La Scala went all out for its 1986 production of this grandest of grand operas, with a strong cast and, most important for a video recording, a larger-than-life staging. The Triumph Scene in Act II is by no means Aida's only attraction, but it is the part that makes the strongest and most lasting impression and it is the visual and musical climax of this production. Stage director Luca Ronconi brings on a procession to dwarf all processions: looted treasures, heroic statuary, miserable captives struggling under the lash of whip-bearing slave drivers. On par with these visuals is Lorin Maazel's first-class performance of the popular Grand March with the outstanding La Scala chorus and orchestra. In Act III, the contrasting tranquility of the Nile Scene also gets a visual treatment to match the music's qualities.
Former stripper turned aspiring country singer Bette Barnette gets a gig performing at a seedy tavern run by the no-nonsense Georgia. However, poor Bette can't get the rowdy male patrons to take her seriously as a singer. Meanwhile, evil local businessman Sam Diamond plots to get his greedy hands on Georgia's place, feisty and ambitious younger singer Dolly Pop doesn't take it lightly that Bette has taken her job, and Bette's sister Doris Ann has problems of her own with her wannabe daredevil boyfriend Danny.
Inside a secret door under the stairs, Claire and her sister Caitlin find an enchanted trunk, a magical locket and an invitation that whisks them away to a magical kingdom.
Giacomo Puccini's bittersweet opera of high-spirited bohemians and the doomed love between Rodolfo, the idealistic poet and Mimi, the consumptive flower-maker, is a beautifully balanced series of tableaux depicting the infectious joie de vivre of youth and the tragic waste of disease and separation. The legendary and incomparable partnership of Mirella Freni and Luciano Pavarotti as the two lovers has been captured in this special live recording from stage of the San Francisco Opera. Brian Large has adapted Francesca Zambello's production for video, further illuminating the fascinating interaction of Puccini's characters. Gino Quilico sings Marcello, the colorful and moody painter, whose tempestuous relationship with the flirtatious Musetta (sung by Sandra Pacetti), comically mirrors the more profound love of Rodolfo and Mimi. Nicolai Ghiaurov sings Colline.
The adventures of The Wombles, strange creatures who live on Wimbledon Common and pick up the litter left by the humans. There's always time for a nice song and dance as well. This was a film version of the popular childrens TV show.
No One Here Gets Out Alive, The Doors' tribute to Jim Morrison is a full exploration of the controversial and quixotic singer, delving into his fascination with cinema and psychology, mysticism and sexuality, poetry and power. In addition to clips of the band in action, it features interviews with the surviving members of The Doors and many others who were instrumental in creating and maintaining the legend.
After the criticisms of the 1987 show’s disproportionate focus on music - and the financial disaster of its music-only Festival Of Youth weekend concert in 1988, Amnesty returned to the original formula that had been so successful in the 1976-1981 era with a primary focus on comedy. Pat Duffy was dropped from organising any further benefit events for Amnesty and for the 1989 show, Amnesty hired producer Judith Holder.
An overview of the early years--late 1970s, early 1980s--of San Francisco punk band Dead Kennedys, with clips from some of their live concerts and footage of landmark San Francisco locations of the punk music scene. Jello Biafra and The Dead Kennedys show why they're the kings of satire in 9 live early performances.
Long before the days of platinum and gold success, a rapper’s worth was in the DJ’s placement within his mix. Ultimately, it would be the growing popularity and increased necessity of The Mixtapes created by DJ’s that would serve as the lifeline to Hip Hop, as it grew into the most celebrated art form.
Indie pop duo Lena and James are rising artists whose songs leave fans wondering if they are more than just bandmates. Their first album leads them to reflect on how deep their relationship really runs.
Follows Liza, who retreats to a '70s variety show in her mind as she struggles to cope with the impending death of her mother, trying to work through parts of their past without losing herself in the process.
Masa hires rental actress and aspiring dancer, Kanako, to pose as his fiancée to impress his estranged, terminally-ill father. But as his father's death delays, Masa is forced to confront the spiraling web of lies and to learn to follow his heart.
The unmistakable voice of Whitney Houston is powerful and timeless. She reached the pinnacle of pop success becoming one of the most accomplished recording artists of all time. But her heart was always in Gospel music, and it profoundly influenced her life and career. From her first public performance to her best-selling Gospel album of all time, The Preacher's Wife, experience how profoundly Gospel music influenced her personal life and helped shape her career.
Zeal & Ardor catapults Swiss musician Manuel Gagneux from the underground to the world stage. Religion, racism, segregation and appropriation: Gagneux makes music against taboos. But being a leader against his will scares the introverted artist. Can he remix the game?
Plagued by a hidden childhood trauma that is destroying his life, an obsessive-compulsive MMA fighter moves to Fire Island and pretends to be gay in order to buy the house of his dreams and exorcise his demons.
Working-class gay DJ Tony De Vit invented hard house music and made it mainstream – his fans included Madonna and Boy George when he was the star attraction at all-night London club Trade. In 1996, in his late 30s, he was on the cusp of becoming one the biggest DJs in the world. Robert Ferguson, already known as Fergie, was a 15-year-old budding DJ in a small town in Northern Ireland. At the same age, teenage rebel Andi Buckley had been kicked out of school and out of home in Birmingham – but had begun to work in the dance music industry. This powerful documentary tells the story of how the three men's lives became intertwined in a tale of love, loss, gay identity, hero worship, attitudes to AIDS and the 90s boom in dance music.
When a middle aged Hollywood filmmaker receives an unexpected card from his young son whom he has never met, he makes the difficult decision to go see him in the Blue Ridge Mountains of North Carolina. Both of their lives then take a life-altering turn as drama surrounding the boy’s mother unfolds in the small mountain town.
Part music documentary, part unflinching character study, part a punk version of ‘A Christmas Carol’ - I Get Knocked Down is the funny, surreal, and deeply human untold story of Chumbawamba and its ex-front man Dunstan Bruce.
In the years following the collapse the 80s Glam Metal era of the Sunset Strip, a songwriter chronicles the unexpected events of his life and the transformation of his band and craft.