This is a 60-minute film of Justice’s 2017-2018 live show, recorded in an empty and invisible space without an audience, focusing exclusively on the impressive production and music. The show has been seen by millions of people around the world. It revolves around a floating structure comprised of 13 independent moving frames, each one featuring 4 rotating panels of LEDs, mirrors and traditional warm lights which offer infinite combinations. The structure is in constant evolution over the duration of the show and proposes several new visual landscapes on every track performed. The footage is captured with the precision and patience of a rigorous documentary about the cosmos.
Shirley MacLaine in concert, featuring highlights from her films like Sweet Charity and Irma La Douce. There's also a dramatic reading from The Turning Point and an entertaining illustration of how the styles of some of her famed choreographers differ.
A documentary covering the rise of extremely alternative band Half Japanese: from the early days when Jad and David Fair recorded loud music in their bedroom for distribution via mail order cassette tape, to their contemporary incarnation after David's departure for married life and Jad's increased stature among musicians and critics. Includes interviews with Jad, David, Mo Tucker of Velvet underground fame, and Penn Jillette, who produced an album of theirs.
This SECOND live broadcast aired a year after the success of the first. Utilizing much of the same cast, it nevertheless is its own unique performance which charmed millions of households in 1956.
Schultze is an accordion player and newly without work. When the local music club celebrates its 50th anniversary, his taste of music changes unexpectedly.
Sleeping Beauty was premiered in St. Petersburg with Tchaikovsky’s immortal music in 1890. In his version for the Ballett Zurich, Christian Spuck revives the classic in his own artistic style. With a great deal of humor, he addresses the complex process of growing up, relating themes such as generational conflicts with one’s parents, the difficulties of becoming a mature adult, and, last but not least, love and sexuality. Whenever possible, he frees the characters from their traditional role cliches. Petipa’s original version becomes a model that Christian Spuck occasionally cites yet repeatedly questions and counteracts with irony and occasionally irritating moments.
The film depicts the adolescent age of the Pandavas and Krishna and shows the events in the Mahabharata, focusing on the later chapters of Adi Parva and the first half of Sabha Parva.
Three merchant seamen fleeing the Japanese take refuge on a Pacific island, where they come across a doctor and his daughter who take care of the natives, a hostile tribe that wants to kill the sailors for trespassing on their sacred ground.
Ditching the typical glossy sheen of celebrity documentaries, this film gives audiences an intimate and unvarnished view of Louis Tomlinson's life and career. Through never-before-seen home movie footage and behind the scenes access to Louis’ sell-out 2022 World Tour, the documentary offers a unique perspective on what it's like to be a musician in today's fast-paced world.
Love conquers all – ruthlessly and irresistibly – as Emperor Nero and his mistress Poppea remove the obstacles to their union. At Barcelona’s Gran Teatre del Liceu David Alden’s visually sumptuous production, with its suggestions of a giant game of chess, puts the opera’s potent blend of sex and politics in a context that sets ancient against modern– just as the action juxtaposes scurrilous comedy and stark drama. Monteverdi’s magnificent score, meanwhile, accommodates intrigue, wit, nobility, tragedy and sensuality, and, led by the intense Sarah Connolly and the delectable Miah Persson, the cast brings both drama and music startlingly to life.
The legendary Plácido Domingo brings another new baritone role to the Met under the baton of his longtime collaborator James Levine. Liudmyla Monastyrska is Abigaille, the warrior woman determined to rule empires, and Jamie Barton is the heroic Fenena. Dmitri Belosselskiy is the stentorian voice of the oppressed Hebrew people.
Nabqa the seamstress is looking for a groom. She reads in the newspaper ads about a groom named Gamil Gamal, so they get engaged. Unfortunately, Nabqa goes out on the train one day, and without her noticing, a thief steals her wallet, including her engagement papers to Gamil Gamal and her ID card, and claims to be a woman of good lineage.
Nino is a pianist, he runs into Valentina in the underground and falls for her. Valentina is rich but she tells nothing to Nino who is proud. Andrea was the boy of Valentina before Nino and wants to marry her for her money. Nino leaves Valentina when he finds out that she is rich while Andrea, turned down again, kidnaps Valentina.