A film about a man with a breakthrough history of Poland in the background. Edward Gierek is one of the most important figures of the 20th century in the collective memory of Polish people.
Otakar Vávra dedicated his latest film to events accompanying the devastation of the first World War. It takes place in representative centers of power, in the courts of Vienna, Berlin and Moscow. In parallel, it develops the fate of the Czech archivist, who will take part in the Serbian anti-Austrian branch.
This harrowing tale of survival centers on Rose, a Masurian woman, whose German soldier husband was killed in the war, leaving her alone on their farm. A single woman had no defense against Russian soldiers who raped as a form of revenge, nor against plundering Poles who found themselves in desperate straits. Help arrives for Rose in the form of Tadeusz, a former officer in the Polish Home Army who deserted after he saw his wife raped and murdered by Russian troops and is attempting to hide his identity.
The Spanish journalist Manuel Chaves Nogales (1897-1944) was always there where the news broke out: in the fratricidal Spain of 1936, in Bolshevik Russia, in Fascist Italy, in Nazi Germany, in occupied Paris or in the bombed London of World War II; because his job was to walk, see and tell stories, and thus fight against tyrants, at a time when it was necessary to take sides in order not to be left alone; but he, a man of integrity to the bitter end, never did so.
"The Biography of Sakyamuni Buddha" reproduces the journey of Sakyamuni from the birth of a prince, his renunciation, ascetic practice, seeking the Tao, until he became enlightened under the bodhi tree and became a Buddha more than 2,000 years ago.
The film follows the journey of Kitty, the imaginary friend to whom Anne Frank dedicated her diary. A fiery teenager, Kitty wakes up in the near future in Anne Frank's house in Amsterdam and embarks on a journey to find Anne, who she believes is still alive, in today's Europe. While the young girl is shocked by the modern world, she also comes across Anne's legacy.
The TV dramatization of PO Hviezdoslav's epic tells of a time when the feudal system as a social force begins to disappear. Its only salvation is to merge with the people. Ežo is a supporter of this idea.
A story set in Tsarist Russia, set in a manor house. The main character is the mute Gerasim, who lives in a touching friendship with his dog Mumu. The dramatic plot is based on the petty intrigues of people from his environment.
A director of a television series on the history of cinema, who has been grappling with the screenplay of his first feature film, receives an assignment to oversee the installation of a television relay station in a remote region of Zahedan province. He has already hired Turkmen tribespeople for his film and selected his filming location. Meanwhile his wife, who is working on her Ph.D. dissertation about the Mongol invasion of Iran, attempts to dissuade him from accepting the assignment. One night, while working on his history of the cinema series, the director fantasizes a diegetic world that consists of clever juxtapositions of his different worlds: the history of cinema, the history of the mongol invasion, his own film idea and his imminent assignment to the desert.
The story of the Cuban Missile Crisis in 1962—the nuclear standoff with the USSR sparked by the discovery by the Americans of missile bases established on the Soviet-allied island of Cuba.
One of the doyennes of Hungarian film deals with a dark period of national history: the Soviet regime in Hungary. She portrays it through the fate of the former prime minister and national hero, Imre Nagy. The script is based on the diary written by Imre Nagy, and the memories of his daughter, Erzsébet Nagy, as well as authentic documents and records.
After Seonjo passes away, Prince Gwanghae ascends to the throne. But he indulges himself in dissolute orgies, neglecting his duties as the king. Queen Dowager Inmok begs him to behave like a king. But Prince Gwanghae torments her, arguing that she's playing a regent. Queen Dowager cannot help but enduring the king's outrageousness.
A poetic cine-essay about race and Australia’s colonised history and how it impacts into the present offering insights into how various individuals deal with the traumatic legacies of British colonialism and its race-based policies. The film’s consultative process, with ‘Respecting Cultures’ (Tasmanian Aboriginal Protocols), offers an evolving shift in Australian historical narratives from the frontier wars, to one of diverse peoples working through historical trauma in a process of decolonisation.
Amira, a flight attendant and daughter of a foreign minister, marries fellow pilot Hassan Ramzy. Her husband, pilot Hassan, disappears in mysterious circumstances on the wedding night. Amira grieves for a while, until she is pressured to get engaged to Kamal, who is also a pilot, and the marriage is agreed upon in Cairo, On the honeymoon, the bride’s father knows the return of the ex-husband, Hassan.
This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.