The autobiography of a Somalian nomad who was sold in marriage at 13, fled from Africa a while later to become finally an American supermodel and is now at the age of 38, the UN spokeswoman against female genital mutilation.
A saga of class relations and changing times in an Edwardian England on the brink of modernity, the film centers on liberal Margaret Schlegel, who, along with her sister Helen, becomes involved with two couples: wealthy, conservative industrialist Henry Wilcox and his wife Ruth, and the downwardly mobile working-class Leonard Bast and his mistress Jackie.
Based on the Mario Mendoza's book and inspired by true events, tells three interconnected stories happening in the eve of the infamous Pozzetto Massacre.
Spring 1944 - shortage of fuel, refugees, antisemitism and Swedish home made nazism. Eleven year old Ragnar grows up in a home where the parents look forward to a Nazi power takeover in Sweden. At his grandmother, Ragnar meets other thoughts and opinions than at home. Karl Gerhard entertains on the radio. As well as Zarah Leander. It's a chaotic and contradictory time for a boy. Ragnar's Nazi parents still hope for a Nazi-German victory in the war.
The scene is a tawdry hotel room in Limbo, where several damned souls are gathered. At first, the group fails to comprehend where they are or why they're there. When the horrible truth dawns upon them, they carp and snipe at one another, blaming everyone but themselves for their dismal fate.
Luigi has lived with his mother and little brother since their abusive father Franco left when he was 10. Now a young man brimming with rage, he joins a far-right gang in search of belonging, but Franco's return poisons everything.
Born free in the American West, Black Beauty is a horse rounded up and brought to Birtwick Stables, where she meets spirited teenager Jo Green. The two forge a bond that carries Beauty through the different chapters, challenges and adventures.
Current most popular performer at a gay club in the Philippines (though it’s patronized by an awful lot of ogling straight women), Dwight (Tyron Perez) has a crush on a collegiate girl and an eye on better prospects working abroad. But he unwisely gets involved with boytoy-hungry Madame Loca (Cherry Pie Pichache), a ruthless, corrupt businesswoman. Her disillusioned ex-dancer bodyguard Bert (Lauren Novero) tries in vain to warn Dwight. Meanwhile, past-prime-at-28 Alfred (Allen Dizon) struggles to find legit work to support his wife and child.
Dolly, a 67-year-old cleaning woman, gets mad at the Coop Supermarket. She thinks they're only pretending to be environmental because they still shrink-wrap their vegetables in plastic. She calls Coop and gets put through to Majken. Meeting Majken changes Dolly's life. You can't shut people down forever.
Dissipated Tokyo playwright, Kosuke has retreated to the countryside after deciding that he's done with women, but the indefatigable cat-in-heat Shiori has other ideas, clinging to Kosuke like his shadow.
While struggling with a broken marriage and the threat of eviction, a man tries to sell his engagement ring and in doing so he experiences that the lines between memories, dreams and reality are very thin.
Mirush leaves Kosovo hoping to find his father in Norway, who abandoned the family when Mirush was very young. Now the father runs a restaurant in Oslo, but he is also in deep debt to the Albanian Mafia. Mirush starts to work in his father's restaurant without letting him know that he is his son.
Abandoned by her husband, Barbi is dragged into trouble by her girlfriend, who spouts women's lib as she gets Barbi to discard her bra and go out on the town. Barbi becomes a Red Riding Hood in a sea of wolves, and quickly learns a lot more than she wanted to about nudist camps, the hippie scene, orgies, bisexuality, sadism, drugs, and bohemia.
Emma Woodhouse is a congenial young lady who delights in meddling in other people’s affairs. She is perpetually trying to unite men and women who are utterly wrong for each other. Despite her interest in romance, Emma is clueless about her own feelings, and her relationship with gentle Mr. Knightley.
Separation concerns the inner life of a woman during a period of breakdown – marital, and possibly mental. Her past and (possible?) future are revealed through a fragmented but brilliantly achieved and often humorous narrative, in which dreams and desires are as real as the ‘swinging’ London (complete with Procul Harum music and Mark Boyle light show) of the film’s setting.