The Japanese pop music duo Pink Lady are circus performers who show kindness toward a captured "monster," a sad, furry being (played by a man in a bulky, over-sized pink acrylic costume) who suffers acts of unusual cruelty by the keeper and ringmaster before the girls escape with the creature in a circus trailer.
"The Love We Make", a film directed by Albert Maysles ("Gimme Shelter") and Bradley Kaplan, follows Paul McCartney as he journeys through the streets of New York City in the aftermath of the destruction of the World Trade Center on September 11th, 2001. It also chronicles the planning and performance of the benefit concert that took place less than six months after the attacks: "The Concert For New York City".
Hyma, a mute girl with a passion for dance, escapes her evil stepmother with help from her lover. In the city, after facing many trials and tribulations, they finally make success out of their lives.
Peer Gynt grew up a handsome guy, girls peered at him, and he dreamed of becoming a king and getting rich. He went to the wedding and there he saw the girl Solveig. Peer got drunk, quarreled with the guests and went into the mountains, where he met a troll maiden. Peer wanted to marry her and become a king, but the troll king explained that for this you need to become a troll and live according to their customs. Peer managed to escape, and he sailed on the ship. For many years he swam and accumulated wealth. And when he returned to his native coast in a storm, the ship sank with all the load.
When has-been pop star So Sing Wah reluctantly agrees to join Summer, the daughter of his high school crush, Ha, on a journey to Japan to scatter Ha’s ashes, he has no idea that the trip will unravel not just distance, but time itself. In their teens, So and Ha shared music, hopes, and dreams—until a sudden departure changed everything. Now, they have a second chance.
In 1970, a string band called "The Possible" was really popular and made a fever among young people. One day, the band received a microphone as the present from a mysterious fan. Miraculously, the microphone was a time-machine that accidentally took them to the future, in 2007, where the modern music rules and they're just an out-of-date item.
Based on webcomic “Musicophilia” by Akira Saso published in 2011, this is a film about Saku Urushibara, a young man with a special ability to understand sounds in nature. His father is a prominent composer, and his younger half-brother is a genius music composer. Due to the success achieved by his father and half-brother, Saku Urushibara has an inferiority complex. He tries to stay away from music because of this, but he ends up enrolling at the University of Arts in Kyoto where his special ability helps him find his own voice in the world of contemporary classical music.
A shy woman is unexpectedly cast in a local production of an original musical. Under the spell of the strong-willed and enigmatic director, she loses herself in the role and the high-stakes world of this community theater production.
Celebrating the end of World War II and liberation of their city, a group of students is set on holding a cultural evening. They invite Ema, a reclusive piano teacher from the same building, to play for them. Ema declines, but starts reminscing back on her own life and the historical events that have seemingly overshadowed it.
In this musical, the Gilbert and Sullivan classic is updated and set in post-war Japan. This time, the trouble begins when a soldier, the son of a Yankee judge, falls in love with a Japanese girl. This enrages her Yakuza fiancé who kidnaps him.
In the wake of her passing, fans of the late Hong Kong icon Anita Mui strive to save and return a collection of fan-given gifts that are destined for the landfill. As the items find they way back to the original senders, personal stories of friendship and fandom with the superstar begin to emerge.
Set on the fictional Mediterranean island of Callista on the eve of the outbreak of the French Revolution, the play depicts the struggles of a young officer who is torn between love, friendship, and his love for his homeland.
A Huangmei opera produced by Shaw Brothers about a carp spirit who transforms into an identical copy of a beautiful woman to win the heart of a lonely male scholar.
Animation. The theme is Weightlessness. Objects and characters are cut loose from habitual meanings, also from tensions and gravitational limitations. A lyric Eric Satie track accompanies the film. Such a portrait seems necessary from time to time to remind us that equilibrium and harmony are possible, and that we will not dissolve into a jelly if we allow ourselves to relax into them: A horseman rides through the landscape, through the town, but never arrives anywhere in particular. An acrobat swings on a rope above a canal in Venice, and is content just to swing there. Nothing threatens to disturb them. This film is a total contrast to the Kafka-like oddities of Eastern European animation. —Canyon Cinema