One night, a police department receives a call complaining about screaming coming from a house. The police find Ingorn (Mai Charoenpura), a 30-something land lady who is just moving in with her 7-year-old daughter, Pear. The daughter appears to have a mental condition and she has bruises all over her body. Ingorn insists on not letting her daughter have a thorough check-up at the hospital, but according to parental law she has to allow her daughter to see a psychiatrist. During the therapy, Pear claims that she is possessed by a spirit of a boy who haunts and hurts her...
After an accident, Daming can't remember what happened last night. Back home, he discovers in his closet the dead body of Gao Yan. Who killed this man hated by so many people included Daming himself?
Yuta is attacked by a pair of masked men and tries to escape. He is cornered in a factory by two men and left bleeding. Yuta decides to take revenge on the spot, but one of the masked men, Kurumada, begins to feel in love with Yuta. After that, incidents continued to occur at the same factory. Yuta, who is wandering around looking for a masked man, gives his body to Henmi, a gay man, on the condition that he cooperate with the search. Yuta finds the factory where he was raped, but is confronted by a masked man, Kurumada, who confesses his love for him.
In a dystopian future, with a social context influenced by various pandemics and with a political upheaval triggering reactionary governments, various young people hide on the outskirts of a city after looting a batch of vaccines. While the leaders of the group seek to sell them on the black market, the subjugated try to get their distribution among the marginal population who, like them, are deprived of vaccination. Tensions and discrimination based on sexuality or ethnicity soon arise in the group, reminiscent of past times, and that are the reflection of a society that has regressed. Desire and melancholy will mark characters stunned by a reality that is as fickle as unpredictable.
Detective Emmy Ridgeway and her partner investigate the death of a wealthy and influential woman. All clues lead them to a spa, where health treatments are not the only things on offer.
Agatha Christie’s agents propose that it’s time for her to publish the manuscript she wrote thirty-five years earlier, a novel in which she finally kills off her most famous creation. And it’s not an entirely sad occasion. “That wretched little man,” she says. “He’s always been so much trouble. How is it Miss Marple has never upset me at all, not ever?” That night, who should appear at her doorstep but the wretched little man himself, Hercule Poirot? The great fictional detective and his creator proceed to play a very Christie-like game of cat and mouse for the manuscript – and for their own lives.
Kumar Sen is an artist of eminence, a talented painter, and a renowned sculptor; and like the majority of his clan, he has a sensitive introvert. But no artist can achieve any degree of brilliance in his work. Miss Asha Varma is the only niece of a retired, jovial old pensioner, Ashok Varma, and she is truly the light of Kumar's life. One stormy night, Kumar tries to hold Ashok Varma to his unsaid promise of giving him asha's hand in marriage. But the interview ends in unpleasantness for both of them, as angrily the old man ordered Kumar never to darken his doorstep again. Soon after Ashok Varma is strangled to death. Asha's beau Rajesh is arrested for Ashok's murder. The whole drama unfolds in court and truth prevails, who really murdered Ashok Varma and whether Rajesh is innocent or guilty.
When psychologist Kate Kovic is asked to evaluate the sanity of a young girl on death row who is exhibiting signs of multiple personality disorder, she has only seven days before the scheduled execution to determine whether the girl is faking her condition to avoid the death penalty or if her personalities are in fact the missing clue to the unsolved murders of The Toyman Killer.
In 1941, an Irish documentary filmmaker hears of a man named J.C. Sullivan, who may know the fate of the Hollandia, a Norwegian ship that sailed to Antarctica in 1905 and disappeared. Sullivan was the carpenter on that ill-fated voyage and is the last known surviving crewmember of the Hollandia. When interviewed, Sullivan presents the filmmaker with canisters of old film footage which back up his unbelievable tale.
Coming from a police family, Tom Hardy ends up fighting his uncle after the murder of his father. Tom believes the killer is another cop, and goes on the record with his allegations. Demoted to water-way duty Tom, along with new partner Jo Christman, navigate the three rivers looking for clues and discovering bodies. This time the victims are women Tom knows, he must find the killer to prove his innocence.
A documentary film about occupational diseases shot in 1957 at the Francolor factory in Oissel. It takes the form of a scientific investigation to discover the origin of a mysterious illness that has infected a worker at the factory.