In the far east the star of great power is stolen by an ambitious woman, who was jealous of the jungle girl who was sent by the gods, also succeeds in kidnapping her. This mission will only be solved by Santo, the masked man of silver who will have to save the girl and recover the star to return the tranquility to the town.
A mock-heroic 1798 poem Eneida is magnum opus of the first modern Ukrainian writer Ivan Kotliarevsky. It's a parody of Virgil's Aeneid, where Kotliarevsky transformed the Trojan heroes into Ukrainian Cossacks.
A couple is charged with murdering a friend after discovering a fraud scheme at a data-processing center. They hide in a van, where they set up a clandestine station, so they start to report the fact, seeking to mobilize public opinion until it becomes a national scandal.
A man is murdered. His father tracks the killer, hoping to get revenge before the police capture him. What happened to cause his son's death is gradually revealed.
Embarking on an exciting journey, the Monica group encounters a series of eight enchanting stories, each unfolding within a short span of 2-8 minutes. These tales, united by the charismatic presence of Jotalhão the elephant, offer a delightful mix of adventure and camaraderie.
Hashire Melos! is the title of two Japanese animated films. The first was directed by Tomoharu Katsumata and released on Japanese television on February 7, 1981. It was either 68 or 87 minutes long, and its official title did not include the exclamation mark on the end. The second, with the exclamation mark, was a 107-minute remake of the first and was released on July 25, 1992. It featured direction and screenplay by Masaaki Osumi, music by Kazumasa Oda, art by Hiroyuki Okiura and Satoshi Kon, and background art by Hiroshi Ohno. Both were produced by Toei Company Ltd. Visual 80, and both were based on the original short story written by Osamu Dazai in 1940.
A UFO transports three children back to the prehistoric. Three kids who have heard a mysterious call from advanced beings whom are about to take them in a journey of self discovery through the ages learning from love and friendship but also hate in a world of dinosaurs.
The kidnapping of a Viennese banker and his daughter threatens to trigger a diplomatic scandal, which could result in the entry of Austrian armies into the country. Margelatu thwarts this attempt and clears up the story.
A tale of passion and betrayal in which Samson, a judge of Israel who fled with his tribe during the Great Exodus from Egypt, uses his herculean strength in the fight against the Philistine oppressors. He is seduced by Delilah, a Philistine courtesan, who uses her cunning to discover the secret of her lover's great power and then betrays him.
This film stays very faithful to the original down to the smallest details, save for the kangaroo-rat that suddenly appears twenty minutes into the movie and subsequently follows Aladdin around, serving no purpose in the story but fulfilling the role of token animal mascot. The story takes some illogical and confusing jumps at the point where Aladdin begins to court the princess, and the extravagant animation that had characterised Toei films of the 60s, when Toei had the best animators around, had become a thing of the past long before this point; but this is still an above-average film, in large part because of the screenplay that stays so faithful to the original. The character designs are slightly more western-looking than one is accustomed to seeing in anime.