in their lives when her father does not approve of their relationship.
The story of "Chandrettan Evideya" revolves around Chandramohan (Dileep), who is a government servant and also an ardent classical dance follower and his wife Sushama(Anusree) is also a government employee. But the doubting wife keeps track of each and every thing her husband does. Chandramohan is well known among art followers as a good critic of classical dance. His reviews are often published in leading magazines. Considering his close association with beautiful dancers, his wife Sushama keeps close tabs on him by making phone calls every now and then. One fine day, they decide to go for a trip to Thanjavur where they meet an astrologer who tells them certain aspects of Chandramohan's previous life, which forms the crux of the story.
A TV channel’s crew goes to a deserted beachside bungalow to stage a horror show but the place is actually haunted and the ghost(s) in the place possess the director and the cameraman in the team.
Businessman Bhaskaran Pillai builds a large commercial empire until his wife dies. Under pressure from his son, Bhaskaran goes on a trip where he meets Hima, a small-business owner.
The son of a rich businessman struggles to save his father's wealth after his demise. However, he faces many challenges when he becomes the sole breadwinner of his family.
Jai (Gopichand) is a fire officer. He happens to help a stranger Ranganath (Brahmaji), who is the right man of Mumbai don Chota Naik (Kabir Duhan Singh). Ranganath turns informer and runs away with the Chota Naik"s money. Chota Nayak suspects Jai to be an accomplice of Ranganath and starts troubling him. The rest of the story is all about how Jai teaches a lesson to Chota Nayak for messing up with him.
Leela actress depressed with her father and on other hand Krishna actor suffering from daily tensions accidentally get connected on mobile lot of things get messed up and due to this Krishna has to forcefully marry leela will they stay together or get divorced.
An exploration of the relationships and personal lives of a group of bachelors, presenting the changing intimacy equations and morals of new-age youngsters.