Several times president of the Council, at the end of the 1930s Pierre Laval became one of Marshal Pétain's strongmen, a loyal collaborator for the Germans. Rounding-up Jews, forced labour, tracking the French resistance..., he served Hitler faithfully to the end. When France was liberated, he was tried, condemned, shot.
Filming "Goya. May 3" is an innovative audiovisual project that makes a cinematographic recreation of Goya's painting "The Executions of May 3" through an 8K digital recording with real digital scenography under the direction of Carlos Saura, also from Aragón. This, with a multidisciplinary team, develop a dramatization as realistic as possible, making use of the latest filming technologies and with a careful artistic direction that pays special attention to styling, costumes, sound setting, etc., in a complex process whose novelty lies in the production, and with which it is sought to achieve an immersive experience of great impact for the visitor.
Based on Iain Ballantyne's book, and shedding new light on one of World War II's most epic sea battles, this documentary provides a thrilling countdown of the Bismarck's final 24 hours.
In the heart of Athens, the vestiges of an ancient city have overlooked the capital for over 2,000 years: the Acropolis. Built in the 5th century BC, this sumptuous complex of temples and monuments remains the most extraordinary architectural work left to us by Ancient Greece. Thanks to CGI and explanations of the foremost international experts, discover the technical feats of Antiquity that allowed a rocky hill to be transformed into a monumental and immortal masterpiece. From the infallible anti-seismic systems to the techniques used to hoist blocks of marble weighing several hundred tons to the top of the hill, walk in the footsteps of the greatest engineers of Ancient Greece and discover their ingenuity, precision, and perfectionism.
Still healing from her grandmother’s death, Addison Moore finds herself checking into The Copper Queen Hotel in Bisbee, Arizona. Aware of the ghost stories and hauntings, Addison fearlessly elects to stay in Room 315, the location of the heartbroken Julia Lowell’s death a century ago.
The history of italo disco, a musical genre that conquered the world during the incredible eighties, the most cybernetic decade; a style that was not just another kind of dance-pop music, but also the origin of an aesthetic, a true social phenomenon and the creative center of a very profitable industry.
Bettany Hughes draws on her investigative skills and the latest technology to offer a new insight into the lives and deaths of the victims of one of the worst natural disasters in history. As well as travelling to Pompeii and Herculaneum, she sets up her own incident room, complete with DNA tests, to learn more about the eruption of Mount Vesuvius in 72AD.
On 9 July – Argentina’s Independence Day – Llinás sets off in Buenos Aires with his regular cameraman Agustín Mendilaharzu to re-record ‘Corsini interpreta a Blomberg y Maciel’, an album made in 1929 by lyricist Hector Pedro Blomberg and composer Enrique Maciel, as an ode to Juan Manuel de Rosas, leader of the Argentine Confederation.
It is little known that in addition to World War II, which began in 1941 (in Yugoslavia), the another war was fought in Donji Kalemegdan that year - the one for the cultural heritage and heritage of the fortress, the symbol of Belgrade. Ahnenerbe, an organization famous for the misuse of archaeological and pseudoarchaeological research, wanted to put the history of the Belgrade fortress for the purpose of Nazi propaganda by excavating it on Kalemegdan.
Germany, 1946. Hunger, rubble, returning soldiers. Charlotte is pregnant, but her beloved returnee does not want her or his child. In order to win him over and escape the impending shame, she enrolls in the "missing course" of actress Gloria Deven, who was an up-and-coming film star under Fascism and is now banned from working. But Gloria, with her merciless lessons, is not interested in reviving the coquetry of girls that became superfluous in the war. Instead, she awakens in Lotte a longing for something too long denied her: Freedom.
Barely 22, Franz Klammer finds himself at the “eye of the storm” when he shows up for the men’s downhill competition at the 1976 Winter Olympic Games. Since the previous season the charismatic newcomer has won virtually every race. The pressure from the media and the public and the hopes of an entire nation are off the scales. His sponsor is pushing him to switch equipment right before the competition, the weather is getting steadily worse, and his toughest rivals know that Franz has to do better than just a flawless run. Franz senses that he has to find his own path and that only the love of his life can give him the strength to do that. This is the most important race of his life in which he skis a line that nobody even thought was possible and which will make him to this day a legend in the sport of downhill skiing.
On March 21st, 1945, the British Royal Air Force set out on a mission to bomb Gestapo's headquarters in Copenhagen. The raid had fatal consequences as some of the bombers accidentally targeted a school and more than 120 people were killed, 86 of whom were children.
When Death wants to bring the plague to Württemberg in 1349, he has not reckoned with the two guard soldiers Volckel and Utz, who engage him in a heated argument about plague ordinances and entry regulations.
A cinematic, character-driven insight to what it meant to produce and to own a car in communist times: the Socialist propaganda dreams and the hard reality of living that dream. The freedom that these slow and clumsy vehicles were giving to their owners; the cars as an instrument in the Cold War battle; legends and homemade tune-ups as an attempt to stand at least a little bit off the crowd.
"Viriyaporn Boonprasert" is the name of a filmmaker who has been making social satire films since 2012, and no one knows who she is until now. But Viriyaporn's films reflect the condition of Thai society and Thai politics in the past to the present.