"Dancing is sculpting in time." Diotima captures the fluid grace of two people sculpting time through dance, in a continuous one-take shot around Indy Simin's "Echt in Vorm." Their movements inside, around, and upon the sculpture reveal a simple unity, where shapes, dancers, and their environment are perpetually in motion, blending into an inseparable, seamless harmony of a never-ending dance.
Who are the chicks that make up the funk movement, and where are they? Funk has always been a form of protest, just as being a woman is. BEAT IS PROTEST: FUNK FROM A FEMALE PERSPECTIVE depicts the last decade underground scene of the funk women protesters in São Paulo. The testimonies come from transgender and cisgender women who navigate this universe in different roles, such as singers, DJs, beat-makers, producers, entrepreneurs, rappers, and dancers, and also from drag queens.
Documentary short film intended to drum up support for the Fifth War Loan Campaign. It shows a happy family in the future of 1960 enjoying the prosperity and advantages made possible by the successful prosecution of the war, and how the sacrifices of 1944 have made the world a better place.
This film contains interview material and archival footage presented all on one film. It begins with very rare black and white Australian documentary from the 60s with Jagger looking like the rebel, and Keith, looking somewhat wasted, talking about Brian Jones in some depth. Also featured are press conferences, a classic interview with Mick, Ronnie and a hung over Charlie Watts, the Life Time Achievements awards, Bill Wyman interview, Keith on why he loves the Stones, Charlie speaking about touring etc, and a long Australian interview to finish.
Buck is a hard working lumberjack, but likes to have fun. Buck's father is the foreman and wants Buck to take over when he retires. Buck is in love with Honey, a show-girl on the carnival boat, but she won't live in a lumberjack camp.
With the help of her mother, family, friends, and fellow musicians, Aiyana Elliott reaches for her father, legendary cowboy troubadour, Ramblin' Jack Elliott. She explores who he is and how he got there, working back and forth between archival and contemporary footage. Born in 1932 in Brooklyn, busking through the South and West in the early 50s, a year with Woody Guthrie, six years flatpicking in Europe, a triumphant return to Greenwich Village in the early 60s, mentoring Bob Dylan, then life on the road, from gig to gig, singing and telling stories. A Grammy and the National Medal of Arts await Jack near the end of a long trail. What will Aiyana find for herself?
Wild Man Blues is a 1998 documentary film directed by Barbara Kopple, about the musical avocation of actor/director/comic Woody Allen. The film takes its name from a jazz composition sometimes attributed to Jelly Roll Morton and sometimes to Louis Armstrong and recorded by both (among others). Allen's love of early 20th century New Orleans music is depicted through his 1996 tour of Europe with his New Orleans Jazz Band. Allen has played clarinet with this band for over 25 years. Although Allen's European tour is the film's primary focus, it was also notable as the first major public showcase for Allen's relationship with Soon-Yi Previn.
Rap de Saia is a documentary that reports, through the voices and rhymes of the protagonists themselves, part of the historical trajectory of Female Rap in the State of Rio de Janeiro. In addition to its historical trajectory, Rap de Saia brings a collection of themes that leads us to reflect on women in today's society.
Judy and her grandpa run a trolley between a train depot and a ghost town in Nevada, near the California border. Three spies intent of tracking down an atomic missile gone astray arrive. When the trolley breaks down, Judy and Grandpa unwittingly install the engine from the nearby crashed missile.
The Banjo Project is a cross-media cultural odyssey: a major television documentary, a live stage/multi-media performance, and a website that chronicle the journey of America’s quintessential instrument—the banjo—from its African roots to the 21st century. It’s a collaboration between Emmy-winning writer-producer Marc Fields and banjo virtuoso Tony Trischka (the Project’s Music Director), one of the most acclaimed acoustic musicians of his generation.
A poor graduated singer struggling to get his chance, disguises into an old music teacher to work in a girl's school. A bet is launched between two of the leading students to trap this teacher into their affection.
Queen and Adam Lambert see in the new year playing live to an audience of just 2000, at London's Iconic Big Ben. Setlist: Don't Stop Me Now / I Want To Break Free / Somebody to Love / Another One Bites the Dust / Under Pressure / Fat Bottomed Girls / Radio Ga Ga / I Want It All / Crazy Little Thing Called Love / The Show Must Go On / Bohemian Rhapsody/Killer Queen. Medley: We Will Rock You / We Are The Champions / God Save the Queen (Instrumental played from tape)
Collaborative concert of Hideaki Anno's Shin Godzilla and Neon genesis Evangelion in which you can listen to the soundtrack composed by Shirō Sagisu for both works.
Known for his unmistakable cascading strings and recordings such as Charmaine, Mantovani enthralled the world with his sublime arrangements. This is the story of the man and his music.
Two apartment house dwellers, although unrelated, share the same name. One is an older man with an appreciation for and love of classical music, while the other is a younger man addicted to swing music. The niece of the older man arrives for a visit and gets into the wrong apartment. Complications arise.