NJPW Super Junior Tag League 2025 - Day 3 was a professional wrestling event promoted by New Japan Pro-Wrestling (NJPW) that took place on October 25, 2025, at the Kumagaya Citizen Gymnasium in Saitama, Japan.
Halloween Havoc 2025 was a professional wrestling event produced by WWE for its NXT brand, held on October 25, 2025, at the Findlay Toyota Center in Prescott Valley, Arizona, and headlined by Ricky Saints (c) vs. Trick Williams for the NXT Championship.
The infamous Camp Blackwood has a new owner intent on leaving its murderous history behind by turning it into a Christmas attraction for families. As new employees start showing up, they learn the killer clown of Camp Blood may not be ready to be forgotten.
Among the ruins of a magical place in the middle of the Tuscan countryside, as if arriving from another planet, two giant amplifiers, sixteen musicians, and their instruments touch down. Despite the Abbey’s lack of a roof, which would allow the sound an easy escape into the sky, Lucio Corsi and his companions manage to trap the music in an original and evocative film.
Set 200 years after the events of GODHUNTERS, when divine techniques can be duplicated and mass-produced by the world’s largest corporations, and gods have been hunted to extinction, BULLETHUNTERS follows the story of those who dare to enter the Bullet Hole: the largest labyrinth in history. As corporations and individuals from across the globe race to claim the last god’s technique, the Bullethunt begins.
After a devastating car accident kills her father and brother, 18-year-old LAYLA struggles with crushing survivor's guilt, leaving her unable to reconnect with her grieving mother. Layla descends into terrifying sleep paralysis, where her memories distort and the boundary between nightmare and reality collide, unleashing a cosmic reckoning that could shatter her world or set her free.
Exploring écriture feminine and women’s structural narratives, the Custom Trailer Series reimagines Hollywood films through the structure of a traditional quilt pattern. Here, Austin Powers: The Spy Who Shagged Me has been recut to construct a starburst quilt, and then scanned as a film. The work exists both as a material object (the quilt) and the visual representation (the film), drawing attention to the materiality of the filmstrip and the patriarchal biases still present in commercial cinema.
For some years Wood Wide Web is the magic phrase to describe the web of roots, fungi and bacteria helping to connect trees and plants to one another. In What Wide Web? Van Bakel depicts the surreal wasteland of Rotterdam Maasvlakte and its forest of pylons. After a bumpy ride we zoom in on the improbable beauty germinating underneath high voltage lines, a living part of our world hardly ever noticed. The plants that grow below the energy-web are shown as in a digital herbarium. We can ask ourselves: are industry and nature evolving more into co-existence?
Using found analogue film footage combed from personal archives accompanied by an improvised soundtrack created in response to the visuals, this raw and at times chaotic live performance combines the techniques of film-scratching and direct animation with experimental sound-making.
Kai is thrown into a harrowing manhunt after her sister Madison’s neurodivergent daughter is abducted by an online predator. Kai leverages her loyal trucking network and social media influence to launch a grassroots rescue mission to find her niece.
At a pool party, an overweight Black teen struggles with insecurity before confessing his feelings to his crush, despite fears of rejection and embarrassment.
Two strangers regain consciousness in a dimly lit room, disoriented and unable to remember how they got there. With no way out and no clue who has confined them, they are forced to rely on each other for survival. As fear and uncertainty mount, a tense bond forms between them—one that blurs the lines between trust, desire, and control. The confined space becomes both refuge and prison as emotions intensify and reality begins to distort. When an ominous red light suddenly flickers on, the truth behind their captivity—and the fragile nature of their connection—is finally revealed.
The following tape was discovered by thrift store employees in Toronto. It was still inside a camcorder that had been anonymously donated. The original copy is in the possession of Toronto Police, however a digital copy was made by staff. This is that copy.