No royal beginnings for this Queen of Country Music. Known for her larger-than-life positive attitude parading big hair and bold make-up, Dolly Parton would carved out her own identity as a singer, movie actress, and entrepreneur.
Le convenienze ed inconvenienze teatrali (Conventions and Inconveniences of the Stage) is a two-act opera that shines an exaggerated spotlight on the behind-the-scenes working of a theatre and the rehearsal process, showing what can go wrong when the egos of the performers get in the way of putting on a good show. A regional (and mediocre) operatic troupe is rehearsing a new work and faces numerous obstacles. The prima donna acts every bit the diva, refusing to rehearse. The Tenor finds himself in the wrong production and quite out of his depth. The Seconda Donna’s mother (played by a baritone) demands that her daughter be given a more prominent role, before deciding to take on several roles herself. Not be outshone, the Prima Donna’s husband takes to the stage too. When the show eventually collapses and the company tries to flee under cover of night, rather than pay back all the investors (whose money has already been spent), the Impresario has other plans…
Rude Boy is a semi-documentary, part character study, part ‘rockumentary’, featuring a British punk band, The Clash. The script includes the story of a fictional fan juxtposed with actual public events of the day, including political demonstrations and Clash concerts. Filmed over a period of years, the written dialog takes on the appearance of improvisation. Now full restored in hi-definition with all new 5.1 surround sound. Filmed as a fictional documentary, Rude Boy the movie follows punk (Ray Gange) as he quits his job in a West End sex shop to become a roadie for the most exciting band in the country – THE CLASH. Capturing THE CLASH during their ‘CLASH ON PATROL’&’SORT IT OUT’ UK tours of 1978, Rude Boy is an unparalleled film document of one of the best live bands ever.
A gangsta' rapper fresh out of county jail returns to the crime ridden streets of Oakland and gets back into the drug game to get his money and number one escort back from the rival Bay Area gangsta' pimps that want him dead.
With time-related issues, Tobias ends up losing his job and faces adverse situations throughout the day, where Gershwin's music dictates the emotions of the story.
With their clever, surrealistic lyrics, inventive use of sampling and incorporating an eclectic mix of reggae, funk, jazz, fashion and psychedelia into their sound, New York-based DE LA SOUL are one of the most original and influential groups on the hip hop scene. Hailed on their arrival on the scene in 1989 as the future of hip hop, De La Soul were quickly perceived as the leaders of a contingent of New York-based alternative rappers who dubbed themselves The Native Tongues Posse. This movement for a while looked as if it was going to eclipse hardcore hip hop in terms of popularity. This concert, filmed at the 1997 Lokerse Festival, features their big hits 'Me, Myself And I' (with its sample of Funkadelic's '(Not Just) Knee Deep'), 'Ring, Ring, Ring' and 'Breakadawn'.
When faced with a tough decision Static (Joe Ayinde) must choose between loyalty and success. Stick with King (Michael "Sceyentifik" Massey) and continue the slow grind to the top or trade it in for instant fame.
Gaia is a young woman, a bass player. She receives harsh echoes from the masculine world surrounding her. Out of desperation, she runs away. The escape becomes a quest for her own echo to define her.
Built to Spill plays a special, 4-song set at the Hi, How Are You Project benefit, a foundation set up in memory of Daniel Johnston to end the stigma around Mental Health conversations. Filmed live at the Moody Theater in Austin Texas in 2019.
One of the most successful duos in the history of country music, who pushed the borders and included elements of rock, reggae and even rap. Their first hit 'Let Your Love Flow' in 1975 topped the pop charts and gained recognition throughout the '80s. Eighteen unforgettable tracks, including 'If I Said You Had A Beautiful Body," "Sugar Daddy" and "Redneck Girl." Directed by Bayron Binkley and Dennis Glore and recorded at Church Street Station.
2017
2017
On the thirtieth anniversary of the tragic death of singer Dalida on May 3, 1987, this musical documentary honors the memory of an artist whose career was punctuated by legendary hits that are now part of our collective memory. It paints a portrait of the destiny of a flamboyant and glamorous singer, capable of excelling in all genres and musical eras, from her debut with "Bambino" to "Laissez-moi danser," via "J'attendrai," "Besame Mucho," "The Lambeth Walk," and "Il faut danser reggae." But also in a more melancholic repertoire, reflecting her own life, with "Pour ne pas vivre seul," "A ma manière," "Il venait d'avoir 18 ans," and "Téléphonez-moi." The evocation of a rich, moving, and authentic journey.
In celebration of their new album Out Of Body, Needtobreathe performed the album front to back for the first time in Nashville, TN. The performance includes new versions of classic Needtobreathe songs as well.