Sophie and Jessica are anthropomorphic beings that wander through different worlds – searching for themselves and for one another. Their bizarre and battered appearances are modelled with so much detail you can almost touch them.
Repurposing techniques such as spoken word, ASCII art and coding, the protagonist in this film navigates his own conflicted, chaotic memories. While he lets his imagination roam freely, the film unfolds through a series of vignettes. With Line of Sight, Ali Eslami manages to find a new way to articulate our inner realm and explore a displaced and fragmented sense of self. The result is as playful as it is frightening.
A fluid blend of digital and analog forms, Flux is a visual poem musing on all things water: from the swelling waves, to the rigid ice, to the gaseous forms of our galaxy. Changing states, mutable forms and flowing associations invite the viewer to relieve their mind and let their spirits float along for the ride.
Alguén me chamou Serpe Negra explores the tortuous path that memories and dreams take in our mind. Thanks to the texture of analogue hand-painted animation, the film is an invitation to an oneiric universe made of loose connections and revised spatial dimensions. Filmmaker Borja Santomé Rodríguez takes us with him on a journey made of images that play with love and adventure, childhood curiosities and adult desires, and in which the ultimate reward is to get lost.
Seven Fragments of Her Life is a hand-drawn animation from pianist Bárbara Varassi Pega, illustrator Mauricio Martínez and Omar Martínez Gianoli. In the film, we follow a solitary woman as she explores and makes sketches in Rotterdam, the city in which she lives. When her sketchbook lands on the train tracks, she’s impelled to see the many colours of the city through the people around her.
Pushed to their limit, the Manta Rays rise up against Man to take control of the Earth; it is the dawning of a new Manta Ray Era and the “flattening” of Mankind.
The opening of an annual flower show sets the stage for this elusive, hand-drawn animation that explores the underlying fabric of our society. While little girls are dressed up for the occasion, the older women are dealing with a completely different set of expectations. Seemingly stuck between sensual plays and discomforting gazes, will any of these girls ever find an escape from this yearly ritual?
A seemingly idyllic lovers’ encounter reveals itself to be the start of a genderless figure’s surreal odyssey. A dystopian universe unfolds piece by piece as the character learns who they really are.
In the realm of Mountland, Ms. Isla maintains control through a labyrinthine parcel service system. It’s the only form of order in this chaotic world. As the Atqaba religious festival nears, Ms. Isla is entrusted with the delivery of an unconventional package from an important figure, and its destination is anything but usual. It’s a mission even she feels unsettled by, but her reputation is everything, so she sets off on the perilous journey.
In Kohlberger’s second film that could be considered narrative driven, the artist fashions a dystopian fiction from the remnants of cinema’s past. Drawing on excerpts from obscure sci-fi films, The Electric Kiss imagines a world not unlike our own, in which people plug their brains into a kind of neuro-network that connects the whole of human consciousness. As cyberpunk imagery draped in VHS textures alternates with passages of prismatic visual noise (achieved, in trademark style, by feeding footage through self trained machine learning algorithms), a quasi-plot emerges: a man in a VR headset, literally and figuratively lost in space, subjects himself to a mysterious procedure to alleviate the ill effects of this new technology on the mind.
A woman with weird superpowers, a turtle with obsessive-compulsive disorder and a cloud with rain incontinence on an unusual journey to the depths of the ocean.
An attempt to map a fraught relationship through the use of intricately coded pictographs and schematic abstractions applied onto glazed ceramic tiles and quilted cyanotype fabric. The aesthetics of architectural language are used to reconstruct memories of my family's domestic spaces in the hope to uncover logic to a broken home.
At an exhibition, graphic designer Stefanie is thrilled by the work of John Heartfield, the inventor of political photomontage 100 years ago. While trying to understand his life on the run, she suddenly finds herself in Heartfield's studio.
Lawrence Lek directs an animated court drama where the defendant is a driverless car accused of kidnapping its own creator. Setting the premise for the artist to address themes like accountability, agency, the (already happening) use of AI in the justice system, and the future of class struggle. In the tradition of Philip K. Dick and Franz Kafka, this trial is a powerful reminder of the normalisation of the absurd and of the urgent need for a new system of ethics.
The disappearance of her sock at a local laundromat sends a fragile Rita over the edge. Hellbent on finding it, she searches deep and gets sucked into a washing machine, entering an otherworldly cycle from which she may never escape.
An incorporeal Shadow takes up a dangerous adventure through a mystical forest, fancy castle and dream world to save her frivolous owner from a cursed Beast.
Libelle, Nix's mother, possessed exceptional abilities. She not only excelled in the fields of science and engineering, but also gained fame as a distinguished inventor and composer. Nevertheless, at a tender age, Nix, an aspiring musician and inventor in her own right, is now burdened with the responsibility of upholding this remarkable legacy.