An all-star cast highlights this vibrant musical adaptation of Lewis Carroll's immortal tale. One day, plucky young Alice follows a white rabbit down a hole and discovers a world of bizarre characters.
Liza Minnelli stars in a television concert directed and choreographed by Bob Fosse. She performs her songs such as the title number and a medley of songs from the film Cabaret (1972).
Ivanhoe Martin arrives in Kingston, Jamaica, looking for work and, after some initial struggles, lands a recording contract as a reggae singer. He records his first song, "The Harder They Come," but after a bitter dispute with a manipulative producer named Hilton, soon finds himself resorting to petty crime in order to pay the bills. He deals marijuana, kills some abusive cops and earns local folk hero status. Meanwhile, his record is topping the charts.
The Royal Ballet Company brings Squirrel Nutkin, Tom Thumb, Hunca Munca, Jemima Puddle-Duck, Jeremy Fisher, Pigling Bland, and Pigwig to the screen doing pirouettes and pas de deux in this filmed ballet production directed by Reginald Mills. The film more properly belongs, however, to choreographer Frederick Ashmore, composer John Lanchbery, and costume designer Rostislav Douboujinsky. This literal adaptation concerns the shy Beatrix Potter and how, when all of the toy animals in her room come to life, she emerges from her shell and begins to enjoy life. Sequences include a rowdy dance with Tom Thumb and Hunca Munca destroying a collection of plaster food, a midnight pas de deux between Pigling Bland and Pigwig, and a corps de ballet of dancing mice.
The Documentary centers around Zappa at home, and on Tour. The amazing thing is that Zappa allowed a guy with a camera to film the band at the Fillmore West w/ Flo and Eddie. There are times when the camera man seems to be on the stage. The performance is recorded from only one camera angle. There are only 4-5 songs presented here.....and Zappa referring to the Fillmore West as the ‘Psychedelic Dungeon’ is priceless………..It is a great piece of history.
While watching on television a bullfight where his son Luis acts, the matador Rafael Lucena dies of a heart attack upon discovering Virginia in the bullring, a woman who looks like Soledad. Soledad was his father ‘s, Manuel Lucena, great love. Both Luis and his brother Alejandro meet the singer Virginia and fall in love with her but when Luis suffers serious goring, he begins to think that Virginia brings bad luck.
After finishing her studies in London, Patricia returns to Spain, excited to see her mother again, a famous revue showgirl. But upon her arrival, she discovers that her mother is ruined and working in a low-tier theater. Mother and daughter decide to fight together to regain fame and fortune.
Adapted from the book by Charles Tazewell. Michael, a shepherd boy living in Biblical times, finds himself transported to Heaven on his eighth birthday. Michael doesn't fully understand where he is, or why he's there. A guardian angel named Patience is given the task of showing Michael the joys of Heaven and helping him find his place in the Hereafter.
A Spanish singer, known as "El Ángel", owner of a nightclub, lives a double life as an expert in alarms for gangs of thieves. In his last robbery, he betrays his partners, and his lover is kidnapped and he is blackmailed. Thinking that she has betrayed him, he abandons her to her fate. Finally, she committed suicide. El Ángel reconsiders his life and decides to become a monk. But his former life will meet him within the walls of the monastery.
Barcelona 1967. The pop culture revolution. Jordi (Patrick Bauchau) is a rich playboy who runs around with a bunch of high-end hippies, smoking, drinking, dancing and daydreaming about Tuset Street, an effort to develop a popular street in the newer section of Barcelona after the models of Haight Ashbury Street in San Francisco and Carnaby Street in London. Jordi and his gang represent the new Barcelona, wealthy, artificial and striving for imported sophistication. On the older side of the city is El Paralelo, the theater district. At El Molino, one of its many music halls, performs Violeta (Sara Montiel), a showgirl in the old style tradition who supplements her singing income with prostitution. Somehow Violeta represents the old values, the "real world" living along side an artificial creation such as Tuset.
Released in 1968 and often referred to as Canada’s first music video, The Ballad of Crowfoot was directed by Willie Dunn, a Mi’kmaq/Scottish folk singer and activist who was part of the historic Indian Film Crew, the first all-Indigenous production unit at the NFB. The film is a powerful look at colonial betrayals, told through a striking montage of archival images and a ballad composed by Dunn himself about the legendary 19th-century Siksika (Blackfoot) chief who negotiated Treaty 7 on behalf of the Blackfoot Confederacy. The IFC’s inaugural release, Crowfoot was the first Indigenous-directed film to be made at the NFB.
After the success of the live 1957 Cinderella on CBS (with Julie Andrews), the network decided to produce another television version. The new script hewed closer to the traditional tale, although nearly all of the original songs were retained and performed in their original settings. Added to the Rodgers and Hammerstein score was "Loneliness of Evening", which had been composed for South Pacific but not used.
Patricia is guide of a travel agency. One night, when accompanying a group of tourists through the old Madrid, she meets Carlos and falls for him. Days later, Patricia embarks on a summer cruise meeting up again with Carlos. The romance begins, but Patricia is not the only one chasing Carlos. Three villains want to kidnap him