Musamoni Panigrahi (1920s–2017), fondly called “Nani Ma” by her neighbours, appears in the centre of this first film in the Baleswari dialect of India's Odia language. The story revolves around folklore and folk songs narrated by Nani Ma. Born in the 1920s in pre-independent rural India in a coastal village in the Balasore district of Odisha, she never got to go beyond the first few days of school. The film is an alternate history of a society broken through colonization, Brahminical patriarchy and a post-famine (Orissa famine of 1866, killing nearly 5 million people, one-third of the population), and the dominance of formal writing over spoken tongues. Three academics -- Damayanti Beshra, PhD (recipient of India’s fourth civilian award, “Padma Shri”), Panchanan Mohanty, PhD (noted linguist), and Laxmikanta Tripathy, PhD, DLitt (anthropologist and author) -- also appear in the film to provide contextual commentary on patriarchy, oral history and the sociolinguistic diversity.
The story of 2 people that have been friends for multiple lives, while one of them is on a mission to save the nation. In order to succeed, both of them have to revisit their old memories of their past lives.
A film about peace, love and war. Dedicated to the 100th anniversary of the end of the Civil War in Russia. The film takes place at the end of the summer of 1917, when Russia and the whole world were at a crossroads between two eras. None of the people could even imagine how much his life would change in the very near future. In a strange way, the atmosphere of the film echoes our current reality and what is happening in Russia today. According to the form of visualization, the film belongs to experimental mockumentary cinema. To give greater authenticity to what is happening on the screen, the shooting was carried out on black-and-white negatives of 16 and 35 mm, hand-operated cameras were used and the material was developed in manual spiral tanks. The documentary chronicle of the Kolchak army of 1919 and the White army in the Far East of 1922 is embedded in the finale of the film.
In 1980s Apartheid South Africa, a woman's tenuous relationship with her boyfriend is threatened by memories of a past lover, and the possibility of their re-entry into her life.
The story of the first anniversary of the founding of the new China, the central delegation went to Yunnan ethnic areas to research, at the same time, in the name of Chairman Mao Zedong, invited representatives of the 26 ethnic minorities in the southwest to Beijing to participate in the National Day ceremonies, the representatives returned to Yunnan and swore to set up a monument. Built on New Year's Day in 1951, the "Pu'er Monument of National Unity Pledge" is unique in the country and is a monument of revolution, history and ethnicity, a vivid manifestation of national unity and the "First Monument of National Unity in New China" and the "First Monument of National Unity in New China". It is a vivid embodiment of great national unity, the "first monument of national unity in new China" and "the first monument of national work in new China", and has been hailed as "the only monument in the history of human nationalities".
The Chola kingdom is under threat from forces both internal and external, and with crown prince Aaditha Karikalan, his younger brother Arunmozhi Varman and the emperor, Sundara Cholar separated by situations, it is up to a messenger to ensure the safety of the kingdom. Can he succeed in his mission, especially with Karikalan's former girlfriend, Nandhini, plotting to bring down the entire Chola empire?
South African enfant terrible filmmaker and artiste-cineaste Manus Oosthuizen meets with Rotten Tomatoes-approved indie film critic Babette Cruickshank in an Echo Park sound studio. With key members of Manus's crew joining, they record an audio commentary track for his new elegiac feature documentary Razzennest. But the session goes down a different path... cazzart! The ultimate elevation of arthouse horror, just not as you might expect.
The tormented life of Dante Alighieri, from solitary childhood to death in exile, seen through Giovanni Boccaccio’s journey to rehabilitate his memory.
In 1973, a young gallery assistant goes on a wild adventure behind the scenes as he helps aging genius Salvador Dali prepare for a big show in New York.
The story of the making of Soylent Green, a masterpiece of social science fiction, released in 1973. Directed by Richard Fleischer and starring Charlton Heston and Edward G. Robinson, it deals not with an exogenous threat, such as an extraterrestrial attack, but with the dire consequences of an irreversible environmental catastrophe for which mankind alone is responsible.
Young Richard of Gloucester uses the chaos of the Wars of the Roses to begin his unscrupulous climb to power in this classic Shakespearean history of a king in the throes of jealousy and murder. Despite being manifestly unfit to govern, he overcomes each obstacle in his way to seize the crown, as King Richard III. But as those around him turn against him, and as his plans begin to unravel, where else can he turn as the Lancastrian opposition returns to drag the country into battle once more and put an end to Richard’s tyrannical rule. Richard III is a savagely comic analysis of the exercise of power, reminding us of the dangers of tyranny and our duty not to let it go unchecked.