After breaking up, a boy and a girl learn to live without each other. Each on their own, they go through the emptiness, the habits, the silences. Two parallel daily lives, between escape, memories and attempts to cope. This is not a love story. It's what's left afterwards.
Juliana lives under the weight of grief for her mother, who has lost a son. Obsessed with protecting her only remaining daughter, her mother turns love into a prison. But Juliana, amidst suffering and loneliness, finds in the piano a way to resist, express herself, and seek her identity.
A young man loses his wife and leaves their home so he can start fresh. He sorts her belongings, deciding what to keep and to let go, all while going through grief.
Amelie, a young woman who finds herself engulfed in unresolved grief, adds a new object to her collection that leaves her torn between nightmare and reality.
A violent gunslinger sees visions of Hell and decides that in order to redeem himself he'll give his ill-gotten loot to save a beautiful nun's orphanage. But when he is ambushed and left for dead, he sets out on a trail of vengeance.
After discovering his girlfriend's betrayal, Ayaan retreats to his aunt's town, where an eight-day journey with his aunt, his friend Banku and a mysterious girl leads to self-discovery.
A film about the end of the world and the end of a roll of toilet paper. In his deftly playful work shot on 16mm, filmmaker (and musician) Ondřej Vavrečka reminisces, says his farewells and also reflects on the limits of progress. Via three fictional characters, each of whom responds differently to the impulses of their surroundings, he simultaneously enhances the sensitivity of the film audience. Will a pain we experience leave a scar or merely a colourless memory? And will someone remember the old Vysočany station a hundred years from now? In its poetic charm this cinematic piece is almost tactile in nature; it awakens all the senses and, in places, bears the hallmark of Jan Švankmajer, if the latter had been born an essential optimist, that is. Film as a whisper emanating from smiling lips. (Viktor Palák, KVIFF)
The heroine, a young archaeology student, whose relationship with herself, and with those around her, is forever marked by a traumatic event. Initially, Gaia cannot find the words to describe her situation, let alone the courage to speak about it. Eventually, however – like an archaeological excavation – she begins to uncover fragments of the past in order to piece her life together.
29-year-old Ilona and her boyfriend have just moved into a new apartment in a block of flats. When the building’s renovation begins soon afterwards and she befriends Oleg, one of the Ukrainian construction workers, her idyllic notions of a fulfilling life as she approaches thirty start to crumble, like the old plaster on the walls.
Javiera, an up-and-coming dancer, lands her first duet in a performance with an erotic theme. But as rehearsals begin, buried memories of past sexual abuse resurface, forcing her to confront a trauma she thought she'd left behind. Torn between her passion for dance and the weight of her past, she pushes herself to the edge, struggling to move forward without hurting her partner or her career. In the process, art and pain become inseparably entwined.
The Linyuan Pavilion, the library of the Li family that has never been open to the outside world, was suddenly robbed, and detective Bai Fei was invited to assist in the investigation. At the scene of the mysterious secret room, he found that this seemingly ordinary theft was full of dangers, and everyone seemed to be holding a secret that could not be told.
Struggling real estate agent Mandy discovers her true passion and love when she inherits her grandfather's bowling alley, teams up with a local vet, and finds a lost kitten along the way.