A crook decides to bump off members of his inept crew and blame their deaths on a legendary sea creature. What he doesn't know is that the creature is real.
Cannes, 1999. Alice, an actress, wants to direct an indie picture. Kaz, a talkative (and maybe bogus) deal maker, promises $3 million if she'll use Millie, an aging French star. But, Rick, a big producer, needs Millie for a small part in a fall movie or he loses his star, Tom Hanks. Is Kaz for real? Can Rick sweet-talk Alice and sabotage Kaz to keep Millie from taking that deal? Millie consults with Victor, her ex, about which picture to make, Rick needs money, an ingenue named Blue is discovered, Kaz hits on Victor's new love, and Rick's factotum connects with Blue. Knives go in various backs. Wheels spin. Which deals - and pairings - will be consummated?
Qallunaat! Why White People Are Funny is an irreverent look at Western Civilization through Inuit eyes. Inspired by the satirical essays of Zebedee Nungak, the film turns the tables on generations of anthropologists, teachers, adventurers and administrators who went North to pursue their Arctic Dreams. Now it’s their turn to be poked, prodded, examined and explained. A new generation of Inuit is ready to take on the Qallunaat at their own game. Grounded in their own traditions but educated in the South, they have a unique perspective on the culture that has come to dominate the planet. And they are not afraid to speak their minds.
Hollywood collides with a group of veterans who are tired of the typical PTSD and valor-portrayed movies and decide to make an original dark humor zombie apocalypse film all on their own.
A lonely widow plans a trip around the world with her husband's ashes, to visit the places they loved in the movies. During her first stop in Scotland at the beautiful estate she stays in, she meets the innkeeper who changes her life forever.
Aegeon of Syracuse has come to Ephesus to seek his son, who went in search of his missing twin and mother months ago. Too bad that Ephesus has just declared war on Syracuse, and will instantly put to death any Syracusean found within their borders unless a ransome's paid. Meanwhile, the son, Antipholus, and his servant, Dromio (also an identical twin), keep running into strangers who seem to know them...
A star-studded retrospective reunites the lead cast for the first time since 2016 to rampage down memory lane revealing how the show was made, pay tribute to much-missed castmember June Whitfield, and celebrate its ground-breaking influence on female comedy.
After falling off the roof at a New Year's Eve house party, Owen decides that it's time to make some wholesale changes in his life. Over the next year, he quits drinking, re-enters his estranged son's life, reignites old friendships, and falls in love with Vera, a bank teller and fellow divorcee...all in an attempt to replace members of his family who he'd lost prematurely.
A true story about a gay boy growing up in the collapsing USSR, his courageous mail-order bride mother, and their adventurous escape to Seattle in the 90s.
Antoine is a musician. The forties, he suddenly decides to end his career. After a few days of wandering, he gets a job as a janitor. Mathilde lives in the old building in the east of Paris where he takes office. This is a young retiree, generous and involved, who divides his time between his associational activities and the life of the condominium. One night, she discovers a disturbing crack on the wall of his living room. Gradually, his anxiety grew to turn into panic and if the building collapsed ... Slowly, Antoine befriends the woman he feared to see slip into madness. Between slips and concerns, both form an awkward tandem, humorous and solidarity which will, perhaps, through this bad patch.
Told in the form of a mock documentary in 92 short parts, nineteen million people are left obsessed with birds and flight following a strange occurrence. A documentarian analyses the lives of all the survivors whose surnames begin with FALL to uncover the truth behind the event.
Socialite Anatol Spencer, finding his relationship with his wife lackluster, goes in search of excitement. After bumping into old flame Emilie, he lets an apartment for her only to find that she cheats on him. He is subsequently robbed, conned, and booted from pillar to post. He decides to return to his wife and discovers her carousing with his best friend Max.
JR, an aspiring news-anchor, forces her younger brother Colin to embark on a road trip to move her belongings out of her professor-turned-lover’s place. Traveling through New England, they uncomfortably run into old school-mates or revisit familial history from which they have long since diverged.
Vampires crave blood more than anything else. It’s the one thing they need to survive. Well, there’s always an exception. One in particular can’t seem to consume blood, so she must go through an extremely painful treatment to improve her condition and finally become a true vampire. Korean cinema is known for its seamless mix of horror and dark comedy, and HOW TO KILL A VAMPIRE does it brilliantly! – Steven Lee
A feisty little girl, the daughter of a beat cop, faces the challenges of growing up in a tough city neighborhood. Preserved by the Academy Film Archive, in partnership with the Library of Congress. Motion Picture, Broadcasting, and Recorded Sound Division, in 2014.
Three longtime girlfriends from elementary school, very different women, have one thing in common: they are in the fall of their lives and they all feel how ruthless old age can be. Marie is abandoned by her husband on Christmas Eve, and her entire identity as part of a happy family crumbles. Berling is the eternal "bachelor" who outwardly denies her age and lives the sweet life, but in the backdrop she is affected by a complicated relationship with her daughter. Vanja lives in the memories of her late husband and has difficulty moving on. The three travel to Italy together to attend a food course in Puglia, where they each have an opportunity to redefine themselves.
Explores the sensitive, and tense, relationship between life on an First Nations reservation and life in the outside world. When Native Canadian Silas Crow is forced to write a personal essay in order to get a much-desired job, he tells the story of the rape and murder of an Indian girl by a drunken thug. When the killer received a lenient two-year sentence for manslaughter, the First Nations community felt shock and anger—and tried desperately to deal with the after-effects of this lack of justice.