One day, King Yeremei decides to go on a long hike in order to consider all his areas and compile their register. A well appears on his way home, but as soon as the sovereign bent over him, he was seized by the underwater king Chudo-Yudo and demanded an unusual ransom for his release — that which is in the state of Yeremei, but which he does not know about. The tsar is forced to agree to these conditions, because he thinks that each blade of grass was taken into account in the inventory — he still does not suspect that in his absence the Queen gave birth to him an heir.
Irina Evteeva’s debut quickly became a kind of manifesto for the one-room experimental studio: it defines classification by interweaving animation, appropriated footage, feature and documentary to form a unique whole, a film that rushes backwards into the future, thereby re-inventing Futurism. Mayakovskiy is the star; his occasional presence holds together a film driven by the sound, the beat, of his poetry. Evteeva develops a dramatic structure of flaring, fading, being from light: violin strings become rays, quivering dull yellow spots, pictures. The plot assails the material from which it derives energy from material. History, growling and roaring, finds its form.
After a plane crash strands two brothers on a lost continent where dinosaurs and humans live together in harmony, they disagree over escape plans. (Condensed cut of original mini-series to be a feature length as seen on Peacock).
With Maltazard now seven feet tall and Arthur still two inches small, our hero must find a way to grow back to his normal size and stop the Evil M once and for all, with the help of Selenia and Betameche.
The relationship between beautiful Emilia (Elizabeth Cervantes) and her imaginative young daughter, Alicia, is tested in this understated Mexican drama. Disoriented after moving to a new apartment and left to herself when her mother starts bringing men home, Alicia takes refuge in dreams that soon become nightmares, especially after she begins to fear that her mom has become possessed by the vampirish man next door. With a keen eye for the rhythms and struggles of contemporary Mexican family life, this film illuminates the secret worlds of lonely children while never straying from its true subject: the uncommon love between a single mother and her child.
The team-up of Denji Sentai Megaranger and Gekisou Sentai Carranger. This V-Cinema special takes place between episodes 39 and 40 of Denji Sentai Megaranger.
A fantasy horror movie about high school students struggling to save their friends from evil spirits that are causing strange phenomena late at night at their school. Hee Min is the heir of the greatest exorcist in Korea, who is not yet aware of his own powers. So Young is a girl who is keeping a secret about the curse that is afflicting their school.
In an isolated matriarchal community, facing the brutal coming of age rituals women must go through to ensure their survival, Lina develops a forbidden relationship with a man and burns the status quo to the ground, lightning the path for a new way of life.
14-year old Susan Shawson travels back in time in her building's elevator. As altered by a retired physicist living in her building, it transports her from Philadelphia of 1998 back to the same place in 1881. There she meets Victoria Walker, a girl her own age in need of assistance with her own family problems. Gradually discovering the power of her time machine, Susan, Victoria, and her young brother Robert travel back and forth in time and succeed in changing both the past and the future.
The famous Cleopatra, Julius Caesar and Mark Antony succumb to the psychological traps of isolation. Latent memories of a recent past are confused with projections of a future that may not exist. Through erratic delusions, they enjoy their powers and banquets in games of influence, without knowing what will become of them.
The four pirates want to celebrate Halloween and decide to get some fresh pumpkins from Pumpkin Island. Steven is too scared and shows his friends the legend of the great pumpkin king...
A typical experimental film, in which a variety of audiovisual techniques are used to create the sense of polymorphic eroticism as developed by European and Mediterranean cinematography of the 20th century. Combining the methods of “animation” and “live action”, this intricate work embodies the idea of an “ars combinatoria”. The structure is loose, with neither a central axis nor a point where everything converges, contributing greatly to the open-ended character of the film, where rhythm is the key element.
Edwurd Fudwupper spends all his time cooking up big fibs. But one day, he tells such a humdinger that the army, the air force and the dog catcher are called to try to reverse the damage wrought. An unlikely heroine comes to his rescue.
A college professor, his wife, a young girl, and a drifter are suddenly faced with a society where money is worthless, food is scarce, your neighbor is your enemy, and oppression reigns. The four must survive a world of earthquakes, natural disasters, looters, corrupt officials, and the Antichrist in power.