The people and their labor are bound to the land in the cycle of activities to the sowing to the harvesting of wheat. Without narration or subtitles, the film conveys a sense of unity between the people and the land. Filmed in the Balkh Province, an area inhabited by Tajik and other Central Asian peoples. The town of Aq Kupruk is approximately 320 miles northwest of Kabul. The theme of the film focuses on rural economics. The film and accompaning instructor notes focus on herding, and fishing under diverse environmental conditions. The impact of technological change, human adaptation, and governmental extension of market systems are parallel themes.
With our planet positioned at the forefront of the global agenda more than ever before, ‘Earthrise’ explores the splendour of this blue body we call home by circling towards the amalgamated awareness to maintain the grandeur of the turning sphere we traverse along. In parallel to Van Herpen’s drive towards an interconnected approach to fashion, the 19 look collection narrates the circular processes that usher change in our sentient world by weaving a symbiotic thread between artisanal tailoring and organic craftsmanship, derived from the perception of our world as one living and breathing organism.
For decades, their factories secretly dumped toxic products into rivers, groundwater systems and soil. This pollution affected thousands, causing disabilities, cancers and death.
For more then twenty years, tons and tons of metallic and electronic waste from all around the world has been transported to a Chinese town called Fengjang, in the south of Shanghai. Around 50,000 migrant workers have formed a real army to dismantle these metallic wastes. These "green soldiers" decompose, cut, split and recycle, with the most rudimentary means, almost 2 million tons of garbage every year. To remain and assume the minimum materials that is theirs, they work hard, bear an incredible precariousness and put in danger their own health due to the simply unacceptable working conditions. As the recognizable heaps of metal continue to pile up they provide a deeply moving image of a worldwide consumer society.
Emily @ the Edge of Chaos interweaves Emily Levine’s live performance with animation, appearances by scientists, and animated characters. The film uses physics, which explains how the universe works, to explain our metaphysics – the story of our values, our institutions, our interactions. Using her own experience and a custom blend of insight and humor, provocation and inspiration, personal story and social commentary, Emily takes her audience through its own paradigm shift: from the Fear of Change to the Edge of Chaos.
The epic story of how people around the world lived through the first year of the coronavirus pandemic, from lockdowns to funerals to protests. Filming across the globe and using extensive personal video and local footage, FRONTLINE documented how people and countries responded to COVID-19 across cultures, races, faiths and privilege.
Tnorala is the Aboriginal name for Gosse's Bluff, a dramatic meteorite impact crater set in a vast plain 175km west of Alice Springs. This significant dreaming site for Western Arrernte people is steeped in mystery and tragedy. The story of its creation and the events that occurred there are narrated to the camera by Aunty Mavis Malbunka, one of the traditional story-tellers for the place.
Interwoven with her storied career and prolific works, Twyla Moves sees legendary choreographer Twyla Tharp navigate her latest creative challenge: making a dance for a world plagued by the Covid-19 pandemic.
Jean Rouch filmed this loving and humorous portrait of anthropologist and filmmaker Margaret Mead in September 1977 while he was a guest of the first Margaret Mead Film Festival. As both a friend and colleague, Rouch reveals a glimpse of the legendary Mead in her later years.
'Chinese Hip-Hop Underground' is an insider documentary following the story of Weber - one of Mainland China's first rappers. Weber's uncanny musical talents allow him to spearhead the creation of Chinese rap music - a free form of creative self-expression that spreads like wildfire amongst those struggling the most; young working class students and grassroots migrants left out of the country's meteoric rise. Even while Weber's music electrifies China's youth and gains a huge following, he is challenged by enemies posing a threat to his musical existence: state censors, on the one hand, and armies of state-backed pop stars seeking to steal the name of hip-hop for their own gain, on the other. Can Weber and underground musicians like him survive this assault? Will Underground Chinese hip-hop survive?
First of the Man And the State series, dramatizing the character of Socrates in the context of his 339 B.C. trial, posing questions about if the state has the right to silence individuals.
In 1965, Patsy Takemoto Mink became the first woman of color in the United States Congress. Seven years later, she ran for the US presidency and was the driving force behind Title IX, the landmark legislation that transformed women’s opportunities in higher education and athletics.
In this enlightening visit, Holl takes us through the galleries where contemporary art is displayed beneath curving vaults admitting daylight, a tour which effectively demonstrates the convergence of space, time, and architecture.
Tracking the country’s oldest beauty contest—from its inception in 1921 as a local seaside pageant to its heyday as one of the country’s most popular events—Miss America paints a vivid picture of an institution that has come to reveal much about a changing nation. The pageant is about commercialism and sexual politics, about big business and small towns. But beyond the symbolism lies a human story—at once moving, inspiring, infuriating, funny, and poignant. Combining rare archival footage, with a host of intimate interviews with distinguished commentators including Gloria Steinem, Margaret Cho, Isaac Mizrahi, former contestants and behind–the–scenes footage and photographs, the film reveals why some women took part in the fledgling event and why others briefly rejected it - how the pageant became a battle ground and a barometer for the changing position of women in society.
Stop-motion animation on the arranging of marriages in 1950/60s set in the Eastern-Polish borderland. The script is based on a part of Mikołaj Smyk's diary, the director's grandfather. The biographical objects used in the animation, such as an authentic headscarf, Polish and Russian books, the copy of Mikołaj Smyk's diary and photographs help situate the story in its original environment.