Discover the process behind Charli XCX’s 2020 quarantine album "how i'm feeling now", created in 40 days during the COVID-19 pandemic, including its semi-collaborative nature with her community of online fans.
An overview of the early years--late 1970s, early 1980s--of San Francisco punk band Dead Kennedys, with clips from some of their live concerts and footage of landmark San Francisco locations of the punk music scene. Jello Biafra and The Dead Kennedys show why they're the kings of satire in 9 live early performances.
Tracklist: 1. Intro
2. We Owned The Night
3. Stars Tonight
4. The Road To Here - a brief of when they were starting out
5. Love Don't Live Here
6. The Red Piano - choosing the right shade of red for the piano
7. Just A Kiss
8. Rebuilding Through Music - helping the folks of Henryville
9. Dancin' Away With My Heart
10. From The Ground Up - a brief on putting on a show and their crew
11. Our Kind Of Love
12. Touring The World - a look at their European tour
13. Perfect Day
14. Club LaBellum - fans and a quick look into their lives
15. American Honey
16. Coming Full Circle - part of a jam session
17. Hello World
18. Evolution Of A Song - their childhood musical influences & songwriting
19. Wanted You More
20. Connection With The Fans - more fan appreciation
21. I Run To You
22. Lookin' For A Good Time
23. The Next Chapter - hoping and planning for more success
24. Need You Now
25. We Owned The Night (Credits) - audio of song plays while showing only credits
A waitress at the Warner Brothers commissary is anxious to break into pictures. She thinks her big break may have arrived when actors Jack Carson and Dennis Morgan agree to help her.
From the success of Herb Alpert & The Tijuana Brass, through the founding of A&M Records, to giving away more than $150 million to arts and education programs across the country, we’ll witness the humanity and the humility inherent in everything he does, as well as come to understand the power of creativity to entertain, inspire, heal and transform.
Exploring every facet of ‘Weird Al’ Yankovic’s life, from his meteoric rise to fame with early hits like ‘Eat It’ and ‘Like a Surgeon’ to his torrid celebrity love affairs and famously depraved lifestyle, this biopic takes audiences on a truly unbelievable journey through Yankovic’s life and career, from gifted child prodigy to the greatest musical legend of all time.
The plot centers on students involved in the Soweto Riots, in opposition to the implementation of Afrikaans as the language of instruction in schools. The stage version presents a school uprising similar to the Soweto uprising on June 16, 1976. A narrator introduces several characters among them the school girl activist Sarafina. Things get out of control when a policeman shoots several pupils in a classroom. Nevertheless, the musical ends with a cheerful farewell show of pupils leaving school, which takes most of act two. In the movie version Sarafina feels shame at her mother's (played by Miriam Makeba in the film) acceptance of her role as domestic servant in a white household in apartheid South Africa, and inspires her peers to rise up in protest, especially after her inspirational teacher, Mary Masombuka (played by Whoopi Goldberg in the film version) is imprisoned.
When Moreland's henchman attack Bob Horner the Range Busters break it up. Horner dies but they get the baby Moreland was after. He must have it to become it's guardian and take control of the Horner ranch. When the henchmen catch up with Alibi, they take the baby cradle not realizing Alibi has substituted his dummy Elmer. Crash having evidence Moreland is the one they want, now has a plan to expose him.
This live recording was made at the Royal Albert Hall during one of Londons famous Promenade Concert seasons. Sir Georg Solti conducts the Chicago Symphony Orchestra and Chorus in a magnificent performance of Berliozs concert cantata. This feast of Berlioz launched Soltis farewell tour with the orchestra he had directed for twenty years and was described by The Times as the unsurpassable culmination of two decades of music-making...one that summarised all that has been most admirable about Soltis long reign in Chicago. Like reading the book by flashes of lightning was how one writer described the relationship of Berlioz to Goethe in this Dramatic Legend, his way of shaping twenty scenes selected from the story into a narrative in four parts. Though it has sometimes been staged, the works drama is to be found within the music itself, which illuminates the incidents with what the conductor Sir Thomas Beecham once called a bunch of the loveliest tunes in existence.
Reluctant rock hero J.J. Cale takes the spotlight for this 80-minute session, recorded in Los Angeles in 1979 but virtually unseen until 2001. The reclusive, Oklahoma-born Cale is probably best known for writing songs made famous by others ("After Midnight" and "Cocaine" by Eric Clapton, "Call Me the Breeze" by Lynyrd Skynyrd). Those are among the some two dozen tunes heard here (five of which, including "Breeze," are audio-only bonus tracks), as is Cale's own minor hit, "Crazy Mama." The latter is a good example of the witty, laconic groove that Cale, a superb guitar player and laid-back vocalist, brings to much of his music, an appealing style that's been an obvious influence on Mark Knopfler and others.
Two musical legends gather at a Scottish Cottage on The Mull Of Kintyre for a tense summit to discuss a potential collaboration that will ultimately result in a Global Number One smash hit single.
Ella Fitzgerald was a 15-year-old street kid when she won a talent contest in 1934 at the Apollo Theatre in Harlem. Within months she was a star. Over the next six decades, her sublime voice would transform the tragedies of her own life and the troubles of her times into joy. JUST ONE OF THOSE THINGS retraces this extraordinary journey.
How do you define classic rock? Is it a genre, a radio format, or music from a specific period of time? Filmmaker & lifelong rocker Daniel Sarkissian travels the world, interviewing iconic artists in search of an answer.
The Anthony Newley/Leslie Bricusse London and Broadway musical hit Stop the World, I Want to Get Off is given literal treatment in this filmization. Newley stars as Littlechap, whose allegorical rise to success is countered by the instability of his private life. Like the play, the film is staged impressionistically, with Newley decked out in mime makeup and periodically stopping the action to address the audience, and with all the women in his life -- German, American and "Typically English" -- played by a single actress (Millicent Martin, taking over from the stage version's Anna Quayle). In Wizard of Oz fashion, the play itself is lensed in color, while the brief prologue, showing the actors preparing for their performance, is in black-and-white. The production includes such standards (and perennial audition pieces) as What Kind of Fool Am I? and Gonna Build a Mountain.
Pink breaks the mold once again, bringing her career to a new level in 2013 with a world tour that entertains unlike ever before! Get inside access to "the girl who got the party started" with exclusive interviews and rare live performances.
William Brown, a neurotic, self-absorbed musician determined to finish his prog-rock magnum opus, faces a creative roadblock in the form of a noisy and grotesque neighbor named Vlad. Finally working up the nerve to demand that Vlad keep it down, William inadvertently decapitates him. But, while attempting to cover up one murder, William’s accidental reign of terror causes victims to pile up and become undead corpses who torment and create more bloody detours on his road to prog-rock Valhalla.