Out-of-work cowboys Kansas Jones and Chito Rafferty are offered jobs at pretty Dusty Willis' ranch after saving her from a beating by saloon owner Clint Burrows. Dusty's good-hearted but weak-willed brother Harry, adding to his $3000 gambling debt to Willis, reluctantly agrees to pay it off by allowing the Ringo Kid, Burrows' vicious hired gun, to rustle cattle from his sister's ranch. Kansas intervenes, deters the rustlers and persuades Harry to confess his involvement to Dusty. Kansas, sent into town by Dusty to pay off Harry's debts, suddenly finds himself on the wrong side of the law, wrongly accused of murder and must rely on Dusty's belief in his innocence for his salvation.
This entry in Universal's series of "Musical Westerns" shorts has Tex Williams, assisted by Deuce Spriggins and Smokey Rogers, bringing his six guns, fists and singing abilities against a gang of stage-robbing bandits. This film was combined with another Tex Williams short, Coyote Canyon, and reissued as the feature-length "Tales of the West No.2.)
Abilene gunmen are bent on terrorizing the town of Blue Valley and massacring its inhabitants. They have been hired by local druggist Henry Turner, who has discovered gold beneath the town and wishes complete possession.
Charles Starrett goes up against an entire family of criminals posing as respectable citizens in this entry in Columbia's long-running Durango Kid Western series.
Whip Wilson and Andy Clyde are back and Monogram's got 'em in Fence Riders. The Whipster comes to the aid of beautiful ranch owner Reno Browne, who is being victimized by rustlers Myron Healey and Riley Hill. To get Wilson out of the way, the villains frame him on a murder rap.
In one of his last film roles, legendary B-Western cowboy Sunset Carson roots out the varmints responsible for a false smallpox scare. After arriving in the small town of Quartzville, Carson determines that a crooked lawyer-and-doctor team created a false smallpox epidemic in order to seize a gold mine from an old man and his family. Carson and his friends set out to bring the villains to justice. Al Terry, Pat Starling and Lee Roberts co-star.
A Hollywood singing-cowboy star with a big heart and an even bigger secret (he uses a double in most scenes because he can't ride, fight or sing) comes to the aid of a rancher about to lose his home on a rodeo bet.
It's 1848 and a wagon train with an Army escort is heading west through Indian territory, It's scout is Davy Crockett, nephew of his more famous namesake. There is spy amongst them informing the Indians. They survive the first Indian attack and then push on. They have a choice of two passes through the mountains. Learing of the pass to be defended by the Indians, they head for the other. But upon ariving, the Indians attack. Somehow they have been informed.
It is the old west and the Dillon clan are making life miserable for a small Western town. Sweetheart Nell (Christine McIntyre) and her dashing but dimwitted boyfriend Elmer (Jock Mahoney) rushes off to find help. Meanwhile, cavalrymen the Stooges are making life miserable for superior, Sergeant Mullins (Dick Wessel). Mullins tries to whip the boys into shape, but his plan backfire and has a run-in with his superior, Captain Daley (Emil Sitka). Daley informs Mullins about the Dillion clan's evildoings, and needs some men to run them out of town. Mullins does not miss a beat, and volunteers the unsuspecting Stooges.
Monogram's Whip Wilson western series occasionally produced a better-than-average entry. In Range Land, Wilson and saddle pal Andy Clyde try to get the goods on a gang of stagecoach bandits.
Not quite as memorable as his previous Riders in the Sky, Gene Autry's Sons of New Mexico is still well up to the star's standard. This time, Gene tries to reform Randy Pryor, a would-be juvenile delinquent, played by Autry-protégé Dick Jones (who later starred in the Autry-produced TV series Range Rider and Buffalo Bill Jr). To this end, Pryor is enrolled at the New Mexico Military Institute, where much of this film was lensed. The kid chafes at the school's regimen and escapes, heading back to his criminal mentor Pat Feeney (Robert Armstrong).
A Government agent is sent to track an outlaw who has stolen gold boulion. The chase leads into a desolate desert region where the agent is forced to utilize his survival skills.
Produced, written, and directed by the veteran Elmer Clifton (here for obscure reasons billed Elmer S. Pond), Red Rock Outlaw had the audacity to feature its novice star, Bob Gilbert (who also wrote the original story), as identical cousins -- one good, the other bad. The good Gilbert, a rancher, enjoys a campfire singalong with the members of s stranded girls' band, falling in love with Carolina (Ione Nixon), a bleach-blonde looker, along the way. The bad cousin, meanwhile, is scheming with neighboring rancher Jim Martin (Forrest Mathews) to have nice Bob killed so they can combine their properties. Produced in 16 mm back in 1946 or 1947 and released on States' Rights by Screen Features, Inc., Red Rock Outlaw was merely an excuse to showcase a series of country & western specialty acts, including Wanda Cantlon, who, according to an onscreen credit, introduced the song "Alimony" and supplied choreography.
Curly Blake, nephew and heir of wealthy Red Rock rancher Jed Gordon, persuades his uncle not to invest in a crooked land scheme promoted by former judge Harmon Steele and his secretary Lem Martin.