Noa (Achinoam Nini), a popular Israeli singer of Yemenite descent, prepares for a concert in Jerusalem. She is interrupted by an old Arab man who claims to have been a close friend her great grandmother. He tells her about Mazal, a Jewish child-bride (Hadar Ozeri) from Yemen, who preserves her religion, culture, family and her unique art, surviving the harsh, violent conditions of Jerusalem and the Holy Land in the late 19th through the mid-20th centuries. She becomes the mother of two, a young widow (Galit Giat), and the family's breadwinner through her skills as a jeweler in gold and silver. In time, a woman of property (Timna Brauer) and an ardent patriot, she prevails through the unfolding bloody decades while living in the Old City of Jerusalem. She heads a family of extraordinary, unforgettable characters and grows old in strength and determination, remaining true to her traditions and ideals.
Razz accidentally shoots his wife Martha when his hunting rifle drops on the floor and discharges. The church congregation gathers at Martha’s bedside to pray for her recovery, and during this period an angel arrives to take Martha’s spirit from her body, but she is tempted by the slick Judas Green, who is an agent for Satan.
As told by filmmaker Alexander Farah through a deftly composed array of small yet pivotal moments, a first-generation Afghan Canadian man takes steps toward establishing an identity of his own while always conscious of his father's shadow.
Jim decides to leave his tribal area to seek his fortune in Johannesburg. As soon as he arrives, three gangsters mug him. When he regains consciousness, a friendly night watchman takes care of him. With the watchman's help, Jim gets a job in a nightclub as a waiter.
Yitzhak runs the turkey farm his father built with his own two hands after they emigrated from Iran to Israel. When his son Moti turns thirteen, Yitzhak teaches him the trade, hoping that he will continue the proud family tradition. But Moti doesn't like working in the turkey barn; his passion is fixing up junkyard cars and bringing them back to life. Moti's mother Sarah tries to reconcile between the two, while his grandfather pushes Yitzhak to take a firm hand with his son. Yitzhak takes Moti's refusal to work in the turkey barn as a personal rejection. Though he loves his son dearly, he makes it his mission to impose the family farm on Moti. The arrival of Darius, the uncle from America, sets off a chain of events that will undermine the familial harmony. Soon enough Yitzhak will learn that his son is just as stubborn as he is. The conflict is inevitable.
A punk chick flick about teen girls that mixes highly stylized fictional elements with documentary material: loneliness, pussy-power, Kawaii, electric green, hentai, graffiti, vibrators, friendship, teddy bears, resting bitch face, ART, fire, fear, bubble-gum, mom & dad, anorexia, cactuses, homemade piercings, nail art, cherries, cutting, dolphins, Lolita, secret diaries and daydreaming. Radical girls in an ordinary world.
A young, politically liberal, Iraqi Muslim immigrant struggles to find her footing in a neighborhood of well-to-do conservative, Iraqi Christians while battling her family's fears of deprivation and demands of loyalty to Muslim traditions.
Vienna, 1813-1819: Beethoven (played by Donatas Banionis) is at the peak of his fame. Orchestras all over the world play his music, but he lives modestly and is dependent upon private patrons. Nagged by his patronizing brothers, spied upon by officials for his republican beliefs and faced by his progressive hearing loss, the composer becomes more and more isolated. Seeman’s poetic film explores the joys, heartbreak and artistic spirit of the great composer as he works on his Ninth Symphony.
In La Paz -as opposed to many other cities- the rich live below, which is the Southern District. Life goes on without major mishaps in a large house surrounded by a beautiful garden. It is a wonderful world, a great bubble of comfort, where different personal spheres coexist: the mother, along with her three children and the Aymara inhabitants of the house. The drama surfaces slowly, without narrative ploys, observing day-to-day activities until internal and external forces make the bubble burst. The film relates the story of the final days of an upper-class family, at a time when the country is undergoing social changes.
The city of Douala is in trepidation for the start of the new school year. A long line of customers come to Mambar Pierrette, the neighbourhood dressmaker, to have their clothes ready for imminent social events and ceremonies. More than just a sewer, Pierrette becomes the confidant of her customers, of a generation. But when the rain starts pouring down and threaten to flood her workshop – one of several successive misfortunes – Pierrette will have to stay afloat.
In the 1930s tensions between the government and the Indigenous peoples of Australia's north were on a knife-edge. Donald Thomson, an anthropologist, volunteered to go to Arnhem Land to make peace. For over two years, he lived with the Aboriginal people, forging strong bonds, learning and recording their way of life. His report to the government outlined a vision of land rights and other measures to protect a unique yet fragile culture - it was ignored. Ostracised by politicians and fellow academics, Thomson never gave up the struggle for Aboriginal rights. Now, his extraordinary photographs, field notes and artefacts are considered one of the most significant ethnographic collections in the world.
The story of Bruno, a rough, heavy man overly fond of drinking. His only desire is to be a normal person, but fate would have it otherwise. One day he wakens to find that his hands are starting to bleed, marking the start of a journey of redemption through suffering, pain and death. From now on he'll have to live with his new stigmata.
When the Duke of Vienna takes a mysterious leave of absence and leaves the strict Angelo in charge, things couldn't be worse for Claudio, who is sentenced to death for premarital sex. His sister, Isabella (a nun-in-training), however, is a very persuasive pleader. She goes to Angelo, but instead of freeing her brother, she gets an offer from Angelo to save Claudio's life if Isabella sleeps with him. The only sympathetic friend Isabella has is a priest who, in actuality, is the Duke in disguise...and he has a plan.
Taffeta, a contemporary queer person of color, summons Abraham Lincoln to perform an elaborate historical fantasia within her own head — only to learn that she can’t hide from her own present-day demons in the shadows of someone else’s past.
A hybrid short film that merges American Sign Language, contemporary dance, and poetry to tell a deeply personal story about expression, resilience, and the emotional weight of language. Drawing visual inspiration from the experimental dance films of the 1940s, the piece centers a Deaf protagonist whose inner world is revealed not through words, but through movement.