The show tells the story of a man who renounces the material comforts and prestige of being the King's upholsterer to create a theater troupe with the woman he loves. But the road to success is long, and there are many obstacles.
A musical version of the classic story about a miller's daughter who recieves help from a mischievous dwarf, then ends up over her head. Now, she and a mute servant girl may be the only hope for her baby son, John.
A documentary on Queercore, the cultural and social movement that began as an offshoot of punk and was distinguished by its discontent with society's disapproval of the gay, bisexual, lesbian and transgender communities.
Two formerly rich men try to get back on their feet, counting on their respective son and daughters marriage prospectives. The two youths meet and fall in love not knowing about their parents plan and even when the truth comes out and they are told to break the engagement because they are not rich, they fight to stay engaged and marry.
Luciano Pavarotti brings his spectacular voice and artistry to one of the most famous of all tenor roles—Manrico, the ardent troubadour, trapped in an impossible situation by forces beyond his control. The sensational Dolora Zajick, only days after her Met debut, gives an incandescent performance as the demented gypsy Azucena, thirsting for revenge against Count Di Luna (Sherrill Milnes). Eva Marton is the passionate Leonora, desired by both Manrico and the Count, and James Levine brilliantly leads the Met’s orchestra and chorus in some of Verdi’s best-known music.
In the beginning there was the forest. Then came the live performance, and then the film. The yellow wagtail, Eurasian skylark, white-backed woodpecker, corncrake and hazel grouse have not only gotten their voices back, but have taken on human form — clad in elegant tailcoats and bearing names — to recount ancient tales. Through the interplay of theatrical metamorphoses and the creative team’s reflections on nature and relationships, a field of meaning unfolds, vaster than any single spectator. Where ends the self, and where begin the wings of birds and the branches of trees? Can culture, standing on the shoulders of nature, also nurture it? Or will it merely glisten in the light like a sawblade?
A film about the first benefit rock concert when major musicians performed to raise relief funds for the poor of Bangladesh. The Concert for Bangladesh was a pair of benefit concerts organised by former Beatles guitarist George Harrison and Indian sitar player Ravi Shankar. The shows were held at 2:30 and 8:00 pm on Sunday, 1 August 1971, at Madison Square Garden in New York City, to raise international awareness of, and fund relief for refugees from East Pakistan, following the Bangladesh Liberation War-related genocide.
Twenty three year old virtuoso pianist Jennifer Rogiers has been living with a terrible secret most of her life. When she enters the world famous Queen Elisabeth competition the memory of a traumatic childhood experience surfaces again.
The story of the underground movement during the 60s leading up to its culmination at The 14 Hour Technicolor Dream, a "musical happening" at Alexandra Palace on April 29 1967.
A comedy about famous artist Zico, who's forced to marry (Bossy), as their grandfather stipulated in his will that they have to get married to have an inheritance of five million pounds , and as events develop their relation turns into true love.
In 1970s London, a teenage outsider named Enn falls in love with a rebellious alien girl named Zan, who has come to Earth for a party. Together, they navigate the complexities of intergalactic culture and the trials of first love.
Ahmed Mumtaz is an employee who invents a kind of fabric that does not burn. When he shows it to his boss, the latter shows it to his boss and takes credit for it. Ahmed goes to meet the general manager, and falls for his daughter who thinks that he's a millionaire.
In this feature length documentary, renowned director Gail Harvey follows Grammy Award Winning and Rolling Stones cover gracing singer-songwriter Rickie Lee Jones as she makes her first studio album in ten years. Jones reflects on aging, being a woman in the music industry and the amazing and complicated life she has lived.
Production Bayreuth 2024. There is no arrival in Tristan and Isolde, only the longing for the unattainable, for the place “where the end of deception promised me my heart”. Two people who strive to fall out of the roles ascribed to them, to escape the supposed lies of the day. Two people suffering from life, whose declaration of love consists of wanting to restore a moment that has irretrievably passed. Two nocturnal devotees who, in their regressive desire to be uplifted and completely abandon themselves, lose touch with reality and who, in their desire to abandon their ego to another and escape their own history, ultimately fail themselves. “To long to die, not to die of longing.”