In the mid-aughts, Dateline NBC’s To Catch a Predator drew millions of weekly viewers to watch sting operations: men planning to meet minors for sex would instead be confronted by polished host Chris Hansen, then by the police — all on hidden camera.
Born in Berlin in 1896, Lotte Eisner became famous for her passionate involvement in the world of both German and French cinema. In 1936, together with Henri Langlois, she founded the Cinémathèque Française with the goal of saving from destruction films, costumes, sets, posters, and other treasures of the 7th Art. A Jew exiled in Paris, she became a pillar of the capital's cultural scene, where she promoted German cinema.
From the Atlantic to the Black Sea, Mathias and Philippe, two old friends, embark on a bicycle journey that Mathias’s son made before his tragic death. The two men ride through the ordeals with tenderness, humor and emotion.
In June of this year we were fortunate enough to return to Mexico City for three sold out shows at Foro Sol Stadium and with 155,000 of you there over the three nights, we knew it would be extra special. So we asked our friend Wayne Isham to join us with a film crew and the results of that crazy, magical, most memorable long weekend are shown here on this single disc pressing.
Go behind the scenes with the cast and crew of “Stranger Things: The First Shadow”, the award-winning live stage show that expands the Hawkins universe.
The life of Bambi, a male roe deer, from his birth through childhood, the loss of his mother, the finding of a mate, the lessons he learns from his father, and the experience he gains about the dangers posed by human hunters in the forest.
Against all odds, a Rohingya refugee fights for education in Bangladesh’s camps. When she meets AP journalist Rishabh Jain, her story ignites public outrage, revealing her resilience and the plight of Rohingya refugees denied basic rights. Dreaming of a life in Canada, where she can study, will she be the one in a million to break free?
One of Sweden's most successful humor groups of all time; we tell their story. How it all started with small steps of success, radio sketches, folk park tours, setbacks and eventually like an albatross that is difficult to lift, in the end the humor group flies and once it lifts it flies well and long. Still after 40 years, they work together. The film also contains never before shown material, and premieres in connection with the group's 40th anniversary.
Until the 1970s, Italian cinema dominated the international scene, even competing with Hollywood. Then, in just a few years, came its rapid decline, the flight of our greatest producers, a crisis among the best writer-directors, the collapse of production. But what are the true causes and circumstances of this decline? In an attempt to provide an answer to this question, Di Me Cosa Ne Sai strives to depict this great cultural change. Begun as a loving examination of Italian cinema, the film transformed into a docu-drama that alternates between interviews with the great names of the past and fragments of cultural and political life of the last 30 years. It is a travel diary that shows Italy from north to south, through movie theatres; television-addicted kids; Berlusconi and Fellini; shopping centers; TV news editors; stories of impassioned film exhibitors and directors who fight for their films; and interviews with itinerant projectionists and great European directors.
This documentary focuses on the actors and their journey over two summers to create the remake to the original IT, by Stephen King. The documentary originally released as bonus material, bundled with IT: Chapter Two.
Three small films for as many reflections on the senses and human knowledge. In the first episode, Emmer reviews with anthological and didactic intent the precepts of ancient philosophy, from Greek to Roman civilization; in the second, working as he did at the beginning of his career on a vast repertoire of pictorial and non-pictorial images, he analyzes the “history of the gaze” in the visual arts, from prehistoric graffiti to medieval altarpieces, from Impressionist and Cubist paintings to modern-day advertising posters; finally, in the third, recounting with irony and lightness a day of solitude in his mountain home, he reflects on the intellectual thinking of writers and great thinkers, relating to his own individual experience as much the words of oral tradition and popular culture as the writings of geniuses such as Shakespeare, Spinoza or Gogol.