Amira, a 17 year old Palestinian, was conceived with the smuggled sperm of her imprisoned father, Nawar. Although their relationship since birth has been restricted to prison visits, he remains her hero. His absence in her life is overcompensated with love and affection from those surrounding her. But when a failed attempt to conceive another child reveals Nawar's infertility, Amira's world turns upside down.
At its peak, The Black and White Minstrel Show was watched by a Saturday night audience of more than 20 million people. David Harewood goes on a mission to understand the roots of this strange, intensely problematic cultural form: where did the show come from, and what made it popular for so long? With the help of historians, actors and musicians, David uncovers how, at its core, blackface minstrelsy was simply an attempt to make racism into an art form - and can be traced back to a name and a date.
An American elementary school program from the 1970s, Man: A Course of Study (MACOS), looked to the Inuit of the Canadian Arctic to help students see their own society in a new way. At its core was The Netsilik Film Series, an acclaimed benchmark of visual anthropology from the National Film Board that captured a year in the life of an Inuit family, reconstructing an ancient culture on the cusp of contact with the outside world. But the graphic images of the Netsilik people created a clash of values that tore rifts in communities across the U.S. and revealed a fragile relationship between politics and education. A fiery national debate ensued between academic and conservative forces. hrough These Eyes looks back at the high stakes of this controversial curriculum. Decades later, as American influence continues to affect cultures worldwide, the story of MACOS resonates strongly.
Examines issues that lead to taunting and bullying, including racial differences, perceived sexual orientation, learning disabilities, religious differences, sexual harassment and others. Part of The Respect For All Project.
Chewing gum sculptures, a wealthy gallerist, a notorious murder case, and the segregated south - it's all part of Nellie Mae Rowe's boundless universe. This World Is Not My Own reimagines this self-taught artist's world and her life spanning the 20th century.
In 1918 a young and simple Mongol herdsman and trapper is cheated out of a valuable fox fur by a European capitalist fur trader. Ostracized from the trading post, he escapes to the hills after brawling with the trader who cheated him. In 1920 he becomes a Soviet partisan, and helps the partisans fight for the Soviets against the occupying British army. However he is captured by the British when they try to requisition cattle from the herdsmen at the same time as the commandant meets with a reincarnated Grand Lama. After the trapper is shot, the army discovers an amulet that suggests he is a direct descendant of Genghis Khan. They find him still alive, so the army restores his health and plans to use him as the head of a puppet regime. The trapper is thus thrust into prominence as he is placed in charge of the puppet government. By the end, however, the "puppet" turns against his masters in an outburst of fury.
The great media prankster, Joey Skaggs, wants to fool the world media AGAIN, and, with the most complex hoax of his career in the pipeline, he now must use every trick in his prankster's arsenal to make it work. Art of the Prank is an emotional journey following the evolution of artist Joey Skaggs-a fierce proponent of independent thinking and the man who has turned the media hoax into an art form. With unprecedented access to the man and his archives, the 95-minute documentary interweaves a current unfolding hoax with a look behind-the-scenes at some classic performance pieces (all reported as fact by a wide range of prestigious journalists) plus commentary from co-conspirators and others.
The extraordinary life of Chickasaw Nation citizen Mary Thompson Fisher is given a heartfelt tribute in this moving look at a culture in transition, and the way one woman used her voice to keep Native traditions and stories alive. Raised in Indian Territory, Fisher left home to pursue her dream of becoming an actress, only to find that her true calling was at home all along. From Chautauquas to Broadway and even the White House, Fisher traveled the world performing Native American songs and stories for heads of state, American presidents, and European royalty. Featuring Chickasaw citizens both in front of and be-hind the camera, this touching portrait starring Q’orianka Kilcher (“The New World”) and Graham Greene honors a woman whose own story was the most inspiring one she never told. -TCFF database
It is Hollywood’s favorite role for Black women: the maid. Sassy or sweet, snickeringly attentive or flippantly dismissive, the performers who play them steal every scene they are in, and Tracy Moffatt’s entertaining video collage reveals the narrow margin Hollywood has allowed Black actresses to shine in. But shine they do.
Underworld drug king Toplar is flooding the market with low-grade heroin. Agent 99 gets a bit too close to the truth, but manages to gasp out a clue as to Toplar's identity. Jane (Agent 73) is called in, and gets a camera implanted in her breast in order to photograph the bad guys she dispatches so headquarters will be able to identify Toplar when she finds him.
Blurred images illustrate the narration of New York City-based artist Hugues de Montalembert, who was blinded in a vicious mugging some thirty years ago.
When her babysitter doesn’t show, a single mother is forced to leave her precocious five-year-old daughter with the girl’s estranged father for a long weekend.
Revisit photographs created by Kentucky school children in the 1970s and the place where their photos were made. Photographer and artist Wendy Ewald, who guided the students in making their visionary photographs, returns to Kentucky and learns how the lives and visions of her former students have changed.
A documentary that examines the films made by the victims of the Hollywood Blacklist and offers a radically different perspective on a key period in the history of American cinema.
Damascus, Oregon, United States. Julie Keith finds a baffling message hidden in a pack of decorative items, a desperate plea for help, written by someone imprisoned in a Chinese labor camp called Masanjia…
As seventh-graders, band members of Unlocking The Truth spend their weekends playing metal music in Times Square—often to substantial crowds. After signing with a 70-year-old manager, they are soon on their way to a $1.8 million record deal.