Classic holiday tale about a flying reindeer who helps Santa Claus. An interpretation of Robert L. May's 1939 Christmas poem, this animated short was created to run in theaters to advertise Montgomery Ward department stores, publisher of the original story.
A Russian emigre prides himself on the way he's molded himself into a real Yankee in the USA, though the world he lives in, New York's Lower East Side in the late 19th century, is almost exclusively populated by other Jewish immigrants. When his wife finally arrives in the New World, however, she has a lot of assimilating to do.
Punk-rocker turned suburban mom, Kelly, is nostalgic for a life she can no longer have and uncertain of a future she doesn’t yet fit in. Seventeen-year-old Cal is frustrated at his lack of control over the hand he's been dealt. When the two strike up an unlikely friendship, it's the perfect spark needed to thrust them both back to life.
Gabriel is a young, aspiring musical composer whose life seems stuck in the First Act. When his new musical number gets a critical reception, a theatre colleague, Perry, tells Gabriel that he needs to get a life before he can write about one – so he heads straight for his local gay bar.
As children, Leni and Lazar were best friends. When Lazar returns from extensive travels abroad for his father's funeral, Leni yearns to reconnect with her childhood soulmate but still feels the sting of their years of estrangement.
In the Deep South of the 1930s, Rose is taken in by the Hillyer family to serve as housemaid so that she can avoid falling into a life of prostitution. Her appearence and personality is such that all men fall for her, and she knows it. She can't help herself from getting into trouble with men.
After blacking out on his wedding night, Shane and his wife head to a remote estate for their honeymoon. That night, there’s a knock at the door; a waiter and bartender from the reception, blackmailing Shane for something he can’t remember doing. But the blackmailers don’t just want money. They’re after business partners for their invention, an outlandish device called… The Crumb Catcher.
Dublin teenagers Matthew, nihilistic Rez, and the deranged Kearney, leave school to a social vacuum of drinking and drugs, falling into shocking acts of transgression.
Held in 1972 at 533 N. Mariposa Street, Los Angeles was one of the most important cultural events in the United States: "Womanhouse," a feminist art installation and performance space organized by Judy Chicago and Miriam Schapiro.
He counseled presidents and popes, served on corporate boards and infuriated Richard Nixon. He was one of the only friends to whom Ann Landers turned for advice. During his 35 years as president of the University of Notre Dame, Theodore Hesburgh became one of the most influential and inspiring people of the 20th century.
The true story of Sonja Henie, one of the world's greatest athletes and the inventor of modern figure skating, who decides to go to Hollywood in 1936 to become a movie star.
After a decade apart, Maggie tracks down her elusive father. His fixation with UFOs has intensified over the years, which frustrates her attempts to communicate some big news.
The lives of Erik Lanshof and five of his closest friends take different paths when the German army invades the Netherlands in 1940: fight and resistance, fear and resignation, collaboration and high treason.
In Chile's Atacama Desert, astronomers peer deep into the cosmos in search for answers concerning the origins of life. Nearby, a group of women sift through the sand searching for body parts of loved ones, dumped unceremoniously by Pinochet's regime.
"Art in Our Time: Toward a New MoMA" features a cycle of 'end of century' exhibitions, cumulatively titled 'MoMA 2000', which aim to present the museum's rich collection in a brand new way. Instead of MoMA's famously traditional chronological installation, oriented heavily towards the 'School of Paris', the curators assembled works by themes which offered the public a new approach to the understanding of the art of our time. One aspect of this different approach was to experiment with finding new ways for MoMA to connect more decisively with the art of the present, as the term 'modern' can be construed as the art of the first half of the last century. By masterfully juxtaposing art of the past with art of the present, MoMA has encouraged it's visitors to observe, contemplate and process iconic pieces spanning the last century.