In this WW II drama based on an autobiographical story by director Michel Drach, a Jewish boy and his family living in Nazi occupied France, attempt to escape the cruel invaders. Later the boy grows up to become a filmmaker obsessed with chronicling his childhood.
First in a series of anthology films dealing with Christians who put their lives on the line to help rescue Jews from the Holocaust. In the first of two short films, "Mamusha," as the Nazis invade her country, a Polish Catholic housekeeper takes under her wing the youngster in the Jewish family for whom she is employed, and shepherds him through WWII in hopes of ultimately getting him repatriated to Palestine. In "Woman on a Bicycle," an unmarried French woman is pressed into service by the church to distribute underground communication pamphlets for the Resistance and ultimately ends up helping the church shelter 19 Jews.
The true story of the Fiils: a family of innkeepers who, during Nazi-Germany's occupation of Denmark, took up arms against the German occupiers. But in the fight for freedom, some must die so that others may live.
The film tells the story of the struggle to liberate Maraş from French occupation. Maraş is occupied by the French. The occupying forces issue a proclamation demanding that the people obey the French. The people refuse to obey the enemy and begin to organize among themselves. Two enemy soldiers attack a girl named Zeynep. Ali, who is at the head of the organization, rescues Zeynep. After this incident, the people begin to clash with the occupying soldiers. Realizing that the people have risen up, the French prepare to attack key points in the city. However, Ali and his friends, who are aware of these preparations, will devise a plan to liberate Maraş.
In 1917, the people of the Russian Empire are no longer willing to fight Germany, but the bourgeois government of Alexander Kerensky is unwilling to defy its imperialist allies and stop the war. Only Vladimir Lenin's Bolshevik Party is resolute in calling for peace. In the front, the soldiers of one battalion elect three delegates to travel to St. Petersburg with donations the troops collected for the Pravda newspaper: Gudushauri, Panasiuk and Ershov. The three arrive in the capital and describe the horrendous conditions in which the soldiers live to Joseph Stalin, Lenin's trusted aid and colleague. They join the Bolsheviks and take part in the storming of the Winter Palace, led by Stalin and Lenin. Stalin announces that the great dawn of revolution has broken.
In 1943, Max Fronenberg spent one year digging a secret underground tunnel to escape out of a prison camp in Warsaw, Poland during the Holocaust while saving fifteen other prisoners in the process and forced to leave behind the love of his life, Rena, in the prison.
In 19th-century Montenegro, the free mountain territories are surrounded by Turkish forces, isolated from the West and steeped in conservatism, patriarchy, and superstition. Morlak, a poet and bishop inspired by the historical figure Petar II Petrović Njegoš, leads his tribe in resisting the invaders. Gravely ill, he is sent to southern Italy in search of a cure. The journey takes him to a house in Naples, a city that contrasts sharply with his homeland’s isolated hills. As Morlak contemplates his existence, his loyal servant Djuko struggles with profound nostalgia, driven by the fear of his master’s death in a foreign land.
The hero is a young soldier who is in love with two girls simultaneously. While on the battlefield, the soldier learns that one of his sweethearts has committed suicide. Only temporarily taken aback, he begins to dream of the blissful domesticity which he will enjoy with the other girl upon his return.
After the impressive Gulistan, Land of Roses (VdR 2016), the Kurdish filmmaker Zaynê Akyol returns with these conversations with imprisoned members of the Islamic State, alternating their words with aerial views of the countryside. An unexpected look at a far-reaching current political issue and a film whose subject matter and rhythm create an impressive cinematic object.
In the distant future, the government has seized military control over its citizens in the wake of generations of bitter war. Oppressed, scared, and dying, the people look to one a one-man army on an endless crusade to restore their freedom.
A war drama told through the memories of Sofija (Sofka’s daughter) – Bojana Peković and the daily stories she hears from her grandfather or father Marko – Rade Šerbedžija. The fate of the family sends Sofija to the Komitas in order to avenge her ancestors. Sofija's weapons are a pistol, a rifle, a saber, but also a fiddle.
In the months before the war in Iraq , Abdel and Umayr , two brothers who are very close, will be forced to separate from each other. Months later , with the war in full swing, they will meet again , but neither of them is the same.