A low-budget horror anthology made of 5 short films, each belonging to a different horror sub-genre. These segments are introduced by a ghoulish host of the sort that used to present late-night horror movies on TV. The five films are Pig, The Closet, Fall Apart, Meat Man, and Watcher.
Five friends find an old bunker in the forest. There, they meet a demon that resumes to split them up. Possessed by the Demon attempting to split them up into five parts - making each of them to attempt to take possession of one friend - in order to play them off against each other. Only one of them is strong enough and smart enough to unite all parts again. The others have to die...
Five friends embark on a journey to solve the mysterious disappearance of one of the friends father, only to find that they will each have to face their own worst fear.
The True Story of the Christ's Return is an attempt at recreating the style and atmosphere of the 16mm experimental / art films of the 1970s, though still leaning a bit towards the horror, slightly sci-fi side. While this film is somewhat different than previous efforts, it still seems to have some of usual Italian flare. The story is a bit peculiar to say the least. Jay Creepy of Severed Cinema notes, "This short has a lot of depth. Mario Murgia has seriously planned and executed the shots plus angles of the scenes to layer on dreamy doom-laden material."
A full-length mixtape celebrating the wildest shot-on-video and direct-to-video trailers from AGFA’s video dungeon, released both theatrically and on home video.
As a boy in a coat wanders through a corridor, surreal short films are shown, each door revealing a dreamlike scene that blurs the line between memory and imagination.
Mussorgsky's composition is the soundtrack for this pin-screen animated take on night and wild things. A scarecrow blows down, clouds move by quickly. Beings take shape; a town appears, animals flee, and a horse gallops by. A child looks on. Monsters run and float by: the phantasmagoric is everywhere. A woman's figure tumbles through space. A clash ensues. The horse falls. Goblins take control. The night and its denizens are relentless. Forms appear and become grotesque. Will dawn and calm ever come?
It should have been just a normal day of sex, fun, alcohol, hormones and debauchery for Tabitha and Mimi, two over-privileged twenty-somethings. But that so-called normalcy gets tossed out the window when a devastating event occurs at a pool party.
“The three parts developed over a year period of intense study during the mid-1970s. It sort of began and ended my dependency on “high-tech” equipment to make films and led me through the equally intensive parameters of what motion picture film could reproduce on a visceral, detail oriented level. In contrast to the high end 2K digital technology used to restore ‘Manhatta’ and 'Ballet Mechanique', I learned filmmaking decades earlier on a 35mm Oxberry beam-splitter, multi-head, aerial-image bi-pac optical printer. A dinosaur by today’s standards and all hand operated prior to the advent of computer-assists, this machine was precise and exact to the frame. ’S&J: Pt. 3' took 26 hours to shoot straight thru without one mistake.” —Bruce Posner
A group of searchers and diggers went in search of trophies and various military swag buried in places of heavy fighting of the Second World War. The guys climb into ruined places where, according to rumors, diggers have already disappeared, in the hope of finding a lot of valuable things. But sometimes it’s better not to bring up the past...