As a boy in a coat wanders through a corridor, surreal short films are shown, each door revealing a dreamlike scene that blurs the line between memory and imagination.
A loving wife is the primary caregiver for her blind husband who is confined to their apartment, while she is hiding a dark secret from him in plain sight.
A group of people travel to the Bermuda River to obtain videos and photographs of another dimension, but satanic beings snatch the book with the instructions to get out of there and return to their world, they are left under the power of Lucifer.
Crystal Lake, 1983. Three high school buddies decide to hunt a legendary buck the town locals have named "Buster" to bring back a good name for the town after the Pamela Voorhees murders. Little do they know, but the hunters become the hunted when they stumble into Jason Voorhees' stomping grounds
A vile disease has found it's way to Small town, USA leaving a trail of terror and death. Follow the heroic "NESS" and the enigmatic drifter Emory on their desperate mission to uncover the source of the zombie virus and contain the ravenous outbreak before it consumes humanity. No matter win or lose, tomorrow will never be the same.
“The three parts developed over a year period of intense study during the mid-1970s. It sort of began and ended my dependency on “high-tech” equipment to make films and led me through the equally intensive parameters of what motion picture film could reproduce on a visceral, detail oriented level. In contrast to the high end 2K digital technology used to restore ‘Manhatta’ and 'Ballet Mechanique', I learned filmmaking decades earlier on a 35mm Oxberry beam-splitter, multi-head, aerial-image bi-pac optical printer. A dinosaur by today’s standards and all hand operated prior to the advent of computer-assists, this machine was precise and exact to the frame. ’S&J: Pt. 3' took 26 hours to shoot straight thru without one mistake.” —Bruce Posner