Break is a 'rags to riches', feel good story. The film follows the exploits of Spencer Pryde, a gifted, inner-city kid, wasting his talents on petty crime. After witnessing the brutal murder of his pal Denis and finding himself in debt to a drug dealing thug named Ginger, it seems Spencer's life is spiraling out of control, until one day, a chance encounter with a Chinese stranger and former eight-ball pool champion named Vincent Quiang presents him with an opportunity to turn his life around. But in order to make a new life for himself, Spencer will first need to break away from peer pressure of his friends, his environment and all the negative influences of his current life.
Twenty-two and on the verge of entering high society, college graduate Billy Mitchell finds his plans changing when he falls in love with an inmate with multiple personalities at his father's mental institution.
After troubled teen Katie is sentenced to house arrest, Katie falls for an attractive young man named John, who has just moved in next door. While their affair seems harmless at first, Katie becomes increasingly convinced there's more than meets the eye with John.
In tiny Colewell, Pennsylvania, the residents gather at the post office for mail and gossip, while the days pass quiet and serene. That is until news comes that the office is to close, and beloved clerk Nora is left to fight for her job and reflect on the choices she has made that kept her in Colewell for so many years.
After country music starlet Tess Stapleton’s album sales keep dropping, her label forces her to record a Christmas album with ex-teen heartthrob and pop-star, Derek Copeland, in an attempt to resurrect each’s career. Reluctantly, Tess agrees. At first, they appear to be polar opposites; clashing over song styles and irritated that they were forced together. However, to their combined surprise, as the album shapes up, they find themselves growing closer over their shared love of music. As they finish the album sparks begin to fly and love blooms just in time for Christmas.
When a recent widower consumed with regret seeks absolution in riding his motorcycle cross-country to confront the mistakes of his past, he unexpectedly discovers that life is about moving forward, one mile at a time.
The moment Riley meets Chris, she thinks he is handsome, charming and affectionate. He seemed perfect, but after a party at his house, Riley sees that Chris has a darker side. His adoration turns to obsession, her dream into a nightmare and she must figure out what he is after.
Kennedy Hansen is a funny, loving child but inexplicably she begins to fall. It takes years for the diagnosis… Juvenile Batten Disease, an extremely rare, terrible and terminal prognosis. There is no cure for Batten Disease and after living only sixteen years, Kennedy leaves behind a great legacy of love and friendship. But her story doesn't end at her death, that's when the miracles really begin. Based on a true story.
As society tackles the problem of feeding our expanding population safely and sustainably, a schism has arisen between scientists and consumers, motivated by fear and distrust. Food Evolution, narrated by Neil deGrasse Tyson, explores the polarized debate surrounding GMOs. Looking at the real-world application of food science in the past and present, the film argues for sound science and open-mindedness in a culture that increasingly shows resistance to both.
In 2009, police discovered the bodies of eleven women decomposing in and around the home of known sex offender. With unprecedented access to the surviving victims, UNSEEN looks into how this killing spree went unnoticed for so long.
When Kate’s best friend Em returns from abroad with a surprising new lover, they embark on a reunion vacation with their partners, but the peaceful getaway quickly becomes emotionally complicated.
Even with Christmas around the corner, for the Buckley boys, payback almost always wins out over brotherly love. That is until the four brothers join forces against a common adversary--the Hagbarts, the meanest bullies at their middle school. But now Mom has decided that the Buckley family is going to Elve the Hagbarts this year for Christmas. Eleven-year-old Matthew can hardly stand it. By day the Hagbarts torture the Buckley brothers into submission, and by night the Buckleys secretly deliver Christmas treats and gifts to their sworn enemies. Soon the war of wits escalates to an incredible scheme designed to get the ultimate revenge on the Hagbarts. But now that Matthew has been learning that he's supposed to be good to those who hate him, what will he do when a little push becomes a great big shove?
As an AIDS activist and member of ACT UP in the 1980s and 90s, Sam witnessed the deaths of too many friends and lovers. Battlewounded and struggling with survivor's guilt, Sam now resents the complacency of his former comrades and derides what he sees as the younger generation's indifference to the politics of sex, and of death. An unexpected intimacy with a much younger man challenges Sam's understanding of contemporary gay life. Through this unconventional romance, he is forced to deal with the trauma that so informs his past, their present, and an unknown future.
Polar opposites meet and fall in love, but it isn't long before their relationship is on the rocks. In order to get through the holiday season without too much drama they decide to pretend they are still a couple, but their plan takes an unexpected turn.
In the age of social media, nearly every day brings a new eruption of outrage. While people have always found something to be offended by, their ability to organize a groundswell of opposition to – and public censure of – their offender has never been more powerful. Today we're all one clumsy joke away from public ruin. Can We Take A Joke? offers a thought-provoking and wry exploration of outrage culture through the lens of stand-up comedy, with notables like Gilbert Gottfried, Penn Jillette, Lisa Lampanelli, and Adam Carolla detailing its stifling impact on comedy and the exchange of ideas. What will the future will be like if we can't learn how to take a joke?