Jean left his hometown ten years ago. When his father falls ill, he comes back and reunites with his sister Juliette and his brother Jérémie. As seasons go by around their vineyard, they'll have to trust each other again.
In a world connected by YouTube, iTunes, and Facebook, Lola and her friends navigate the peer pressures of high school romance and friendship while dodging their sometimes overbearing and confused parents. When Lola's mom, Anne, "accidentally" reads her teenage daughter's racy journal, she realizes just how wide their communication gap has grown.
Chinese filmmaker Jia Zhangke returns to the shooting locations of his films, along with his actors, friends and close collaborators. Jia recalls the inspiration sources for his movies, such as Platform, Still Life and A Touch of Sin. The film is the memory of a filmmaker and of a country in convulsion, China, which reveals itself little by little.
In 1950s England, slow-witted Derek Bentley falls in with a group of petty criminals led by Chris Craig, a teenager with a fondness for American gangster films. Chris and Derek's friendship leads to their involvement in the true case which would forever shake England's belief in capital punishment.
Jade is a young mother in the prime of her life when an acid attack leaves her severely burned. While her face has been reconstructed, her beauty is lost beneath the scars. Descending a self-destructive path with relationships crumbling, Jade must take drastic action to reclaim her life.
Yuli is the nickname given to Carlos Acosta by his father, Pedro, who considers him the son of Ogun, an African god and a fighter. As a child Yuli avoids discipline and education, learning from the streets of an impoverished and abandoned Havana. His father, however, has other ideas, and knowing that his son has a natural talent for dance, sends him to the National Ballet School of Cuba. Despite his repeated escapes and initial poor behaviour, the boy is inevitably drawn to the world of dance, and begins to shape his legendary career from a young age, becoming the first black dancer to be cast in some of the most prestigious ballet roles, originally written for white dancers, in companies such as the Houston Ballet or the Royal Ballet in London.
A disillusioned Seoul woman visits a remote island to reconnect with a childhood friend, only to find her trapped in an oppressive cycle of physical, mental, and sexual abuse. As tensions escalate, the situation spirals into a harrowing tale of survival and retribution.
This fairy-tale-like drama, based on a 1904 short story by American poet and feminist author Renée Vivien, tells two opposing versions of the same narrative: one told verbally by Pierre Lenoir, a male narrator at a Victorian dinner party; the other told visually through the behavior of an unnamed woman who meets him on a fantasy cargo boat. The intercutting of the two stories creates a tension between the different world views of the woman and the man.
On Easter Sunday, 1939, contralto Marian Anderson stepped up to a microphone in front of the Lincoln Memorial. Inscribed on the walls of the monument behind her were the words “all men are created equal.” Barred from performing in Constitution Hall because of her race, Anderson would sing for the American people in the open air. Hailed as a voice that “comes around once in a hundred years” by maestros in Europe and widely celebrated by both white and black audiences at home, her fame hadn’t been enough to spare her from the indignities and outright violence of racism and segregation.
A struggling young artist accepts a series of bizarre commissions from an eccentric, dying millionaire who may be trying to either help further his career or destroy his life.
Mark Unwin is one of four employees of Krielsen International oil company captured by militant group MEND whilst they are working in Nigeria. His wife Claire flies out with Alice Onuko, Nigerian-born,British-raised P.R. for Krielsen. When the women arrive in Port Harcourt they are told a ransom has been agreed - as is the norm since MEND depends on ransoms to fund itself.
It is the year 1936 and the Spanish Civil War is raging. When the German commander of an international brigade is badly wounded he gives his five comrades a message which he divides up and secretes into in five cartridges. All five shells must reach the battalion in order for the message to be relayed. But Frenchman Pierre can’t bear the heat of the Sierra. When he leaves their hide-out to drink from a well he is hit by an enemy bullet.
Former top U.S. security adviser Elizabeth "Libby" Lamm is threatened by associates from her dark past including Rachel Burke a steely, commanding politician with an unwavering knack for achieving her goals. Colluding with Rachel is Adrian, an unyielding, patriotic chief of staff. Martin harbors another type of obsession with Libby in this story of betrayal and regret.
In her last year of secondary school, a bright Indonesian student is determined to pursue her education and resist getting married, despite the expectations of her community.
Taeko and her husband, JirÅ, are living a peaceful existence with her young son, Keita, when a tragic accident brings the boy's long-lost father, Park, back into her life. To cope with the pain and guilt, Taeko throws herself into helping this deaf and homeless man.
After years together, Petr and Hana, partners in work and in life, share their unspoken erotic fantasies. What begins as an innocent conversation gradually turns into curious experimentation with a non-monogamous approach to their relationship. But sexual freedom tastes differently for each of them.
In the anarchic town of Seaside, nowhere near the sea, puppeteers Judy and Punch are trying to resurrect their marionette show. The show is a hit due to Judy's superior puppeteering but Punch's driving ambition and penchant for whisky lead to an inevitable tragedy that Judy must avenge.