Evading the police, Issa and her brother Tomas seek shelter in a secluded orphanage in the forest. But the siblings’ safe haven soon reveals itself to be a hellscape controlled by a sacrificial cult in thrall to a fearsome nocturnal deity.
Autumn 1929. Lina, from the noble Golitsyn family, arrives on a date with her husband Georgy Osorgin, who is serving a prison sentence in the Solovetsky special purpose camp. Lina does not know that after she leaves the island, her husband will be shot. Osorgin received a terrible sentence after he, a deeply religious man, secretly brought holy gifts to the dying Archimandrite so that he could take communion before his death. The camp authorities took the Russian officer's word of honor from Osorgin not to tell his wife anything about his predetermined fate. Only on this condition did they agree to temporarily release him from the punishment cell for his last meeting with Lina. The spouses spend the precious three days allotted to them and feel happy in the most inappropriate circumstances. Osorgin says goodbye to Lina on the pier. When the ship becomes a dot on the horizon, the guards escort George back to the punishment cell, where he carefully dresses for his final journey.
In the mid-18th century, the Beast is hunted around the Château de Saint-Alban. In the mid-20th century, a new kind of psychiatry is invented there. Theatre and madness span the centuries.
The community of Covas do Barroso, in northern Portugal, discovers that the British company Savannah Resources plans to build the largest open-pit lithium mine in Europe just few meters from their homes. Confronted by this imminent threat, the People decide to organize themselves and expel the company from their lands.
A sudden loss catalyzes an unlikely bond between two migrants in the Chinese community of Queens. Navigating lives far from home and the painstaking labor that supports them, they journey through grief together in hopes of finding family.
Swimming instructor, Young-eun is a single mom raising her 7-year-old daughter, So-hyun. However, a series of tragic events happens as So-hyun's puppy falls from the apartment and dies, and So-hyun bullies other kids in school. Despite her mom's earnest efforts to address So-hyun's mental disorder, her peculiar behavior persists. Twenty years later, Min, who works in handling unclaimed deaths, meets a new colleague, Hae-young, and they form a close bond. However, as Hae-young warmly integrates herself into Min's life, Min begins to feel uncomfortable and suspicious about her intentions.
The film tells the story of an elderly couple living a peaceful life in a village, with their eldest son living nearby and their youngest son working abroad. It depicts the struggle and conflict between two generations.
Amel and her family learn that their landlord wants to get his apartment back in a few months. While Mouna, her eldest daughter, begins to have visions of Charles Martel, and their request for new social housing drags on, Amel has no choice but to reinvent herself.
Marie, an 80-year-old woman battling terminal cancer, has decided to end her life on her own terms. She embarks on a journey accompanied by her somewhat dysfunctional family and Rudy, a kind-hearted caregiver she’s just met. Unable to reveal her true intentions, Marie creates a story about an inheritance in Switzerland to convince her unreliable and distracted son Bruno, granddaughter Anna, and Rudy, to take a road trip in their old RV. But will Marie find the courage to reveal the true purpose of their journey as they approach Switzerland, and how might her family respond to the devastating truth?
On the edge of self-destruction, a young artist meets a boy who has everything—sparking an unspoken bond that could either save him or slip away forever.
Ardi, a 21-year-old cinephile who prides himself on being immune to Indonesian horror films. Introduced by Kitti, an ambitious film producer, and Rossi, a creative director working on a new project, Ardi expresses his disdain for local horror films, which he believes are of poor quality and rely too much on cheap jump scares. Through interviews and interactions with his friends, including humorous moments shared while watching horror films together, Ardi's arrogance and skepticism toward the genre are evident. His friends challenge him to watch clips from some of the most terrifying horror films, hoping to make him experience fear. However, Ardi remains unimpressed by each clip shown, continuing to mock the genre's ability to frighten him. As the film progresses, Ardi's journey becomes not just a challenge of fear but a humorous exploration of his own biases and the nature of horror in contemporary Indonesian cinema.
A student races to deliver an attendance sheet to the main office while competing with a no-nonsense hall monitor and an aggressive bully, all to impress another student for whom he is head-over-heels.