Compilation of unsettling short films where the goal is to entertain idiots. However, the twist lies in the production itself, as the creators realize that entertaining an idiot is harder than it seems.
In private, everything is pink; Silent DJ Jolene is getting ready for a date to meet Theo. She is rehearsing and being her joyful self. Suddenly, this happy tune gets disrupted by her neighbour Camile, who calls her “Miss Odd”.
"It's an everyday universe that exists 7 feet over our heads. They are city birds that you can find in every tree or every corner." Juan: a sparrow that feels ordinary and underestimates his own race. Accidentally, he changes the way he looks, and the same reason that will make him feel unique is what is going to put his life in danger. Feifi: a beautiful canary that manages to escape from the cage of a network tycoon (Mr. Puertas), and starts trying a new life in freedom, as a common bird. Both of them will need to be something that they aren't and will face danger and adventures with their friends (Libia, the Pidgeon; Pipo, the Humming Bird; Clarita, the Bat; and some more). A clumsy cat, some psyco Southern Lapwings and Mr. Puertas will make everything even harder for them. Juan and Feifi will try to shape their destiny to feel truly free. Written by Anonymous
Jet and his friends Sean, Sydney and Mindy attend a space camp, where they put their skills to the test. Along the way, Sunspot develops an allergic reaction that causes him to shrink. Team Propulsion must leave the camp and find the cure, "Dehshrinkulum," without Mitchell discovering just what they're doing.
An anthology of one-minute films created by 60 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
Mound is a celebration of the moving painting, in which more than one hundred pallid puppets – clowns, spectres, gnomes, wraiths, and ghouls – writhe, sway, plod, and transform with awkward grace to the mournful musical accompaniment of It’s Raining Today(1969) by legendary singer-songwriter Scott Walker (also known as Noel Scott Engel).
In a realm beyond the senses, plants interact with surreal cinematography to chart the course of our character: an entity said to embody the life and work of Felisberto Hernández, Uruguayan father of magical realism. Through this journey, we are confronted with an open-ended experience questioning the nature of musicality versus cinematography, entity versus aberration, and self versus space, in a self-referential, blurry, digital and mystical setting.
The curtain rises: a Kyōgen stage, an examination room at an eye specialist’s, a sushi counter. There are two people who meet in this. Feelings of the most diverse kind, alternating between fear and fascination, between tenderness and sanctuary, flare up and are immediately put into practice. The feelings of the other are explored.
On her way for a simple grocery, a girl literally has to struggle through her fellow beings. Some of those people tend to leave a mark, but only one person leaves a mark that sticks.