From the 1960s to the 1980s, the rock radio DJ played an unprecedented creative role in the rock music world. I Am What I Play profiles four disc jockeys in major markets during this period: their programming, their politics and their deep connections with musicians and fans in the heyday of rock radio. Where are they now - and how did they reinvent themselves as the medium changed? Featuring the music of The Ramones, Joni Mitchell, Rush, David Bowie, The Cars, The Sonics and more.
'Country: Portraits of an American Sound' is a documentary film that explores the history and culture of country music through the lens of photography, which has portrayed the ideals, lifestyle and personalities of country music artists for over 80 years. The film features imagery and commentary from Grand Ole Opry photographer Les Leverett, the late celebrity photographer Leigh Wiener, documentary photographer Henry Horenstein, iconic music photographers Henry Diltz and Raeanne Rubenstein, and contemporary photographers David McClister and Michael Wilson. Over a dozen country music artists also appear, including Rosanne Cash, Roy Clark, Merle Haggard, Lyle Lovett, Charley Pride, LeAnn Rimes, Kenny Rogers, Tanya Tucker, The Band Perry and Keith Urban. The film weaves iconic images, historical footage and over 25 country music hits into a dynamic look at this uniquely American sound.
Yallah! Underground follows some of today’s most influential and progressive artists in Arab underground culture from 2009 to 2013 and documents their work, dreams and fears in a time of great change for Arab societies. In a region full of tension, young Arab artists in the Middle East have struggled for years to express themselves freely and to promote more liberal attitudes within their societies. During the Arab Spring, like many others of this new generation, local artists had high hopes for the future and took part in the protests. However, after years of turmoil and instability, young Arabs now have to challenge both old and new problems, being torn between feelings of disillusion and a vague hope for a better future.
A young woman struggles to move on with her life after the death of her husband, an acclaimed folk singer, when a brash New York writer forces her to confront her loss and the ambiguous circumstances of his death.
August 16, 1977. All of America was stunned by the news of Elvis Presley's untimely passing. Some went so far as to believe that it couldn't be true. Somehow he had faked his death. For the executives at Sun Records that fantasy became an opportunity in the form of Orion, a mysterious masked performer with the voice of The King. First appearing in 1979, Orion recorded 11 albums and performed live to packed houses and rapturous fans around the nation. But who was the man behind the mask? In this stranger-than-fiction true story, Jeanie Finlay exposes the incredible life of an unknown singer plucked from obscurity and thrust into the spotlight with the complicity of a manipulative music industry and a public fan base unwilling to let The King go. Resonant in its themes of identity, fate, and the double-edged nature of fame, Orion is a stylish mystery story that finally gives a name and a face to a gifted artist who had been unjustly deprived of both.
"Salad Days: A Decade of Punk in Washington, DC (1980-90)" examines the early DIY punk scene in the Nation's Capital. It was a decade when seminal bands like Bad Brains, Minor Threat, Government Issue, Scream, Void, Faith, Rites of Spring, Marginal Man, Fugazi, and others released their own records and booked their own shows-without major record label constraints or mainstream media scrutiny. Contextually, it was a cultural watershed that predated the alternative music explosion of the 1990s (and the industry's subsequent implosion). Thirty years later, DC's original DIY punk spirit serves as a reminder of the hopefulness of youth, the power of community and the strength of conviction.
Latin boogaloo is New York City. It is a product of the melting pot, a colorful expression of 1960s Latino soul, straight from the streets of El Barrio, the South Bronx and Brooklyn. Starring Latin boogaloo legends like Joe Bataan, Johnny Colon and Pete Rodriguez, We Like It Like That explores this lesser-known, but pivotal moment in Latin music history, through original interviews, music recordings, live performances, dancing and rare archival footage and images. From its origins to its recent resurgence in popularity, We Like It Like That tells the story of a sound that redefined a generation and was too funky to keep down.
"Landfill Harmonic" follows the Recycled Orchestra of Cateura, a Paraguayan musical group that plays instruments made entirely out of garbage. When their story goes viral, the orchestra is catapulted into the global spotlight. Under the guidance of idealistic music director Favio Chavez, the orchestra must navigate a strange new world of arenas and sold-out concerts. However, when a natural disaster strikes their country, Favio must find a way to keep the orchestra intact and provide a source of hope for their town. The film is a testament to the transformative power of music and the resilience of the human spirit.
DANNY SAYS is a documentary unveiling the amazing journey of Danny Fields. Fields has played a pivotal role in music and culture with seminal acts including: the Doors, the Velvet Underground, the Stooges, MC5, Nico, the Ramones and beyond.
From Lemmy filmmaker Wes Orshoski comes the story of the long-ignored pioneers of punk: The Damned, the first U.K. punks on wax and the first to cross the Atlantic. This authorized film includes appearances from Chrissie Hynde, Mick Jones (The Clash), Lemmy and members of Pink Floyd, Black Flag, GNR, the Sex Pistols, Blondie, Buzzcocks, and more. Shot around the globe over three years, the film charts the band's complex history and infighting, as it celebrated its 35th anniversary and found its estranged former members striking out on their own anniversary tour, while still others battle cancer.
SYMMETRY is a dance-opera film shot inside CERN, the largest experimental particle physics facility in the world. With the cathedral-like majesty of the Large Hadron Collider as his theatre, a modern physicist searches for the smallest primordial particle and discovers a love without end. SYMMETRY UNRAVELLED is the accompanying documentary about the collision of art and science in the world's largest machine: the particle accelerator. Complementing the dance-opera film SYMMETRY, a common curiosity at the crux of man's fascination with the unknown is revealed.
Theory of Obscurity tells the story of the renegade sound and video collective known as The Residents…a story that spans 40 years and is clouded in mystery. Many details surrounding the group are secret, including the identities of its members. They always perform wearing masks and costumes, which is part of their magic. At its heart, this story is about perseverance and chasing your dream. The Residents never caved to convention. They never compromised. They’ve followed their muse for decades and thousands of fans have hung on for the ride. Along the way they’ve also inspired many people to be weird, take chances and find their own voice.
Betty and her friend V have a major project: the open-air music festival, Sziget Festival held every summer on one of the Danube islands in Hungary. Instead of money the teenagers have a stash of grass waiting for a buyer. Food? Nothing wrong with the leftovers from other people’s plates. Tent? Why bother when you can sleep under the stars. Sleep? No way: the party goes on all night. V is a pretty girl who knows how to use her charms to the best advantage. Betty, more reserved and shy, never quite knows what to do with her hands, how to hold a cigarette, what to say to the boys they meet. But the tables are turned when the pair go their separate ways after an argument.
The story follows 19-year-old Renee who has always loved fairy tales: the idea of a princess, a hero and a happily ever after. But Renee’s life is that of a darker tale: she’s a young woman battling addiction, depression and self-injury. In a creative blend of artistic fantasy balanced with harsh reality, the movie follows Renee on her courageous journey towards recovery.
Trevor Moore recorded his first solo one-hour special, High In Church, at The Gramercy Theatre in New York. Accompanied by a live band, dancing girls and music videos, Trevor performs an hour of brand-new sketches and songs spanning all musical genres.
A concert film capturing Devo at the Fox Theatre in Oakland on their 2014 "Hardcore Tour," in which they performed 21 songs written and recorded before they signed with a major record label, many of which had never been performed live. The set is intercut with stories and commentary from the band members, as well as Toni Basil and V. Vale.
For Rachel growing up requires letting go of the haunting memory of her deceased parents, the influence of her older sister Mona, the masking of long buried secrets and inherited spiritual practices.