After the Texas Rangers are disbanded, the the reconstruction years following the Civil War, a private state-police force extorts money from the citizens in a "protection" scheme. Ex-Rangers Jimmy Wakely and "Cannonball" Taylor foil an arrest by state-police officers Hamon and Kelly. Commissioner Jed Brant tells his nephew that his old friend Jimmy is plotting against the law-and-order forces. Vic's fiancée and ranch-owner, Sheila Carol, refuses to sign up with the crooked police outfit, and believes Jimmy is an outlaw. On Chief Barton's order, Hamon shoots ex-Rangers Murphy and Payson, so they can be blamed for a raid on Sheila's ranch.
Also known as California Outpost, Old Los Angeles stars Bill Elliot in one of his expanded-budget Republic "specials." The film is set during the early statehood days of California, with Elliot keeping the peace and warding off plunderers and marauders. As always, Elliot is a "peaceable man"--until he beats the tar out of those who rile him. The problem with Elliot's more expensive Republic vehicles is that action invariably took a back seat to plot, romance, costumes and decor. Within a year of Old Los Angeles, Elliot started a more austere, less prettified and far superior western series.
B-western starring Eddie Dean as a singing lawman who comes to the aid of a pretty rancher (June Carlson) who's been targeted for murder by a notorious bandit known as "The Hawk".
Tex Granger heads toward Three Buttes when he comes across a young boy guarding a gold shipment which he has just rescued from a stagecoach that had been held up by Blaze Talbot and Reno
Directed by Philip Ford in 1948. When cowboy Monte Hale (Monte Hale) returns home to investigate his uncle's murder, he's mistaken for a fierce outlaw and is hired by the town's corrupt mayor, Lance Dawson (Douglas Evans), as the new sheriff. But Monte secretly works to undermine Dawson's land-grabbing schemes. Monte defends the feisty owner (Lorna Gray) of a gold mine that Dawson covets, although she is suspicious of the cowpoke's loyalties and demands that he prove himself.
Western star Charles Starrett was amazing; he kept making the same film over and over, but always made it seem as if it was for the first time. In West of Sonora, Starrett once again plays a frontier good-guy named Steve (Steve Rollins, to be exact), who, when the need arises, disguises himself as The Durango Kid, masked righter of wrongs. This time, Steve/Durango champions the cause of 10-year-old Penelope Clinton (Anita Castle), who has spent her short life as the focus of a feud between her grandfathers, suspected outlaw Black Murphy (Steve Darrell) and Sheriff Jack Clinton (George Cheseboro).
Author Robert Louis Stevenson takes a trip to Napa Valley, California, in 1880 and gets involved in the exploits of a stagecoach driver who captures a hooded highwayman called The Monk. Supposedly inspired by a true incident, this offbeat Western based on Stevenson's The Silverado Squatters is a dandy, high-spirited adventure yarn.
When sponsor Nottingham cancels King Russell's radio program, The Hot Shots try to change his mind. They not only fail but Nottingham's son forces them to take him back to Russell's ranch. Once there he starts playing practical jokes. With everyone disliking him and learning his father is coming, he has a plan to redeem himself.
Ann and Tom Howard arrive from the east to take up ranching. But Tom wants to return and forges his sister's name to the deed and sells it to Larson. Eddie knows there is silver ore in the area and that Lawson, who killed the Sheriff, is out to get all the ranches. When Lawson appoints himself the new Sheriff, Eddie organizes the ranchers to fight Lawson and his men.
James Craig is torn between his criminal career as the masked bandit named the "El Paso Kid," and the life of a law-abiding citizen with his long-suffering wife Zoe. He repeatedly tells Zoe, "just one more time," but he is unable to stop which angers her greatly. However, he does have brief moments of heroics such as when he helps the Widow Weeks save her farm.
Oklahoma Badlands is a western film directed by Yakima Canutt in 1948. Oliver Budge is after the Rawlins ranch. His henchman Sanders kills Ken Rawlins but when he tries to kill Leslie Rawlins, Rocky Lane breaks it up. But Leslie is a woman and knowing the bad guys are looking for a man, Rocky now poses as Leslie, an Eastern dude, and goes after the man that killed his friend.
Tornado Range is one of five Eddie Dean westerns originally produced by PRC in 1947 but released the following year by Eagle-Lion. Cast as a troubleshooter for the U.S. Land Office, Dean is assigned to settle a deadly range war. Sure enough, the warring homesteaders and cattlemen are being whipped into a frenzy by a third party, who hopes to "divide and conquer," claiming the land for himself. Surprisingly, all-purpose PRC villain George Cheseboro isn't the culprit in this one; instead, he's cast as the father of heroine Jennifer Holt. Roscoe Ates is once more on hand for some questionable comedy relief.
Filmed back-to-back with three other Sunset Carson vehicles in 1947, this Yucca Pictures Western starred the former Republic cowboy as a Texas Ranger chasing a gang of rustlers into the notorious outlaw territory of Three Corners. Attempting to sabotage the proposed annexation of the territory, desperado Bart Dawson (Stephen Keyes) and his men ambush Sunset and his young trainee Jed (Al Terry). The villains, who have been terrorizing pretty trading post operator Helen Bennett (Patricia Starling), are eventually defeated by the rangers in a violent gun battle and the planned annexation takes place on schedule. For all intents and purposes, the handsome but wooden Sunset Carson ended his screen career with this series of extremely low-budget Westerns, originally filmed in 16mm and released by that dumping ground of Poverty Row flotsam, Astor Pictures.
Cole Armin comes to Albuquerque to work for his uncle, John Armin, a despotic and hard-hearted czar who operates an ore-hauling freight line, and whose goal is to eliminate a competing line run by Ted Wallace and his sister Celia. Cole tires of his uncle's heavy-handed tactics and switches over to the Wallace side. Lety Tyler, an agent hired by the uncle, also switches over by warning Cole and Ted of a trap set for them by the uncle and his henchman.