Inside the Kit Kat Club of 1931 Berlin, starry-eyed singer Sally Bowles and an impish emcee sound the clarion call to decadent fun, while outside a certain political party grows into a brutal force.
“Let us assume that Switzerland is truly a paradise. The music hereto was written long ago. We have merely forgotten it.” (Daniel Schmid) This is the material from which the most Swiss of all operas is made: the legendary Wilhelm Tell – a Swiss hero: straightforward, a primus inter pares of the indomitable freedom fighters, a good shot, surefire. A myth that becomes a poetic playground: nature in turmoil, the struggle for freedom and forbidden love. A legendary overture at a gallop with an iconic post horn motif – all this and much more in the thirty-seventh and last opera by Rossini.
Play the Video (also known as Play the DVD) is a video album by American electronic musician Moby. It features "Give An Idiot A Camcorder", a 20 minute movie by Moby starring Moby. Also includes live performances from Later With Jools Holland. And promo videos.
The idols of 765 Production continue on their neverending journey—towards a new stage, towards a bright and shiny future! The girls and their producer have gone through thick and thin, and have stood face to face with all kinds of difficulties. It's time again for the girls to foster their friendship, and through great discipline, they step forward to their starry future.
A fading country music star returns to his hometown, where he reunites with his childhood sweetheart and also meets his 16-year-old daughter for the first time.
This documentary follows 76-year-old nomadic musician Miguel Del Morales during his travels throughout Cuba, Guantanamo and Trinidad. Amid his journey, he meets up with some long-lost friends and makes brand-new ones. This engaging film was shot with just one hand-held camera and was a Director's Fortnight feature at the 2000 Cannes Film Festival. French filmmaker Karim Dridi directs and co-writes.
Broadway Idiot follows Green Day's Billie Joe Armstrong from a punk rock concert at Madison Square Garden to the opening of his musical American Idiot on Broadway - only ten blocks away, but worlds apart. From behind the curtain share in the crazy journey of turning the mega-hit album into a punk rock musical - and ultimately see how the world of theater transformed Billie Joe.
La Traviata was recorded at what was one of Venice's most exquisite 18th-century opera houses, La Fenice, tragically destroyed by fire in 1996, and now rebuilt. This glorious house is where La Traviata was premiered in 1853. In this memorable performance, Slovak soprano Edita Gruberova takes the leading role of Violetta, the tragic heroine, persuaded by Alfredo's father, Giorgio, to sacrifice her happiness with Alfredo for the sake of family honor.
In the early 1960s two artistic giants, conductor Herbert von Karajan and director Franco Zeffirelli, joined forces to create this milestone production of Puccini’s masterpiece at Milan’s Teatro alla Scala. Filmed in that legendary opera house in 1965, with Zeffireli himself directing for the cameras, this “Bohème” has been acclaimed universally for its unique theatrical impact and visual splendour. Starring the young Mirella Freni in her carreer-making performance. – For the first time the full dimension of opera on film.
John Carteret has long been depressed and lonely, because, at his wedding years ago, his bride, Moonyean, was murdered. He accepts into his house Kathleen, the 5-year-old orphaned niece of Moonyean, and she quickly grows up to look just like her aunt.
If necessity is the mother of invention, then Tijuana is where she gave birth and raised her kid. A city that rejects entropy, Tijuana constructs its own rules. Its denizens negotiate the chaos with fierce independence, ingenuity and a gift for improvisation. Frontier Life is a feature-length documentary that explores beyond Tijuana's Sin City heritage, beyond the aura of menace cultivated by the mainstream media, and searches for the heart and identity of a city that is much more than a cantina-strewn throwback to the Old West. This film does not set out to valorize or condemn what it finds. It approaches Tijuana on its own terms, looking at the city not so much in relationship to the U.S., the border, or even other regions in Mexico, but rather from the inside, within its own context.
A rock band has to record their third LP, which will either propel them to stardom or fade into oblivion. Despite executives’ reservations, their idea is to have the recording take place in New York. But everything complicates, and the creative process turns into a hellish ordeal. A love triangle with all its consequences unfolds, band members desert, romantic relationships shatter, rehearsals become rampant with drugs and alcohol, and the unbearable pressure from the record label leads to endless fights and arguments only interrupted by fleeting moments of happiness. Meanwhile, unknowingly, they will be composing an album that will leave a mark on an entire generation.