Being the victim of a wrong target, Sasa dies in a car accident but her restless spirit is unaware that she is dead and returns home. Two ghosts try to help Sasa understand that she is dead and teach her how to be a new ghost. Sasa tries to save her siblings' lives when they are in danger so that she may settle all that she needs to and depart with closure.
Raquel is a religious teenager who moves with her father to a small town in search of a new life. During her first days there, she has a mysterious experience which leads her to believe she’s been given an important and controversial mission by God.
In the harsh life of the streets, on his dark side, struggling to survive. A group of men are kicking the street, they have been together for a long time, (Lazaro) With a strong appearance and personality, resentful of society, He kills his frustrations with alcohol, (Solomon) will arrive at the lair fleeing from something dark, They find a day to another indigent, (Arturo) a little younger, they join their group together with (Pedro), who is sick, and (Japa Japa) a young man whose mind is in another world, remembering his past lives without return.
According to the plot, 13-year-old Sonya, her younger sister Anya and their mother move to live in the village. Relations with the locals do not add up, and there is little entertainment here. Unless you climb into an abandoned house, shrouded in stupid legends about an evil Dollmaker who allegedly steals children and makes puppets out of them.
We put in view the responsibility of fathers and mothers when bringing offspring into the world. The ethics and morality of being demigods and those who, being discriminated against, are the light of humanity. After many failed attempts, his creation is born, but not everything turns out as he expected. Víctor's constant chemical poisoning causes carelessness and on one occasion, the creature runs away in terror and begins a journey whose journey has only one destination: to find himself and prove that he is not a monster.
Chloe Grayden undergoes an experimental procedure to restore her hearing. Soon she begins to suffer from auditory hallucinations related to the disappearance of her mother.
D' Aswang Slayerz is a horror comedy story of Paps (Mel Martinez) and his niece Eve (Athalia Badere) suddenly being informed that they come from a family of "Aswang Slayers". The messenger La Niña (Magdalena Fox) tells them that their hometown in the province is being destroyed by the aswangs and that only Paps and Eve can save the town from the Aswangs. Faced by so much financial burdens in the city, Paps and Eve together with their friend Logan ( GJ Dorado ) decide to join La Niña in the province. This is where their adventure or should we say misadventures begin. They are given amulets to protect themselves and undergo physical training to fight the aswangs. The Queen Aswang (Sharmaine Arnaiz) is informed of the Slayers' arrival in the province and is determined to bring them down. With the help of the Queens right hand man Troy ( Lester Tolentino) Paps falls in love with him but Eve is not happy about it. She is determined to prove that Troy is one of the aswangs.
In the Alabama summer heat, two posers find themselves hanging with a duo of mischievous girls. Their day takes a turn for the worse, when the group discovers an app that leads them on an adventure with unforseen, malevolent consequences.
“Leda + Swans” depicts an infernal, mythic birth of cinema, dredging the violence and horror from Wallace McCutcheon’s comic short film “Photographing a Female Crook” (1904). Leda, who may or may not be a falsely accused young woman, is brought in for a mugshot by two officers. She first attempts to avoid the camera’s gaze, and, when overpowered and manhandled, contorts her face to ruin the photograph. However, her small rebellion proves futile; she was already being recorded, objectified, mapped, and co-opted by the Godhead of the director. As her body and image are repurposed and transmuted ad infinitum, the filmic universe also explodes into a supernova. What is born out of this suffering and manipulation is another example of our sublime medium and modern muse. She will not be last the Leda, and she may not even be the first. Who is the guilty party here? Is beauty a chimera in traditional cinema? Has the ephemeral cinema of the attractions and distractions era gone anywhere