Their family name alone evokes horror: Himmler, Frank, Goering, Hoess. This film looks at the descendants of the most powerful figures in the Nazi regime: men and women who were left a legacy that indelibly associates them with one of the greatest abominations in history. What is it like to have grown up with a name that immediately raises images of genocide? How do they live with the weight of their ancestors' crimes? Is it possible to move on from the crimes of their ancestors?
The story of a Russian family living and dying through four wars: the Russian Civil War in 1920, the Great Patriotic War in 1942, the First Chechen War in 1996, and the Russian military invasion in Ukraine in 2017.
A young Japanese-American orphan in California is taken in by a priest who is actually a Japanese secret agent and a samurai warrior. Due to the samurai's training, the boy murders his English teacher, kills the American parents who have adopted him, smuggles Japanese secret plans into the country, and eventually becomes the governor of California with plans to infiltrate Japanese spies into the state so they can take over.
There have been many evil men in the history of the world including serial killers, rapists and mass murderers – but none of them as extreme and as monstrous as Adolf Hitler.
Militainment, Inc. offers a fascinating, disturbing, and timely glimpse into the militarization of American popular culture, examining how U.S. news coverage has come to resemble Hollywood film, video games, and "reality television" in its glamorization of war. Mobilizing an astonishing range of media examples - from news anchors' idolatry of military machinery to the impact of government propaganda on war reporting - the film asks: How has war taken its place in the culture as an entertainment spectacle? And how does presenting war as entertainment affect the ability of citizens to evaluate the necessity and real human costs of military action?
After months of exhausting trench warfare, most of Major Belyaev's battalion was destroyed. The area is ruled by German aces snipers. Hope for replenishment collapses when the convoy, in which the Soviet snipers were traveling, falls under a German airstrike. A handful of soldiers and a young hunter from Yakutia, Yegor Cheerin, survive.
A WWII film set on a Pacific island. Japanese and allied forces occupy different parts of the island. When a group of British soldiers are sent on a mission behind enemy lines, things don't go exactly to plan. This film differs in that some of the 'heroes' are very reluctant, but they come good when they are pursued by the Japanese who are determined to prevent them returning to base.
During the Boer War, three Australian lieutenants are on trial for shooting Boer prisoners. Though they acted under orders, they are being used as scapegoats by the General Staff, who hopes to distance themselves from the irregular practices of the war. The trial does not progress as smoothly as expected by the General Staff, as the defence puts up a strong fight in the courtroom.
World War II was not just the most destructive conflict in humanity, it was also the greatest theft in history: lives, families, communities, property, culture and heritage were all stolen. The story of Nazi Germany's plundering of Europe's great works of art during World War II and Allied efforts to minimize the damage.
In this unique and riveting film, a troubled man has a series of dreams in which he finds himself thrown back to a time before his birth, into the Angolan Border War, as a combat soldier. There he meets his father as a young man, when he was a member of the Special Forces. As they go through combat together, the son gets to know his father in a way he never has, giving him insight and compassion, and he is able to let go of lifelong feelings of abandonment, resentment and anger. This leads to forgiveness and a real-life reconciliation, which drives home the underlying message of this film restoring the hearts of the fathers to the children and the hearts of the children to the fathers.
The movie is set during World War II in the days just prior to the D-Day invasion. A special parachute unit is sent to destroy a German flame thrower installation on Omaha Beach.
'The War Photographers' recounts the personal experiences of award-winning photojournalists who risk their lives covering conflict in the world's most dangerous war zones. Intimate interviews and gripping imagery reveal stories of sacrifice, courage and the emotional toll endured by photographers and their subjects. Stories include New York Times photographer Joao Silva revisiting sites in his native South Africa, recalling the violence that led to that country's first democratic elections in 1994. Ashley Gilbertson travels to Midland, Texas, for the final shoot of his project documenting the bedrooms of young soldiers who never returned home from war. Other photographers shares their firsthand experiences covering conflict in Vietnam, Iraq, Afghanistan, Somalia, Sudan and the Middle East.
Poet Siegfried Sassoon survived the horrors of fighting in the First World War and was decorated for his bravery, but became a vocal critic of the government's continuation of the war when he returned from service. Adored by members of the aristocracy as well as stars of London's literary and stage world, he embarked on affairs with several men as he attempted to come to terms with his homosexuality.
During the Vietnam War [1959-1975] a special US combat unit is sent out to hunt and kill the Viet Cong soldiers in a man-to-man combat in the endless tunnels underneath the jungle of Vietnam. Suicide squads of a special kind.
A featureless land fit only for war, as the narrator, J. L. Hodson stated in the early scenes: "If war was to be fought then let it begin here". In endless miles of rock-strewn scrub desert, where civilians hardly existed. Desert Victory tells the story of the Allied campaign to drive Germany and Italy from North Africa is analysed, with the major portion of the film examining the battles at El Alamein, including some re-enactment. Won "Best Documentary Feature" at the 16th Academy Awards in 1944.
When Ruth's husband dies in New York, in 2000, she imposes strict Jewish mourning, which puzzles her children. A stranger comes to the house - Ruth's cousin - with a picture of Ruth, age 8, in Berlin, with a woman the cousin says helped Ruth escape. Hannah, Ruth's daughter engaged to a gentile, goes to Berlin to find the woman, Lena Fisher, now 90. Posing as a journalist investigating intermarriage, Hannah interviews Lena who tells the story of a week in 1943 when the Jewish husbands of Aryan women were detained in a building on Rosenstrasse. The women gather daily for word of their husbands. The film goes back and forth to tell Ruth and Lena's story. How will it affect Hannah?