Tenor saxophone master Sonny Rollins has long been hailed as one of the most important artists in jazz history, and still, today, he is viewed as the greatest living jazz improviser. In 1986, filmmaker Robert Mugge produced Saxophone Colossus, a feature-length portrait of Rollins, named after one of his most celebrated albums.
Argentina may lead South America in terms of progressive social politics, but the gap between cultural values and recently accorded rights to gays, lesbians and transsexuals is palpable and persistent. A toxic atmosphere is created from the all- encompassing Catholicism and Machismo along with the complexity of class, historical and rural-urban divides, as well as aboriginal-settler tensions.
In this illuminating study of cultural contrasts, American filmmaker Lynne Sachs and her sister, Dana, travel north from Ho Chi Minh City to Hanoi, recording conversations with Vietnamese strangers and friends. The sisters' expansive travel diary covers tourism, insights into city life, pervasive culture clashes and a bracing historic inquiry. What begins as a picaresque road trip soon blossoms into a richer social and political discourse.
Immigrant residents of a “shift-bed” apartment in the heart of New York City’s Chinatown share their stories of personal and political upheaval. As the bed transforms into a stage, the film reveals the collective history of the Chinese in the United States through conversations, autobiographical monologues, and theatrical movement pieces. Shot in the kitchens, bedrooms, wedding halls, cafés, and mahjong parlors of Chinatown, this provocative hybrid documentary addresses issues of privacy, intimacy, and urban life.
A film portrait that falls somewhere between a painting and a prose poem, a look at a woman’s daily routines and thoughts via an exploration of her as a “character”. By interweaving threads of history and fiction, the film is also a tribute to a real woman, Emma Goldman.
Not to be confused with the longform video of the same name first released in 1981, this earlier film was filmed as a prototype for that later piece and features DEVO in greyish-blue janitor uniforms. It includes songs such as Huboon Stomp, The Words Get Stuck In My Throat and Too Much Paranoias.
Inspired by the short stories of Julio Cortázar, Lynne Sachs creates an experimental narrative about a group of girls on the verge of adolescence. While their lives are blissful and full of play, the political and social unrest of contemporary Argentina begins to invade their idyllic existence. Sachs’ brilliant mixture of film formats complements the shifts in mood from innocent amusement to protest
I began reading Virgil's Georgics, a 1st Century epic agricultural poem, and knew immediately that I needed to create a visual equivalent about my own relationship to the place where I live, New York City. Culled from material I collected at Coney Island, the Lower East Side, Socrates Sculpture Garden in Queens, a Brooklyn community garden and a place on Staten Island that is so dark you can see the three moons of Jupiter. An homage to a place many people affectionately and mysteriously call the Big Apple. - Lynne Sachs
A documentary about neighborhood people creating change. Produced for the MacArthur Foundation by Kartemquin Films, this piece features six vignettes on community organizing in different Chicago neighborhoods: LeClaire Courts, Marquette Park, Roseland, Pilsen, Uptown, Rogers Park and Garfield Park.
Over the course of three years, Lynne Sachs collaborated with her daughter Noa (from 5 to 8 years old), criss-crossing the wooded landscapes of Brooklyn with camera and costumes in hand. Noa’s grand finale is her own rendition of the bluegrass classic “Crawdad Song”.
British mod rocker Steve Marriott had great stage presence, a unique voice and plenty of angst -- all on display in this docu-concert featuring clips from Marriott's days in bands the Small Faces and Humble Pie. Though Marriott remained a lesser-known musician throughout his abbreviated life, performance selections here, such as "Paradise Lost" "Black Coffee" and "Lazy Sunday," bring it all back for his fans.
Lynne Sachs pays homage to Walter Benjamin’s essay "The Task of the Translator" through three studies of the human body. First, she listens to the musings of a wartime doctor grappling with the task of a kind-of cosmetic surgery for corpses. Second, she witnesses a group of Classics scholars confronted with the haunting yet whimsical task of translating a newspaper article on Iraqi burial rituals into Latin. Finally, she turns to a radio news report on human remains.