A couple on the verge of divorce will face their relationship issues during an unusual role-playing game that will save or breath their relationship for good.
There's a first time for everything, and thus Chinese multi-disciplinary artist Ai Weiwei set out to make his debut as an opera director, with an entire film crew following the meticulous preparations of this endeavour. Ai Weiwei's Turandot provides not only a rich insight into the creation process, but also offers a glimpse into the heart and brain of China's most famous artistic dissident.
A nostalgic 2014 spring break road trip through the southern U.S., highways, hotels, and fleeting youth, captured in sunlit moments and late-night drives that feel endless.
Returning to France after a long exile, pianist Mathias Vogler reunites with his mentor, Elena, to prepare a concert. In a park, an encounter with a child who looks just like him will lead him to Claude, the woman he once loved.
Since 2023, Emmanuel Buachie has been releasing a seven track musical project each year under the EB moniker (Sorta Flying...REMADE~!!! in 2023; THE THINGS THAT TIME REVEALS in 2024), with the last part of the "sevens" titled “no more okay kings…” being worked on in tandem with the documentary. He’s been compiling footage of his life within these last three years of all the events, people and environments that transpired in the making, creating an overarching narrative in the form of an experimental mini documentary.
A lovelorn scientist accidentally creates a mutant ice cream scoop that terrorizes their town. Can they stop the minty menace before it eats the object of their affections? A musical sci-fi romp homaging the creature features of the past.
A documentary about the band "The Fearless Flyers", filmed on tour in August of 2025. A behind the scenes look of the making of the "Live in Italy" record and the story of the bands creation.
Las Vegas, 1972. In a decade drenched in blood, confusion, and paranoia, a new serial killer lurks beneath the neon shadows, ripping bodies apart. And what was once America’s glittering playground has now become a neon-lit graveyard, paralyzed with horror. But this isn’t your average homicidal psychopath. This one walks, talks, and sings like an angel... but behind his mask lies an unholy hunger that is nowhere near being fulfilled. VAMPIRE ELVIS is a vile, carnal, grim, and seductive grindhouse relic, coming from the darkest corner of hypnagogic nightmares. A bizarre love letter to cult cinema, where rock 'n' roll rots, icons collapse, and desire outweighs reason. You’ve never seen a vampire film like this. And you sure as hell ain’t seen HIM like this. So turn the lights low. Lock the door. And whatever you do... don’t let HIM in!
In a city shrouded in fog and flickering neon lights, an indie singer with a rough voice and a disillusioned look accepts a date with a girl he meets by chance, among the smoky tables of a nightclub. Their meeting unfolds amidst sharp silences, ill-timed jokes, and gazes that never meet. He seems distant, she skeptical. But something changes. A gesture, an off-script phrase, a song he absentmindedly plays while they wait for the bill. She turns. Then listens. Then stays. In black and white reflections of the streetlights, the indifference cracks. A romantic noir, just the right amount off-key.
When Ovid's “Metamorphoses” meet Vivaldi's music: conceived and directed by Barrie Kosky, an effervescent show presented at the 2025 Salzburg Festival. With Cecilia Bartoli, Lea Desandre, Nadezhda Karyazina, and Philippe Jaroussky, as well as actress Angela Winkler in the spoken role of Orpheus.
After years of drifting apart from their old middle school band, Seatian, Sol, Mew, and Venice reunite once again. Their meeting is filled with nostalgia, buried sorrow, and unspoken feelings. Through a long, heartfelt conversation and the sound of music that once brought them together, the four must learn to face their past and rediscover the bond they once shared.
Fred, a successful rockstar going through a difficult time, blows a tire on the road.
In front of him, a poster reminds him of a turning point in his youth: the day he could have chosen a different path.
Suddenly, he slips into an imagined life — one where he pursued dance, met Julie, discovered tango, and faced the tension it brought to his band. Between regrets, dreams, and confrontations, Fred realizes he never truly had to choose between rock and dance. J’aurais dû... is an introspective drama about missed choices, memory, and the courage to reinvent oneself.