Inspired by one of the twentieth century's greatest novels, composer Lorin Maazel evokes Orwell's totalitarian nightmare, where "Big Brother" is always watching, and those guilty of "thoughtcrime" are condemned to face their worst fears in the infamous "Room 101". Filmed during world premiere performances of Robert Lepage's spectacular and psychologically gripping Royal Opera production and conducted by the composer, an international cast brings George Orwell's dark vision to shattering operatic life.
A prince of the former royal family finds himself without a meaningful role in post-revolutionary Egyptian society. Based on the play by Tawfiq el-Hakim.
Emel works at Osman's club. There she meets Kemal and they fall in love. They decide to get married. Kemal's man Mahmut, gets Kemal into a pretended drugs business and causes Kemal to go to Tehran. Kemal writes letters to Emel but they are kept by Mahmut and Emel never sees them. Mahmut calls Kemal to Istanbul.
Alice In Chains returned to the stage after a three year absence with this live acoustic performance in New York on 10th April 1996. The band performed a 13-song set, including, 'Heaven Beside You', 'Rooster' and 'Would?'.
A young teenage rapper must use his musical talent to help his friend out and win the girl of his dreams by going through several events of betrayal, trust and agreement while his religious parents have strictly dislike his interests.
In the beginning there was the forest. Then came the live performance, and then the film. The yellow wagtail, Eurasian skylark, white-backed woodpecker, corncrake and hazel grouse have not only gotten their voices back, but have taken on human form — clad in elegant tailcoats and bearing names — to recount ancient tales. Through the interplay of theatrical metamorphoses and the creative team’s reflections on nature and relationships, a field of meaning unfolds, vaster than any single spectator. Where ends the self, and where begin the wings of birds and the branches of trees? Can culture, standing on the shoulders of nature, also nurture it? Or will it merely glisten in the light like a sawblade?
Winner of the DOC NYC Audience Award, Director Nick Canfield’s first film follows gospel-rock icon and activist Reverend Vince Anderson. After entering seminary, Vince dropped out to follow his second calling - music. With his band The Love Choir, he has played a now-legendary weekly show for over twenty years. Reconnecting with his faith and using his intense soulful music, he began to preach a type of spirituality that is open to all, meets people where they are, and moves everyone that sees him play. Reverend Vince is also deeply involved in social justice, working with other faith leaders around the country to build inclusive communities. Featuring Questlove and an ensemble of eccentric musicians, The Reverend is a rocking concert film as well as an intimate portrait of Reverend Vince’s inspiring personal and spiritual life.
Yeon-ju is an assistant director who has been trying to be a writer-director for ten years. After being turned down her last script and assigned an unwanted side job in her home town by an executive, she seriously considers quitting all. To make things worse, her mother gets sick. She got stuck in an unwanted circumstance. But strange enough, the unwanted side job gives her a glimpse of hope. The project is about the last Kie-sang (the feudal age courtesan) San-ok, who was the most excellent artist. Somehow Yeon-ju feels connected with her. At the verge of giving up her dream and life altogether, Yeon-ju starts to write a new script with the help of San-ok in her fantasy.
Arriving in Arizona, the band members discover that the hotel is haunted and that it properly belongs to young Jimmy Benson (Curtis), the nephew of the previous owner. The "ghosts," however, turns out to be a trio of confidence men, Zeke Winslow (Guinn "Big Boy" Williams), Noah Jones (Raymond Hatton) and Slim Jensen Victor Potel, who are hoping to buy the place themselves.
Summer 1994, Scotland. Johnno and Spanner are best mates, but Johnno’s family are moving him to a new town and a better life, leaving Spanner behind to face a precarious future. In pursuit of adventure and escape they head out on one last night to an illegal rave before parting ways indefinitely.