The film is based on a poem by James Weldon Johnson depicting the power of the southern black American preacher's telling of the biblical creation story.
Hungry mosquitos, in search of a meal, find that fruit, flowers and other such fare doesn't satisfy. One enterprising bug hits the jackpot - a human! However, the victim vigorously resists joining the food chain, causing a number of winged casualties. The little buggers wait until the man falls asleep, then set up a number of enterprises: cafes, bars, filling stations, all serving blood. Things are going well, but then the mosquito Cosa Nostra moves in, and ramp production into high gear.
Bokanowski returns to the complex - and mind-bending - optical array of pinholes, mirrors, prisms, and refractive substrates of his earlier film, La Plage to create the whimsical and playful Au bord du lac. The film is composed of mundane, everyday scenes of recreation and leisure on an idyllic, sunny day at a park that overlooks a lake - rowing a boat, playing a game of volleyball, rollerskating, bicycling, reading a newspaper, sunbathing, riding on horseback, or strolling on the promenade - shot through optical distortions to create fractured and knotted images that resemble embellished, gothic fairytale illustrations or appear to resolve into morphing, geometric patterns of fluid motion. Evoking the vibrant colors and sun-soaked palette of an invigorated Vincent van Gogh in Arles, Bokanowski transforms the quotidian into an infinitely mesmerizing dynamic kaleidoscope of shape-shifting textures and self-reconstituting objects of organic, abstract art.
One of Klahr's masterpieces, Altair is an 8 minute collage color -noir culled from late-40s pages of Cosmopolitan, which induces a sense of claustrophobia and dread through its use of Stravinsky's The Firebird.
The evil Dr. Zin has genetically modified household pests into disturbingly large insects that he calls assassinoids, fearless and devoted warriors that will carry out his plan for world domination. Team Quest, headed by internationally respected scientist Benton Quest, is Earth's only hope. When the good doctor becomes Zin's captive, the stakes - and the action quotient - grow higher. Enter Jonny Quest, Dr. Quest's bright, excitable, imaginative and heroic young son, ex-special agent Race Bannon, Jonny's child genius pals Hadji and Jessie (Race's daughter), their robotic pal 4-DAC and bulldog Bandit to complete the job of vermin extermination before it's too late. Your quest for colorful animated excitement ends here with this high-tech feature-length adventure based on the beloved Hanna-Barbera series.
Explores the nature of man, not only with feet of clay, but with a face of clay as well. Within a colourless city of walls, corridors, and small rooms, a man makes his way from home to work, then to a bar, and then, by a stroke of luck, into an outdoors of space, fresh air, and colour. Along the way, he changes his face to fit his surroundings, interacts with his dog, argues with co-workers, and gossips at a bar. His altering of his visage suggests a two-faced nature, and his stepping into the outdoors provides the ultimate test of his real identity.
Pero is back in Go Go Town, a fearful place in the Wild West that desperately awaits for a sheriff to come. In this town of no law and order, Pero and a boy named Jimmy try to help Annie, daughter of a saloon owner who has just been killed.
Mortadelo (Mort) and Filemón (Phil) are visited by Professor Chiflágoras, Filemón's crazy cousin, who has invented a time travel machine in the shape of a closet. (Seven animated shorts with a common narrative: The Time Closet; In Waterloo; The Yeti; Incredible Mission; The Impostors; Count Macula; Maxi-adventure at Sea.)
Two explorations of the Lolita complex. Sushiaki Karasawa, a young teacher at a Tokyo high school, becomes infatuated with Yoshida Chizuru, a 19-year-old student who appears in a shampoo commercial. She realizes he's attracted to her, so she shows up at his apartment and offers to sleep over. Soon he realizes that the games she plays have just begun. Later, Chizuru meets the new neighbor of her rock star boyfriend, Hiroyuki. The girl is Azumi Yamada, an innocent from the provinces who enrolls in Chizuru's school. This time it's Chizuru who's infatuated. What will Hiroyuki do when he finds out he's being thrown over for Azumi? Can Chizuru save her from Hiroyuki's revenge?
As a call girl, Rumi’s used to dealing with perverts of all stripes. But her latest caller, the helpless Ryu, isn’t like the rest: Turning him on transforms him into a vicious monster, complete with razor-sharp teeth, claws, scales, and tentacles. Rumi’s up to the challenge, of course — but as she gets closer to helping Ryu handle his special problem, she finds out she’s not the only one who wants a piece of the action.
In this musical adventure, Alvin develops an alter ego after Brittany rejects his offer to the Valentine Ball. In a dream state, he becomes a dashing Don Juan, the Valentine heartbreaker extraordinaire CAPTAIN CHIPMUNK. Brittany is quickly won over and eagerly accepts his offer to the Valentine Ball. Hilarious consequences follow when Alvin wakes up at the dance and realizes he’s not the dashing debonair Captain Chipmunk.
A long time ago, there was a war between the Evil God and the Dragon God. The war finally came to an end when a Dragon Ninja, who had the power of the Dragon God, sealed away the Evil God.Several thousand years later, in New York, a young ninja named Ryu is attacked by a couple of men in black suits wearing white masks. He notices that they are related to someone worshiping the same Evil God of the past and resolves to fight against them before the Evil God is unsealed again.
One of the First Cindy Sherman's super-8 film,"Doll Clothes" (officially, the film is "Untitled") has not been viewed since 1975, the year it was made. It comically crosses Duchamp's Nude Descending a Staircase with animated paper dolls in a sly, funny and clever precursor to the concerns that became signature elements in Sherman's remarkable body of photographic work.
Emanuele Luzzati was a talented artist, director and animator. One of his best known short films was 1978’s The Magic Flute set to the music from Mozart’s two-act opera. As a stage director, Luzzati had mounted a lavish 1963 full-scale production of the opera and fell in love with the music and the story. His animated The Magic Flute, made fifteen years later, was met with glowing reviews and multiple awards. He followed the completion of the film with a children’s picture book that succinctly retells the story. (by Joseph Crisalli)