A wife, unable to escape anxiety and despair, becomes pathologically obsessed, suspecting her husband will leave her. The husband, unable to endure his wife any longer, finds them both sinking deeper into an inescapable swamp.
Recent graduate, Grace Jones, has just about had it with her lazy, long-term boyfriend, and she is ready for something new. Grace sets her sights on finding someone who can appreciate her while trying to land a dream.
Once upon a time there was a couple. They lived in a grey winter reality. HE was a charming French photojournalist and gentleman, while SHE was a young and restless Bosnian artist. One morning, they left their grey smog reality in their nouvelle-vague old timer. They passed through a tunnel and found themselves in a colorful summer reality. On the road to the coast, their relationship is constantly questioned. Finally, in this very Paradise-on-Earth, does their love come to an end?
When a shadowy figure instructs two different men to take out the same woman, they end up at her home at the same time and must fight each other through absurd situations to be the one to complete the assignment.
A lonely video editor decides to try online dating while his girlfriend is away. He meets a neurotic newbie to the online romance scene who soon sends his life into a crazy tailspin of bad decisions.
"Saviors" offers viewers a voyeuristic glimpse into the boundless expanse of possibility within bdsm, a softer side not often portrayed in media, through the sensual rituals of Shibari (rope bondage) with dominatrix Azriel Black Wolf. The film is accompanied with synthesizer music by John Paul Bohon. "Saviors" is in part a continuation of Cecilia's first short film, untitled Experimental Erotica #1. Self-experiential, dream-like visuals of sensorial processing bliss, juxtaposing softness and the taboo.
A deadly virus has forced humanity into its four walls, but life must go on. The answer to this problem is our dummies, mechanical effigies that allow us to live through them. But the solution, although it was once described as temporary, seems more permanent than ever.
The film was made in the context of the 5th Panorama Film School of the Aristotle University of Thessaloniki with the theme DEACTIVATION.