This special was taped in 1977 but did not air until August 1979, on ABC. It featured most of Andy's famous gags, including Foreign Man/Latka and his Elvis Presley impersonation, as well as a host of unique segments (including a special appearance by children's television character Howdy Doody and the "Has-been Corner"). There also is a segment that included fake television screen static as part of the gag, which ABC executives were not comfortable with, fearing that viewers would mistake the static for broadcast problems and would change the channel—which was the comic element Kaufman wanted to present. Andy's Funhouse was written by Kaufman, Zmuda, and Mel Sherer, with music by Kaufman.
As a young child, Frederic had been apprenticed to a pirate by mistake when he should have been apprenticed to a pilot. Now, having reached his 21st year, Frederic's indentures are at last over and he happily leaves the service of the pirates. When Frederic meets the beautiful Mabel, one of the many daughters (or wards in Chancery) of Major-General Stanley, they fall in love and decide to marry. However, complications arise when the pirates decide to marry the rest of the Major-General's daughters, themselves - and Frederic's birthdate turns out to be not all it seems.
Praised by critics as “magnificent”, “breathtakingly theatrical” and full of “zestful imagination”, Melly Still’s “spine-tingling” Rusalka is a Glyndebourne classic – a magical contemporary reimagining of a much-loved fairy tale. Light and darkness, beauty and danger come together in this passionate tale of love against the odds. At once evocative and unsettling, this production collides two contrasting worlds in Rae Smith’s elegant designs made of “brilliant stage-pictures”. Rusalka’s forest home is a dappled space of sunshine and shadows, full of strange woodland creatures, while the Prince’s court is a world of sleek modernity and sophistication – a world of man.
A frightened second wife, a guilt-ridden widower, and a servant still devoted to her former mistress — all three tormented by the memory of a dead woman whose spirit appears to roam the corridors of the mansion they all reside in.
Doc Jenkins may be one of country music's most beloved stars, but his private life is a wreck. He's split up with his longtime partner, Blackie Buck, a country outlaw with a heart of gold. Doc's singer-wife, Honey Carder, has thrown him out of the house. And now he's gotten involved with a sleazy music manager, Rodeo Rocky, who's out to steal his material. Teaming up with Blackie, Doc takes drastic measures to win back his family and reclaim his songs.
Woozoo visits Osaka to finish his business as his boss Dae-jung has gone missing in a ship accident. On the last day, Woozoo chases someone looking exactly like Dae-jung. He ends up losing him, but the guitar sound draws him to a small bar, Pier 34. Its owner, Snow, somehow reminds him of Dae-jung and listening to his music brings back memories. After passing out right there, Woozoo misses his flight back to Korea and then quits his job on a whim. He soon meets Haruna who learns guitar from Snow. And he decides to stay at Pier 34 till he finds Dae-jung.
Upon leaving finishing school, Judy Gibson goes to meet her presumed wealthy and socially prominent relatives. However they are penniless Broadway characters and take possession of a Long Island mansion owned by an incarcerated thief so Judy doesn't find out the truth. Judy arrives with her fiancé and his father, who tries to sell worthless stock to Judy's family. They give him $200,000, part of the stashed loot they found belonging to the home-owner thief.
Suryam is the son of a great musician who wishes to change society through his music but his conservative father does not like his ways causing Suryam to leave home and fight his battle alone.
This satire concerns three French singing idols and their attempt to stay in the public eye. A press conference, backstage hedonism, psychedelia, manipulative managers and disc jockeys are portrayed as the pop culture is thoroughly and effectively lampooned in this independent feature.
Hugo Santiago and writers Juan José Saer and Jorge Semprún move back and forth between Paris and the city of Aquilea in a shadowy fable about exile. The frontier between one city and the other begins to blur after Bandoneonist Rodolfo Mederos is visited by his sister, a member of a guerrilla organization.
Celebrating the end of World War II and liberation of their city, a group of students is set on holding a cultural evening. They invite Ema, a reclusive piano teacher from the same building, to play for them. Ema declines, but starts reminscing back on her own life and the historical events that have seemingly overshadowed it.
On February 14, 1995, Hole recorded a live acoustic performance in front of an audience at the Brooklyn Academy of Music in New York City. Along with a string ensemble, The group played a mix of hits off "Live Through This," plus new material, covers by Duran Duran and Donovan, and unreleased Nirvana track "You Know You're Right."
Rusalka is not a happily tragic fairy tale. Rusalka’s lake is a dark, damp cellar, where she is imprisoned with her sisters by her abusive father. But once she finally escapes, she is thrown mute and alone into an equally brutal world where she is utterly unequipped to survive, and he increasingly looks like a protector.
After a bleak childhood, Jane Eyre goes out into the world to become a governess. As she lives happily in her new position at Thornfield Hall, she meet the dark, cold, and abrupt master of the house, Mr. Rochester. Jane and her employer grow close in friendship and she soon finds herself falling in love with him. Happiness seems to have found Jane at last, but could Mr. Rochester's terrible secret be about to destroy it forever?
Generation Orchestra is a portrait of the impact of an initiative by the same name students from the Miguel Torga School, in Amadora. The initiative was inspired by the international project Orquestra Simon Bolivar, the apex of the National Network of Youth and Children's Orchestras of Venezuela. Ana, Daniel, Diogo and Monica take part in Generation Orchestra and devote themselves to a project that breaks with the formatted context of public schooling and becomes an indispensable part of their lives. From the onset, starting with Drama classes, we discover their dreams, their relationship with music and their sense of truly belonging to a group.