Amour, the messenger of the gods, tells Orpheus that he may descend to the underworld and return with Eurydice. His singing has the power to appease the Furies and animate the blessed Shadows. Yet, his voice cannot reassure Eurydice who despairs of the feigned indifference of Orpheus, put to the test by Jupiter. Raphaël Pichon conducts the opera of operas and Aurélien Bory displays the giddiness of the mental and supernatural spaces traveled by Orpheus and beyond. Marianne Crebassa plays a new breeches role with Hélène Guilmette (Hélène in Le Timbre d’argent) and Lea Desandre (the title role in Alcione).
It was the 80s: Hardcore punk got too violent and started getting banned in clubs and venues, new wave died as well as the clothes and the first wave of metal became stale; we were looking for a new sound and a new look. Bored with what we knew, we ushered in Bands that lived harder and drank more than we did - bands like Hanoi Rocks, Guns N Roses, Jane's Addiction. It was freeing to be young and rock'n'roll - we changed the fashion and its rules, ran the town, set the scene and remade Melrose ave. our street. It was OUR time, Scenester's in Los Angeles. This 80 minute documentary goes back to the clubs, the scenester's, and the 'mover and shakers" of the time - the bands. A non-judgemental look at a musical movement that defined a generation and explained a culture.
Using rare archive, live and studio footage and brand new interviews with many of those who worked with Van across the decade covered by this program, a rare glimpse into the world of this very private musician, performer and writer is revealed - one that many fans of his music may find both surprising and enlightening.
Five African Colombian women sing about the life and death of their peoples through traditional music and dirges. Tracing a musical journey, the singers show us how to respond to violence with art and creation. Musical Memories Of Life And Death In Colombia The word Cantadora comes from traditional Colombian music influenced by African roots and refers to the women that compose and sing their songs while going through their daily chores. "Cantadoras" provides a portrait of rural life in Colombia in its Caribbean and Pacific regions through the words and songs of the resilient Afro-Colombian singers that farm there. These resilient women speak of memories of violence at the hands of paramilitaries, and the power of song to build strength and give voice to dignity and creativity.