A mysterious and invisible alien presence has landed in rural Texas and has started turning the nearby townspeople into white-faced, bloodthirsty killers. As the local authorities begin to investigate the strange and violent goings on, a photographer and his girlfriend find themselves trapped in the midst of an unexpected rural bloodbath, which seeks to turn them into another pair of bloodsuckers from outer space...
The story centers on Billy, an effeminate fan of vintage science fiction action thrillers. His only friend is Cameron, a nerdy film buff who tries to boost his confidence whenever he can. After seeing a UFO land, Billy retreats into his head, imagining that aliens are taking over the town. Cameron is skeptical, as is the rest of the town. Meanwhile, people are starting to die. First, the reclusive cat lady, Percis, is discovered mutilated by Lester, the churchgoing husband of Carolyn, Percis's depressed caretaker. Random deaths soon follow, first a jogger, and then a janitor at the Carbonics Warehouse. A pair of news reporters share this information with the public while the Detective and his Chief try to solve the killings.
Darla owes the IRS $349,000.22. Her burgeoning business Kitty Kasket will never generate that kind of revenue in one month. Enter Mother; your typical sentient yeast mass who grants mind-blowing orgasms. Will she be willing to help?
Documentary discussing evidence supporting the common conspiracy theory that aliens made contact with ancient humans and are responsible for all world religions as a method of control over humanity
NEUROO-X, a German-Swiss-Chinese entertainment company group, stands for games that dissolve the boundary between reality and gaming). A new gadget, the myth-enshrouded RED BOOK, offers the ultimate gaming experience. The most secret longings of gamers are scanned by the engine and transformed into fantastic adventures. The conspiracy psychoses of users are the raw material for the storytelling of NEUROO-X. Marcus, Chief Development Manager of NEUROO-X dies shortly before completion of the RED BOOK. His lover Ryuko finds out that something terrible happened during testing of the game in China, and the deeper she submerges into the secret of NEUROO-X, the more she loses touch with reality. She neglects her son Walter, who logs into the game and disappears into the digital parallel world. The more Ryuko fights the corporation in order to rescue her son, the more she updates the narrative desired by NEUROO-X. Ryuko finds herself in a world full of demons, witches, knights and terrorists.
An up-and-coming media executive has good reason to question the very facts of his existence in this micro-budget sci-fi chiller from director Jonathan King ( Black Sheep, Under the Mountain) and novelist Chad Taylor.
Earth is invaded by an interstellar terrorist group, Big Fire (the Gargoyle Gang in the American version), led by Emperor Guillotine who spends most of his time in a multicolored space ship hidden at the bottom of Earth's ocean, from which he issues his orders. Big Fire is capturing scientists to create an army of monsters to conquer Earth. A boy named Daisaku Kusama (Johnny Sokko in the American version) and a young Unicorn agent named Jūrō Minami (Jerry Mano in the American version) are shipwrecked on an island after being attacked by a sea monster and subsequently captured by Big Fire. They flee to where a Pharaoh-like giant robot is being built by captive scientist Lucius Guardian, who gives Daisaku and Jūrō its control device. Guardian helps them escape before he is shot to death; before he dies, he triggers an atomic bomb which destroys the base. The radiation activates the robot, which now obeys only Daisaku.
For 50 years, "Outer Man" has been a cultural icon in Japan, a superhero TV series as ingrained in the national psyche as Ultraman. Generations have grown up watching the heroic Outer Man defend Earth from the monstrous Sylvie Seijin. But the line between fiction and reality blurs when a giant alien, identical to Outer Man, descends upon Tokyo.
Astronaut Ryan Van Hill-Song returns from space, a hero. His wife, Sadie, suspects his time in space went wrong and discovers they're pregnant. NASA sends men to track them down.
Described as "Angela Carter rewriting La Belle et la Bête as an episode of Buffy the Vampire Slayer", the story follows, through a tapestry of dreamlike images, a girl (Sarah Livingston Evans) and her three friends—the characters' names are never revealed—as they find themselves stranded in a dark and surreal forest by someone—or something (Edward Gusts)—who has obsessively loved, watched, and waited for the girl ever since childhood.
Welcome to Elliotsville. It’s like your typical American small town, except the residents are kinda robots. Okay, they’re not so much kinda, they’re pretty much robots. So what happens when you take that set-up and add a gang of sexy female bikers (cause if they were fat and ugly, it just wouldn’t be any fun) and some gun-toting redneck types (I know what you’re thinking: what, there are other types of rednecks?) into the mix?
After the tragic death of her son, Arlene loses everything, her husband, her home and she starts to lose her mind. When the mysterious Endeavour Institute offers her a chance to travel back and change things, she eagerly accepts and begins her journey to the past. Plagued by the memories of her alternate reality, Arlene must separate the real from the false without upsetting the delicate balance. She is unprepared for the terrible price she must pay for saving her son.